"You take what you have on you and get the woman back— now! "
Deonovich was released and he cowered even farther away from the insanely bright eyes of Alexander. Then he turned on his heels and ran in the same direction as Lynn.
The maniacal sound of the Canadian's voice startled everyone who heard it. It blasted over the thunder and rain, and it seemed to center on each individual. As Collins watched, men made for their tents and packs, weapons and equipment. The Spetsnaz was going to secure the doomsday weapon, and all Jack could do was watch.
The group would follow Lynn into the northern woods of the Stikine, and two different species of man would meet head-on after a million years of living separately.
The outcome might just decide the inheritors of the new world.
PART THREE
THE FOREST PRIMEVAL
Charles Hindershot Ellenshaw III was hearing droning once more from deep in his mind. He tried to focus on the dream but it kept fluttering tantalizing close and then vanishing; it was constantly in and out of hearing range. The song was the same one he was singing before he had passed out: "Crystal Blue Persuasion" was being hummed with a deepness to it that made it seem it was coming from a deep and darkened well. The humming was not good, but continuous. Finally, the pain in his shoulder brought Charlie to the brink of wakefulness.
The smell of mildew and earth was the first thing to enter his waking mind as his eyes fluttered open. Or did they, he wondered. The blackness told him he was dreaming yet again as he tried to move his head. That was when he realized he was awake and that wherever he was, the sun never reached. Then it hit him like a comet: the cave and that old familiar smell from 1968—he was inside of Lattimer's cave.
Charlie tried to sit up, but the pain in his shoulder told him that was definitely not a good idea. He lay back down and that was when he realized the humming had stopped. With his shoulder screaming, Charlie moved his right hand to his front pants pocket and removed a small lighter. That was when his memory came back and he knew that the Russians had shot him — for what? Then it struck him: because he tried to be a hero, and he knew then for the first time in his life he had to admit that he just wasn't the hero type.
"Foolish old man," he said to himself, not realizing he had spoken out loud. That was when he heard movement to his right. Something large had scurried from where he lay to someplace farther down the cave's long and dark passage. Charlie swallowed, and still lying on his back, he used the lighter in his hand.
He kept his eyes closed for the longest time, afraid to open them for fear of what his vision would behold. Finally, gathering up his courage, he opened one eye and saw the cave's ceiling some thirty-five feet above his prone body. The ancient stalactites hung down like teeth in a nightmare mouth. He swallowed and opened his other eye, and then he turned his head. He saw that he was lying on a bed of leaves and moss. The smell of rotting vegetation was atrocious and he crinkled his nose. He smelled urine and feces, but the rotting bed mat was the worst.
As his eyes roamed the cave, he saw cave drawings, not unlike the ones he remembered from his first encounter back in 1968. As he tried to sit up, he was amazed at how deep the colors used on the paintings were. They looked powerful in their renderings of deer, elk, and other forest animals, and unlike the cave paintings of Paleolithic man in European paintings, these were depictions of hunts, or the killing of game; these were like a naturalist's view of the wild world. Charlie saw whole herds of beasts, running through the woods, grazing, and doing the everyday things that these animals would do.
Charlie managed to push the throbbing pain in his shoulder to the back of his mind, absentmindedly reaching for his left arm. With the lighter so close to his wound, Charlie was astounded to see that the bullet hole had been packed with what looked to be mud and small shavings of bark and grass. It smelled like someone had placed animal droppings in there for good measure. He shook his head and shied away from looking at the disgusting mess. He concentrated on standing up, one movement at a time, inches at most. Finally he managed to gain his feet, which he noticed were bare. Someone had removed his boots. When he looked around he could see them a few feet away. His eyes widened when he realized they looked as if they had been virtually stripped from his feet like a banana peel — the tongues were completely torn free and the laces were missing.
Ellenshaw shook his head, letting the lighter go out to give his thumb a rest. He stepped forward from the bed of leaves and grass until he felt dirt beneath his feet. Using his good right arm, he felt the coldness of the cave wall. His fingers felt the dampness and he rubbed them together. Overhead through the rock strata of the cave, Charlie heard the soft rumble of thunder and knew that the humidity he was feeling was caused by the deepness of the cave. He was far beneath the earth and that was when he realized that he was far away from the opening he had been in those many years ago. He almost became ill with the thought of being buried so far from the surface of the world.
He shook his head when he discovered that he was acting like a schoolgirl. He had a chance here to possibly see something that no man in history had ever been witness to: an actual living entity that hadn't changed in millions of years. With that thought Charlie struck the lighter once more. The flame illuminated the cave wall and Ellenshaw saw a large painting of what looked to be a bird — it almost resembled the phoenix of southern Maya and Inca origins. It looked like it was rising in flames from the earth, but no, Charlie thought to himself, it wasn't rising at all — it was falling. And never once had he seen any historical depiction of the phoenix with a man riding on the back of the giant bird.
"Amazing detail for a prehistoric rendering, I must say," Charlie said to himself.
Ellenshaw shook his head and stepped to his right. There were more depictions of animals and of the surrounding woods. He turned and looked behind him at the rear wall of the giant cave — there were more paintings there. As he stepped up, his eyes widened. There were straight horizontal lines drawn over a wavy surface, almost looking like a zigzag pattern against the stone wall. On these horizontal lines were what Charlie realized immediately were representations of men. They were stick men, but he could see that these men were on what had to be boats, the straight lines riding over a rippling surface. The Stikine River! he thought to himself.
Ellenshaw, placing the lighter as close to the painting as he could, reached out and with his finger touched the red (blood, he was thinking) and green pigment, then he brought the finger away and moaned deep in his chest. The water-based colors were still wet. Charlie's eyes widened as a sudden gust of breeze blew the lighter out. He cursed and struck the small wheel again, flicking the lighter and trying to get it to catch. Every time the flint was struck, the wall and interior of the cave illuminated around him, and that was when he failed to realize in those momentary flashes of light, that he wasn't alone.
He cursed one more time and struck the flint wheel of the lighter; this time the flame came up and stayed lit and as he turned, still in shock that the painting he had just touched was still wet to the touch, he came face to face with the artist.
Ellenshaw's mouth fell open as the vision of a million years penetrated his soul. Standing five feet over Charlie's head was Giganticus Pythicus, an ape that was supposedly extinct for the past ten thousand years. The eyes were that of no ape, and the face was not covered in fur or hair. The skin was clean and the lines of age were clearly seen. The nose was actually very similar to a man's, not flat like a modern ape, not large like a humans, either — it was somewhere in between. The mouth was large and as it opened its maw, Ellenshaw could see that the teeth were still that of an animal that could use its canines for very adequate defense.
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