Stephen Gallagher - The Boat House

But Alina hardly talked about herself at all, not at this first meeting. They talked about hours to be worked, they quickly fixed a rate. She said that she was waiting for some of her belongings to be sent on, but she'd supply all her tax and National Insurance details as soon as they came. She said that she could start whenever they needed her; tomorrow, if they wanted.

When they'd covered more or less everything and it was time for her to go, Angelica walked with her to the main doors. The empty restaurant lay in linen-and-silver silence behind them as she undid the bolts and opened up to the daylight.

Alina said, "What time should I be here?"

"Say eleven. It doesn't much matter what you wear during the day, but we'll find you something for the evenings."

"You mean a uniform?"

"No, just something plain."

As they moved out onto the entrance steps, they saw a breakdown wagon thundering by and raising up dust in the square. Without warning, it suddenly let out a blast of the first line of Dixie on a five tone airhorn, so loud and so unexpected that it made Alina take a startled step back.

"Ten to one that's young Wayne Hammond," Angelica said. "You'll probably get to meet him. He's a regular."

Alina looked out to where the wagon was already disappearing from sight; and she nodded, barely perceptibly.

"I'll get to know them all," she said.

Even though he was still only sixteen, Wayne had been driving the yard's vehicles around the quiet back roads in the off-season for the past two years. There was nothing unique in this; it wasn't uncommon in the lanes to find oneself stuck behind a slow-moving tractor with a twelve-year-old in the cab, using public highways to get from one piece of a farm to another. Ross Aldridge, the 'newcomer' policeman, must have been pretty well-briefed by his predecessor, because he restricted himself to friendly off-the-record warnings when the practice occasionally became too obvious. He couldn't really complain too much; not after the time that he'd run his patrol car into a ditch only three weeks into his new appointment, and the Middlemass girl (14) had turned up with a chain and towed him out.

Wayne was driving now as they left the last of the houses behind, following the lake shore for a while until the wooded hillside of the Step rose up and screened it from their sight. Liston Hall was about a mile and a half further on, reached by its own private drive. The gates to this were kept permanently locked but there was a less conspicuous entrance, hardly more than a mud road, amongst the trees a hundred yards along.

They pulled in onto a white gravel forecourt. The place wasn't huge by country house standards — two storeys, twenty-something rooms — but its main entrance was a covered carriage porch with stone pillars and broad steps leading up to the doors. The house wasn't run-down, either, but there were touches here and there betraying the fact that it hadn't been lived in for a couple of years; the windows that weren't shuttered weren't clean, and there were weeds pushing up through the gravel.

"Wayne," Pete said as he opened the wagon's door to get out. "You're already driving without a license. Don't you think that the Dixie horn's pushing it a bit?"

"I know," Wayne said sadly. "The devil makes me do it."

Pete walked over to the steps. Seen from close-to, the columns were peeling; they were also heavily stained with pigeon crap. It was hard to think of a place like this as somebody's home. It looked more like a public building or a sanatorium. This was mostly a matter of scale; Pete's feeling was that you couldn't own such a place, you could only be owned by it. You could die or go bankrupt and the house would stay basically unchanged, still mouldering slowly and running up a ransom of a heating bill… unless you were so fabulously rich that you could afford not to give a shit, in which case all arguments foundered. The latter category could hardly include Dizzy Liston; otherwise, why would he consent to selling off his toys to cover his expenses?

Pete found the bellpush, and pressed.

Nothing seemed to happen, so he pressed again.

Still no response. He glanced over at Wayne, and Wayne pointed helpfully to the Dixie horn.

"Do you want me to..?" he said, leaving the offer hanging.

"No," Pete said quickly. "No, thanks. Wait here, I'll check around the back."

There was a brick path down the side of the house, and he followed it. There had to be somebody around, although from the state of the path he wouldn't have laid any bets on it being a gardener. The path brought him out into the rest of the grounds.

This was obviously the side of the house that was meant to be considered as the frontage, with its six-foot windows and its first-floor parapet and views over formal gardens. It was, however, as lifeless as the forecourt area.

Well, at least the place had atmosphere. It had something of the look of a decaying Italian palazzo , stone urns and all.

"Anybody home?" Pete called out, and then two things happened very close together.

Firstly, a couple of birds were scared up out of a nearby bush by his call; and secondly, there was a detonation so loud that he almost felt it as a physical shockwave. The birds squawked and flapped, and the very top of the bush seemed to be flicked by an invisible hand which knocked a few shreds of leaf out into the air. Pete didn't know whether to duck or run, and the choice was fairly academic anyway as for the moment his body seemed to be about as responsive as a sack of rocks.

A woman with a shotgun stepped out onto the path some way ahead.

Diane Jackson, the woman he'd come to see.

"Sorry about the bang," she called, much as someone might apologise for slamming a car door too loudly, and she started to walk towards him. "It's the bloody pigeons. They've been driving me mad ever since I moved in, but as soon as I come out with a gun they all disappear. See up there?" She pointed. "Pigeon shit," she went on, without waiting for Pete to reply. "The roof's covered in it. I was going to blast a couple and then string them up to scare the others. Do you think that would work?"

"It would with me," Pete said.

He was pretty sure that she hadn't recognised him.

Well, what could he expect… he'd been no more than another face around the yard on the two or three occasions that she'd been by, no reason that he should have made any lasting impression on her at all. She'd been polite, and he'd been too quick to imagine that it might signify something more. No big deal, it had happened in his life before; but suddenly he was intensely, intensely relieved that Wayne had stayed in the van and couldn't see this. And better he should get the hard lesson now, than later.

She breezed on by, presumably expecting him to follow; she was heading for a side entrance to the house that was reached through an overgrown kitchen garden. At the second attempt, he got himself moving. His ears were still ringing from the gunshot. On the evidence of her marksmanship so far, the safest place to shelter would probably be squarely before the target.

"I tried the bell at the front," Pete said as they went in through a whitewashed scullery. This led into a Victorian-style kitchen with a tiled floor and copper skillets hanging in the middle of the room.

"It doesn't work," Diane Jackson said. "Like most of the estate staff who were supposed to have been keeping the place straight. I seem to be doing nothing but making lists of things that need fixing."

She kicked something in the gloom, and stopped briefly to pick it up. It was a Speak amp; Spell .

"Jed's," she explained. "He's going to be a litterbug when he grows up."

There was more evidence of Jed's presence on the pinup noticeboard alongside the kitchen door. It was covered in paintings and crayon drawings, obviously by a child of preschool age. The largest and most colourful of them showed a woman with a shotgun, blasting away at Red Indians.