Dean Koontz - From the Corner of His Eye

Neddy, dressed for work but overdressed for his own funeral, slumped against the wall, head bowed, chin on his chest. His pale hands were splayed at his sides, as though he were trying to strike chords from the floor tiles.

Junior dragged the musician out from between the commode and the sink.

Skinny, pasty-faced, chattering sissy,” he hissed, still so furious with Neddy that he wanted to jam the pianist's head in the toilet even though he was dead. Jam his head in and stomp on him. Stomp him into the bowl. Flush and flush, stomp and stomp.

To be useful, anger must be channeled, as Zedd explains with unusually poetic prose in The Beauty of Rage: Channel Your Anger and Be a Winner Junior's current predicament would only get worse if he had to telephone Roto-Rooter to extract a musician from the plumbing.

With that thought, he made himself laugh. Unfortunately, his laughter was high-pitched and shaky, and it scared the hell out of him.

Channeling his beautiful rage, Junior hefted the corpse onto the windowsill, and shoved it headfirst into the alley. The fog received it with what sounded almost like a swallowing noise.

He followed the dead man through the window, into the alley, managing not to step on him.

No inquiring voice echoed off the passage walls, no accusatory shout. He was alone with the cadaver in this mist-shrouded moment of the metropolitan night-but perhaps not for long, Another stiff might have required dragging; but Neddy weighed hardly more than a five-foot-ten breadstick. Junior hauled the body off the ground and slung it over one shoulder in a fireman's carry.

Several large Dumpsters hulked nearby, dark rectangles less seen than suggested in the slowly churning murk, like forms in a dream, as ominous as graveyard sarcophaguses, each as suitable for a musician's carcass as any of the others.

One worrisome problem: Neddy might be found in the container before it had been hauled away, instead of at the landfill that preferably would serve as his next-to-last resting place. If his body was discovered here, it must be at a distance from any trash bin used by the gallery. The less likely the cops were to connect Neddy to Greenbaum's art-sausage factory, the less likely they also were to connect the murder to Junior.

Bent like an ape, he humped the musician north along the alley. The original cobblestone pavement had been coated with blacktop, but in places the modem material had cracked and worn away, providing a treacherously uneven surface made even more treacherous by a skin of moisture shed by the fog. He stumbled and slipped repeatedly, but he used his anger to keep his balance and be a winner, until he found a distant enough dumpster.

The container-eye-level at the top, battered, rust-streaked, beaded with condensation-was larger than some in the alleyway, with a bifurcated lid. Both halves of the lid were already raised.

Without ceremony or prayer, although with much righteous anger, Junior hoisted the dead musician over the lip of the Dumpster. For a dreadful moment, his left arm tangled in the loosely cinched belt of the London Fog raincoat. Straining a shrill bleat of anxiety through his clenched teeth, he desperately shook loose and let go of the body.

The sound made by the dropping corpse indicated that cushioning trash lined the bottom of the bin, and also that it was no more than half full. This improved chances that Neddy wouldn't be discovered until a dump truck tumbled him into a landfill-and even then perhaps no eyes would alight upon him again except those of hungry rats.

Move, move, like a runaway train, leaving the dead nuns—or at least one dead musician-far behind.

To the open casement window, into the men's room. Still seething with rage. Angrily cranking shut the twin panes while lazy tongues of fog licked through the narrowing gap.

In case someone was waiting in the hallway, he flushed the john for authenticity, though binding foods and paregoric still gave him the sturdy bowels of any brave knight in battle.

When he dared to look in the mirror above the sink, he expected to see a haggard face, sunken eyes, but the grim experience had left no visible mark. He quickly combed his hair. Indeed, he looked so fine that women would as usual caress him with their yearning gazes when he made his way back through the gallery.

As best he could, he examined his clothes. They were better pressed than he expected, and not noticeably soiled.

He vigorously washed his hands.

He took more medication, just to be safe. One yellow capsule, one blue.

A quick survey of the lavatory floor. The musician hadn't left anything behind, neither a popped button nor crimson petals from his boutonniere.

Junior unlocked the door and found the hallway deserted.

The reception still roared in both showrooms of the gallery. Legions of the uncultured, taste-challenged in every regard except in their appreciation for hors d'oeuvres, yammered about art and chased their cloddish opinions with mediocre champagne.

Fed up with them and with this exhibition, Junior half wished that he would again be stricken by violent nervous emesis. Even in his suffering, he would enjoy spraying these insistently appealing canvases with the reeking ejecta of his gut: criticism of the most pungent nature.

In the main room, on his way toward the front door, Junior saw Celestina White surrounded by adoring fatheads, nattering ninnies, dithering dolts, saps and boneheads, oafs and gawks and simpletons. She was still as gorgeous as her shamelessly beautiful paintings. If the opportunity arose, Junior would have more use for her than for her so called art.

The street in front of the gallery was as flooded by a sea of fog as the alleyway at the back. The headlights of passing traffic probed the gloom like beams from deep-salvage submersibles at work on the ocean floor.

He had bribed a parking attendant to keep his Mercedes at the curb in a valet zone, in front of a nearby restaurant, so it would be instantly available when needed. He could also leave the car and follow Celestina on foot if she chose to stroll home from here.

Intending to keep the front of the gallery under surveillance from behind the wheel of his Mercedes, Junior checked the time as he walked toward the car. His wrist was bare, his Rolex missing.

He stopped short of his car, transfixed by a perception of onrushing doom.

The custom-fitted gold-link band of the wristwatch closed with a clasp that, when released, allowed the watch to slip over the hand with ease. Junior knew at once that the clasp had come undone when his arm tangled in the belt of Neddy's raincoat. The corpse had torn loose and tumbled into the Dumpster, taking Junior's watch with it.

Although the Rolex was expensive, Junior cared nothing about the monetary loss. He could afford to buy an armful of Rolexes, and wear them from wrist to shoulder.

The possibility that he'd left a clear fingerprint on the watch crystal had to be judged remote. And the band had been too textured to take a print useful to the police.

On the back of the watch case, however, were the incriminating words of a commemorative engraving: To Eenie/Love/Tammy Bean.

Tammy—the stock analyst, broker, and cat-food-eating feline fetishist-whom he had dated from Christmas of '65 through February of '66, had given him the timepiece in return for all the trading commissions and perfect sex that he had given her.

Junior was stunned that the bitch had come back into his life, to ruin him, almost two years later. Zedd teaches that the present is just an instant between past and future, which really leaves us with only two choices-to live either in the past or the future; the past, being over and done with, has no consequences unless we insist on empowering it by not living entirely in the future. Junior strove always to live in the future, and he believed that he was successful in this striving, but obviously he hadn't yet learned to apply Zedd's wisdom to fullest effect, because the past kept getting at him. He fervently wished he hadn't simply broken up with Tammy Bean, but that he had strangled her instead, that he had strangled her and driven her corpse to Oregon and pushed her off a fire tower and bashed her with a pewter candlestick and sent her to the bottom of Quarry Lake with the gold Rolex stuffed in her mouth.