Craig Russell - Lennox

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I telephoned Sneddon as soon as I got back to Glasgow. In fact I ’phoned him from the station and gave him everything I had, including, this time, the fact that Bobby, the McGahern gofer, had had his head mashed in a pretty similar way to whichever McGahern brother it had been who’d had his head pulped in the Rutherglen garage. I told Sneddon that I’d had a cosy chat with Mr Morrison and that we were pretty certain that it was Bobby who had tried to hire him on Tam McGahern’s behalf. And I did tell him about my suspicions that it had been Frankie who had been the first to go.

‘So it was Tam you gave a hiding?’ asked Sneddon. ‘I wouldn’t have thought that he would have been such a push over.’

‘Nor would I. It was a set up. For some reason Superintendent McNab was watching Frankie. I think that “Frankie” was Tam and he made a deliberate exhibition in front of McNab. I started off thinking that it was to set me up as a suspect for the first murder.’

‘But you don’t think that now?’

‘No. What happened that night made me more of a suspect for the second killing which, of course, doesn’t make sense. Tam wouldn’t frame me for his own murder. It was a set up all right, but I think it wasn’t to incriminate me but so that McNab saw me give “Frankie” a hiding. Maybe McNab suspected that it was Frankie who’d been killed the first time round. If I had been in a street fight with Tam McGahern, then I would’ve had my work cut out, like you say. I think Tam deliberately took a beating to convince McNab that he was Frankie.’

There was a silence at the other end of the ’phone. I guessed Sneddon was thinking it through.

‘It doesn’t make sense,’ he said eventually. ‘Why the fuck would Tam McGahern go to all that bother to convince people that he was Frankie and not Tam?’

‘Because Tam had been their real target and because of the games he and Frankie played with poor Wilma Marshall, Frankie had been pretending to be Tam that night and ended up getting the lead enema. Tam knew that whoever was after him, they were serious professionals. He was trying to prove that they’d got the right target and leave him alone. He obviously knew enough about me to guess that I would tell him to stuff his job and give him an excuse to jump me and take a hiding in front of a police audience.’

‘So who is it that’s after him? That’s what I’m paying you to find out.’

‘With the greatest respect you’re not paying me enough. These guys are real professionals, like I said. They gave my office a going over and you would hardly have noticed it. And the way they took out the first McGahern brother was slick. Funny thing is the second killing wasn’t. And the guys who jumped me in Argyle Street were more brawn than brains.’

‘You saying you don’t want the job any more?’

I sighed. I wished that I could say I didn’t. ‘No. The truth is that there’s a connection between this and something else I’m working on.’

‘Something I should know about?’

As I fed the pay ’phone with almost all of the change in my pocket, I related the whole story of John and Lillian Andrews to Sneddon. The only thing I had changed slightly in all I had told Sneddon was the chronology to disguise the fact that I hadn’t let on right away about Bobby’s splitting headache: if Sneddon thought that I hadn’t been delivering hot-off-the-press then I might have got a bit of a slap from a couple of his boys. Nothing to put me in hospital, but enough to make me less forgetful in future. And, of course, I thought it prudent not to mention my little bathtub windfall.

I actually felt better for going through the whole story. Saying it out loud even helped me see the whole thing more clearly. Again Sneddon stayed quiet other than the odd grunt throughout. I ended the conversation by retracting my declaration of independence. Maybe Twinkletoes would be useful to have on call. It was a call for help: I didn’t hold back on telling Sneddon about John Andrews warning me that I had been set up just like him. Sneddon could have gloated — I had been pretty self-righteous about my independence — but he didn’t.

‘I’ll put a couple of guys on your tail. Twinkletoes and another guy you don’t know. His name’s Semple.’

‘Is he more subtle than Twinkletoes?’

Sneddon laughed at his end of the line. ‘Naw. Not much. But he’s the kind of punter you want around if shite occurs.’

‘That’s what I need at the moment, to be honest. But tell them to stay in the background unless there’s trouble.’

‘I’ll fix it up.’

‘Okay, thanks,’ I said.

I was just about to hang up when Sneddon added: ‘By the way, what does he look like? Mr Morrison, I mean. I’ve never actually met him face-to-face.’

‘Oh… pretty much as you’d expect,’ I said. ‘Big. About six-three. Hard-looking bastard.’

‘Mmm,’ said Sneddon. ‘Figures.’

CHAPTER TWENTY

Sneddon was as good as his word. I turned in early that night and when I opened the curtains in my digs the next morning I saw a dark Austin 16HP, about seven or eight years old, parked on the street outside, about fifty yards up and on the other side of Great Western Road. One man behind the wheel. Of course it might not have been Sneddon’s men, but the vague feeling I had had over the few days before had suggested that if someone was following me, then they were too good for me to catch sight of.

After breakfast I drove west along Dumbarton Road and out of the city. The dark Austin 16HP dutifully followed. It only took me fifteen minutes to reach Levendale House. It was a vast place that had been designed and built as an expression of vast wealth and superiority. It had started life as a stately home: the kind of place you usually saw sitting in the heart of some majestic and beautiful Highland estate. Except it didn’t: it sat on the outskirts of Bishopbriggs.

War fucks everything up. More than that, it fucks people up. And that’s what Levendale House had become: a refuge for the seriously fucked up.

The funny thing about when the war was over was that everybody wanted to talk about it. Eulogize about it. And when they weren’t talking about it they were watching films about it, all of which seemed to star John Mills. It was as if there was some collective desire to convince each other that it had actually been a big adventure that brought everybody together and had brought the best out of even the worst.

Which was, of course, a crock of shit.

What people didn’t want to see was the shadow of misery the war had cast behind it: the tangle of damaged humans in its wake. But there were people who were prepared to look that truth in the face and deal with it every day. The people who worked at Levendale House looked after the broken bodies and broken minds of boys who had been thrown into the mincer and come back old men. Blind, crippled, mad.

The duty sister at Levendale, a tired-looking woman in her fifties, showed me into a bright day room with a view over the house’s vast gardens. I guessed she was the same sister I had spoken to on the telephone. She had asked me what my connection to the patient was and I had explained we had a friend, an old comrade, in common.

‘Did you know Billy before… well, before he was wounded?’ she asked with a concerned look. I got the feeling that her concern was as much for me as her patient.

‘No. As a matter of fact I didn’t. Like I said, we have a mutual friend who I’m trying to track down. We lost touch after the war. But I never met Pattison before.’

‘That’s maybe just as well. I think it’s best that I prepare you… Billy’s wounds were severe and extremely disfiguring.’

‘I’ve seen my share,’ I said.

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