Dean Koontz - Tick Tock

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Tommy Phan is a successful detective novelist, living the American Dream in southern California. One evening he comes home to find a small rag doll on his doorstep. It’s a simple doll, covered entirely in white cloth, with crossed black stitches for the eyes and mouth, and another pair forming an X over the heart. Curious, he brings it inside. That night, Tommy hears an odd popping sound and looks up to see the stitches breaking over the doll’s heart. And in minutes the fabric of Tommy Phan’s reality will be torn apart. Something terrifying emerges from the pristine white cloth, something that will follow Tommy wherever he goes. Something that he can’t destroy. It wants Tommy’s life and he doesn’t know why. He has only one ally, a beautiful, strangely intuitive waitress he meets by chance—or by a design far beyond his comprehension. He has too many questions, no answers, and very little time. Because the vicious and demonically clever doll has left this warning on Tommy’s computer screen: The deadline is dawn. TICK TOCK. Time is running out.

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‘You’re lying.’

‘Kittens,’ she insisted, zipping shut another pocket.

‘I don’t think so.’ He started toward the stairs. ‘Two minutes is all I need.’

She snatched the Desert Eagle.44 Magnum off the foyer table, swung toward him, and pointed the weapon at his face. ‘Stop right there.’

‘Jesus, Del, that gun’s loaded.’

‘I know.’

‘Don’t point it at me.’

‘Get away from the stairs, Tommy.’

There was nothing frivolous about her now. She was cold and businesslike.

‘I’d never point this at you,’ he said, indicating the shotgun in his right hand.

‘I know,’ she said flatly, but she didn’t lower her weapon.

The muzzle of the Desert Eagle was only ten inches from Tommy and aligned with the bridge of his nose.

He was looking at a new Deliverance Payne. Steely. His heart thudded hard enough to shake his entire body. ‘You won’t shoot me.’

‘I will,’ she said with such icy conviction that she could not be doubted.

‘Just to keep me from seeing some paintings?’

‘You’re not ready to see them yet,’ she said.

‘Meaning... someday you will want me to see them.’

‘When the time is right.’

Tommy’s mouth was so dry that he had to work up some saliva to loosen his tongue. ‘But I won’t ever see them if you blow my brains out.’

‘Good point,’ she said, and she lowered the gun. ‘So I’ll shoot you in the leg.’

The pistol was aimed at his right knee.

‘One round from that monster would blow my whole damn leg off.’

‘They make excellent prosthetic limbs these days.’

‘I’d bleed to death.’

‘I know first aid.’

‘You’re a total fruitcake, Del.’

He meant what he said. To one extent or another, she had to be mentally unbalanced, even though she had told him earlier that she was the sanest person he knew. Regardless of what mysteries she guarded, what secrets she held, nothing she ultimately revealed to him would ever be sufficiently exculpatory to prove her behaviour was reasoned and logical. Nevertheless, though she scared him, she was enormously appealing as well. Tommy wondered what it said about his own sanity to acknowl-edge that he was strongly attracted to this basket case.

He wanted to kiss her.

Incredibly, she said, ‘I think I’m going to fall in love with you, Tuong Tommy. So don’t make me blow your leg off.’

Astonished into a blush, conflicted as never before,

Tommy reluctantly turned away from the stairs and went past Del to the front door.

She tracked him with the Desert Eagle.

‘Okay, okay, I’ll wait until you’re ready to show them to me,’ he said.

At last she lowered her weapon. ‘Thank you.’

‘But,’ he said, ‘when I finally do see them, they damn well better be worth the wait.’

‘Just kittens,’ she said, and she smiled.

He was surprised that her smile could still warm him. Seconds ago, she had threatened to shoot him, but already he felt a pleasant tingle when she favoured him with a smile.

‘I’m as crazy as you are,’ he said.

‘Then you’ve probably got what it takes to make it till dawn.’ Slinging her purse over one shoulder, she said, ‘Let’s go.’

‘Umbrellas?’ he wondered.

‘Hard to handle an umbrella and a shotgun at the same time.’

‘True. Do you have another car besides the van?’

‘No. My mom has all the cars, quite a collection. If I need something besides the van, I borrow it from her. So we’ll have to use the Honda.’

‘The stolen Honda,’ he reminded her.

‘We’re not criminals. We just borrowed it.’

As he opened the front door, Tommy said, ‘Lights off,’ and the foyer went dark. ‘If a cop stops us in our stolen Honda, will you shoot him?’

‘Of course not,’ she said, following him and Scootie into the courtyard, ‘that would be wrong.’

‘That would be wrong?’ Tommy said, still capable of being amazed by her. ‘But it would’ve been right to shoot me?’

‘Regrettable but right,’ she confirmed as she locked the door.

‘I don’t understand you at all.’

‘I know,’ she said, tucking the keys in her purse.

Tommy checked the luminous dial of his watch. Six minutes past two o’clock.

Ticktock.

While they had been inside the house, the wind had died away completely, but the power of the storm had not diminished. Although no thunder or lightning had disturbed the night for hours, cataracts still crashed down from the riven sky.

The queen palms hung limp, drizzling from the tip of every blade of every frond. Under the merciless lash of the rain, the lush ferns drooped almost to the point of humble prostration, their lacy pinnae glimmering with thousands upon thousands of droplets that, in the low landscape lighting, appeared to be incrustations of jewels.

Scootie led the way, padding through the shallow puddles in the courtyard. In the quartzite paving, specks of mica glinted around the dog’s splashing paws, almost as if his claws were striking sparks from the stone. That phantom fire marked his path along the walkway beside the house, as well.

The Art Deco panels of copper were cold against Tommy’s hand as he pushed open the gate to the street. The hinges rasped like small whispering voices.

On the sidewalk in front of the house, Scootie abruptly halted, raised his head, and pricked his ears. He dropped his rubber hotdog and growled softly.

Alerted by the dog, Tommy brought up the shotgun, gripping it with both hands.

‘What is it?’ Del asked. She held the gate open behind them to prevent it from falling shut, automatically lock-ing, and inhibiting their retreat if they needed to go back to the house.

But for the splatter-splash-gurgle-plink of water, the lamp lit street was silent. The houses were all dark. No

traffic approached from either east or west. Nothing moved except the rain and those things that the rain disturbed.

The white Honda stood fifteen feet to Tommy’s right. Something could be crouched along the far side of it, waiting for them to draw nearer.

Scootie was not interested in the Honda, however, and Tommy was inclined to trust the Labrador’s senses more than his own. The dog was riveted by something directly across the street.

At first Tommy could not see anything threatening -or even out of the ordinary. In the storm, the slumbering houses huddled, and the blackness of their blind windows revealed not even a single pale face of any neighbourhood insomniac. Palms, ficuses, and canopied carrotwoods stood solemnly in the windless downpour. Through the cone of amber light cast by the streetlamp, skeins of rain unravelled off the spool of night above, weaving together into a stream that nearly overflowed the gutter.

Then Scootie stiffened and flattened his ears against his skull and growled again, and Tommy spotted the man in the hooded raincoat. The guy was standing near one of the large carrotwoods across the street, beyond the brightest portion of the lightfall from a streetlamp but still vaguely illumined.

‘What’s he doing?’ Del asked.

Although Tommy couldn’t see the stranger’s shad-owed face, he said, ‘Watching us.’

Del sounded as if she had seen something else that surprised her: ‘Tommy…?‘

He glanced at her.

She pointed east.

Half a block away, on the far side of the street, her battered van was parked at the curb.

Something about the imposing figure under the carrot-wood tree was anachronistic - as though he had stepped through a time warp, out of the medieval world into the late twentieth century. Then Tommy realized that the hooded raincoat was the source of that impression, for it resembled a monk’s robe and cowl.

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