Dean Koontz - Lightning

For months Laura despaired of reversing Thelma's decline. At night Thelma was plagued by dreams, and by day she stewed in self-recrimination. Eventually, time healed her, though her wounds never entirely closed. Her sense of humor gradually returned, and her wit became as sharp as ever, but there was a new melancholy in her.

They shared a room at Caswell Hall for five years, until they left the custody of the state and embarked on lives under no one's control but their own. They shared many laughs during those years. Life was good again but never the same as it had been before the fire.

In the main lab of the institute, the dominant object was the gate through which one could step into other ages. It was a huge, barrel-shaped device, twelve feet long and eight feet in diameter, of highly polished steel on the outside, lined with polished copper on the inside. It rested on copper blocks that held it eighteen inches off the floor. Thick electrical cables trailed from it, and within the barrel strange currents made the air shimmer as if it were water.

Kokoschka returned through time to the gate, materializing inside that enormous cylinder. He had made several trips that day, shadowing Stefan in far times and places, and at last he had learned why the traitor was obsessed with reshaping the life of Laura Shane. He hurried to the mouth of the gate and stepped down onto the lab floor, where two scientists and three of his own men were waiting for him.

"The girl has nothing to do with the bastard's plots against the government, nothing to do with his attempts to destroy the time-travel project," Kokoschka said. "She's an entirely separate matter, just a personal crusade of his."

"So now we know everything he's done and why," said one of the scientists, "and you can eliminate him."

"Yes," Kokoschka said, crossing the room to the main programming board. "Now that we've uncovered all the traitor's secrets, we can kill him."

As he sat down at the programming board, intending to reset the gate to deliver him to yet another time, where he could surprise the traitor, Kokoschka decided to kill Laura, too. It would be an easy job something he could handle by himself, for he would have the element of surprise on his side; he preferred to work alone, anyway, whenever possible; he disliked sharing the pleasure. Laura Shane was no danger to the government or to its plans to reshape the future of the world, but he would kill her first and in front of Stefan, merely to break the traitor's heart before putting a bullet in it. Besides, Kokoschka liked to kill.

On Laura Shane's twenty-second birthday, January 12, 1977, she received a toad in the mail. The box in which it came bore no return address, and no note was enclosed. She opened it at the desk by the window in the living room of her apartment, and the clear sunlight of the unusually warm winter day glimmered pleasingly on the charming little figurine. The toad was ceramic, two inches tall, standing on a ceramic lily pad, wearing a top hat and holding a cane.

Two weeks earlier the campus literary magazine had published "Amphibian Epics," a short story of hers about a girl whose father spun fanciful tales of an imaginary toad, Sir Tommy of England. Only she knew that the piece was as much fact as fiction, though someone apparently intuited at least something of the true importance that the story had for her, because the grinning toad in the top hat was packed with extraordinary care. It was carefully wrapped in a swatch of soft cotton cloth tied with red ribbon, then further wrapped in tissue paper, nestled in a plain white box in a bed of cotton balls, and that box was packed in a nest of shredded newspaper inside a still larger box. No one would go to such trouble to protect a five-dollar, novelty figurine unless the packing was meant to signify the sender's perception of the depth of her emotional involvement with the events of "Amphibian Epics."

To afford the rent, she shared her off-campus apartment in Irvine with two juniors at the university, Meg Falcone and Julie Ishimina, and at first she thought perhaps one of them had sent the toad. They seemed unlikely candidates, for Laura was not close to either of them. They were busy with studies and interests of their own; and they had lived with her only since the previous September. They claimed to have no knowledge of the toad, and their denials seemed sincere.

She wondered if Dr. Matlin, the faculty adviser to the literary magazine at UCI, might have sent the figurine. Since her sophomore year, when she had taken Matlin's course in creative writing, he had encouraged her to pursue her talent and polish her craftsmanship. He had been particularly fond of "Amphibian Epics," so maybe he had sent the toad to say "well done." But why no return address, no card? Why the secrecy? No, that was out of character for Harry Matlin.

She had a few casual friends at the university, but she was not truly close to anyone because she had little time to make and sustain deep friendships. Between her studies, her job, and her writing, she used up all the hours of the day not devoted to sleeping or eating. She could think of no one who would have gone out of his way to buy the toad, package it, and mail it anonymously. A mystery.

The following day her first class was at eight o'clock and her last at two. She returned to her nine-year-old Chevy in the campus parking lot at a quarter till four, unlocked the door, got behind the wheel — and was startled to see another toad on the dashboard.

It was two inches high and four inches long. This one was also ceramic, emerald green, reclining with one arm bent and its head propped on its hand. It was smiling dreamily.

She was sure she had left the car locked, and in fact it had been locked when she returned from class. The enigmatic giver of toads had evidently gone to considerable trouble to open the Chevy without a key — a loid of some kind or a coathanger worked through the top of the window to the lock button — and leave the toad in a dramatic fashion.

Later she put the reclining toad on her nightstand where the top hat-and-cane fellow already stood. She spent the evening in bed, reading. From time to time her attention drifted away from the page to the ceramic figures.

The next morning when she left the apartment, she found a small box on her doorstep. Inside was another meticulously wrapped toad. It was cast in pewter, sitting upon a log, holding a banjo. The mystery deepened.

In the summer she put in a full shift as a waitress at Hamburger Hamlet in Costa Mesa, but during the school year her course load was so heavy that she could work only three evenings a week. The

Hamlet was an upscale hamburger restaurant providing good food for reasonable prices in a moderately plush ambience — crossbeam ceiling, lots of wood paneling, hugely comfortable armchairs — so the customers were usually happier than those in other places where she had waited tables.

Even if the atmosphere had been seedy and the customers surly, she would have kept the job; she needed the money. On her eighteenth birthday, four years ago, she learned that her father had established a trust fund, consisting of the assets liquidated upon his death, and that the trust could not be touched by the state to pay for her care at McIlroy Home and Caswell Hall. At that time the funds had become hers to spend, and she had applied them toward living and college expenses. Her father hadn't been rich; there was only twelve thousand dollars even after six years of accrued interest, not nearly enough for four years of rent, food, clothing, and tuition, so she depended upon her income as a waitress to make up the difference.

On Sunday evening, January 16, she was halfway through her shift at the Hamlet when the host escorted an older couple, about sixty, to one of the booths in Laura's station. They asked for two Michelobs while they studied the menu. A few minutes later, when she returned from the bar with the beers and two frosted mugs on a tray, she saw a ceramic toad on their table. She nearly dropped the tray in surprise. She looked at the man, at the woman, and they were grinning at her, but they weren't saying anything, so she said, "You've been giving me toads? But I don't even know you — do I?"