Warren Ellis - Gun Machine

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Gun Machine: краткое содержание, описание и аннотация

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Warren Ellis reimagines New York City as a puzzle with the most dangerous pieces of all: GUNS. After a shootout claims the life of his partner in a condemned tenement building on Pearl Street, Detective John Tallow unwittingly stumbles across an apartment stacked high with guns. When examined, each weapon leads to a different, previously unsolved murder. Someone has been killing people for twenty years or more and storing the weapons together for some inexplicable purpose.
Confronted with the sudden emergence of hundreds of unsolved homicides, Tallow soon discovers that he’s walked into a veritable deal with the devil. An unholy bargain that has made possible the rise of some of Manhattan’s most prominent captains of industry. A hunter who performs his deadly acts as a sacrifice to the old gods of Manhattan, who may, quite simply, be the most prolific murderer in New York City’s history.
Warren Ellis’s body of work has been championed by
for its “merciless action” and “incorruptible bravery,” and steadily amassed legions of diehard fans. His newest novel builds on his accomplishments like never before, announcing Ellis as one of today’s most daring thriller writers. This is twenty-first century suspense writ large. This is GUN MACHINE. Review
“A mad police procedural just north of the border of dark fantasy. Delightful.”
— William Gibson, author of
and
“From the wrenching violence of its first pages to its bone-jarring conclusion,
never lets go of the reader and never flags in its relentless pace. In the course of 300 tightly wound pages, Ellis unloads a full clip of ideas, black humor, character, and copper-sheathed action scenes. Every sentence is a bullseye.”
— Joe Hill,
bestselling author of
and

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Scarly sagged and glowered at John from under a comically lowered brow. “All right. I admit it. We’re in too deep to stop now. But we’re gonna need to eat, and I need to make sure I’m not going to get my head flushed down the crapper by the wife. Let me make a call.”

“Make your call,” Tallow said. “The print’s being run now?”

“Yeah.”

“Okay, good. Bat, I need some of your junk there.”

In the car, Bat said, “You’re just utterly fucking nuts if you think that’s going to achieve anything.”

“I am getting pretty tired of being told I’m crazy.”

“Well, get used to it. I mean, I don’t want to stick my nose all the way into your business, but were you like this before your partner died?”

“I thought Scarly was the autistic one with no social skills.”

“No, no, I’m not unaware of what I’m asking. I realize that’s going to still sting, you know? But it’s a reasonable question. Do you feel like you’re behaving differently than you would if you were working with your partner? Is there maybe just a possibility that…I don’t wanna say you’re traumatized or some I-need-a-hug bullshit, but…”

Tallow sighed. “You’re asking if my seeing Jim get killed has made me a little nuts?”

“Basically,” said Bat. “Only, you know, put more nicely than that.”

A uniformed policeman walked into the road, signaling for the oncoming traffic to stop. Beyond him, a paramedic rig was parked on the sidewalk. There was a man burning on the street corner. Kneeling, engulfed in flame, quite dead, very slowly collapsing in on himself.

A guano-speckled bowler hat, with turkey feathers in the hatband, blew across the street behind the uniformed cop.

Tallow heard a voice in his recent memory say I just asked her for a light.

“You’re asking if I’m a little nuts,” Tallow muttered under his breath.

“Yes, I am,” said Bat. “This plan is a crazy man’s plan.”

“And yet here you are.”

“Yes, I am. I didn’t say I didn’t like crazy-man plans. I’m saying it’s not going to achieve anything.”

“Look,” said Tallow, “can you do the thing I’m asking for or not?”

“Yes. In fact, it will be fun. I just think…ah, hell. Injun ninja, no chain of evidence, his history-fu is stronger than yours, it’s not solvable, et cetera and fucking so forth. We’ve said it to you half a dozen times.”

“History-fu,” Tallow said, slowly.

“You know what I mean. Although I question why history-fu stopped you dead and Injun ninja just blew by.”

Tallow took a deep breath. “All right,” he said, on the shaky exhale, “here’s the deal. My apartment building has three exits. Front, rear, and fire escape…”

The process took less than an hour, in the end. Bat got joyfully swept up in the execution of it and completed the work with a grinning hyperfocus that made Tallow wonder whether Scarly wasn’t the autistic one on the team after all. Bat was still vibrating with glee on the drive back to One PP.

“You enjoyed the crazy-man plan, then,” Tallow commented.

“Ha! That’s why I got into this line of work, man. That was the shit right there.”

“You became a cop because…you like building?”

Bat laughed again, wriggling in the passenger seat. “Nah. You want to know why I became a cop?”

“Sure.”

“Cop shows.”

“You’re kidding me,” said Tallow. He’d heard that line before and had never bought it. If you were dumb enough to think cop shows were like real police work, Tallow reasoned, then you’d never get into the force because you were required to manifest enough intelligence to dress yourself.

“Nope. The Tao of cop shows, man. All those cop shows I grew up with, especially those in the aughties, say the same thing. If you are smart enough, and your Science, with a capital S, is good enough, and if you refuse to give up and just keep using Science on the problem, it’ll crack and you can solve it. And the problem is always the same: the world has stopped making sense, and the cops have to use Science to force it to make sense. That’s the heart of every cop show. Give yourself to a cop show for an hour, and it’ll show you a breakdown in the ethical compact, and the process by which that breakdown occurred, and how it is fixed and made to never happen again. That’s why everyone loves them. They speak to our sense that everything’s fucked and then show you how to work to find out what really happened—simplify the world—and then deal with it. Because everybody knows that—listen, you ever cheated on a girlfriend?”

“Once,” Tallow said, for the hell of it, even though he hadn’t. Not least because the opportunity had never presented itself.

“Then you know. You break that part of the ethical compact, the basic rule that says You Don’t Do That, and it’s only hard once. When the sun doesn’t go out because you’ve been so evil…well, it’s easier the next time. And the next time. So everyone who watches a cop show knows that the bad guy ain’t going to do the bad thing just once. He has to be taken off the streets. That’s what I wanted to be. I loved the idea of being the guy who could take that guy off the streets using nothing but his brains and his hands. I’ll tell you a secret.” Bat smiled. “I don’t even tell people I’m a cop. I tell people I’m a CSU.”

“Same thing.”

“You know what? No offense, but I don’t want them to be the same thing. I’m a CSU. I solve things. I hunt and build and solve things with science. You know what a New York City cop does? Beats protesters. Rapes women.”

“Hey.”

“You can’t argue that, John. Remember that detective who raped that woman in the doorway of her apartment building in the Bronx? Remember what she said he said to her? ‘I’m not as bad as those other cops who raped that other girl.’ Remember how bad Occupy Wall Street got? Penning women up and then pepper-spraying them? Beating journalists with batons? Cracking the skull of a councilman? Dragging women out of wheelchairs? That’s what a New York City cop is. We’re not fucking heroes. So, yeah, I don’t tell people I’m a cop. I don’t like going out into the field. I like it on my floor of One PP, where we do science and just solve stuff without ever having to go outside and punch someone in the face for being in an inconvenient place and talking the shit that we so richly deserve—”

“You want to take a breath there, Bat?”

Bat didn’t even bother to fake a dutiful laugh. “You know why CSUs hate beat cops and detectives? Because you remind us of where we work.”

“Yeah,” said Tallow. “Hunting the Injun Ninja.”

That, Bat gave a little snorting laugh at, looking out of the window. “Hey,” he said. “Where are we?”

“Taking a little detour. I wanted to look at something.”

Bat peered around as if trying to track the random trajectories of a fly. “Is that Collect Pond Park over there? I thought it actually had a pond.”

“It’s been under construction for years,” Tallow said. “There was a little pond added recently, and then they drained it and now they’re re-excavating it or something.”

Collect Pond Park was a dismal flagstoned square, so gray that the stacked yellow-painted fencing from some construction phase or other actually brightened it.

“That,” said Tallow, “is Werpoes. A spring ran from Spring Street, through the stream that was dug out for the canal that Canal Street’s named for, into a pond that was eventually called the Collect Pond. By 1800 or so, the pond was just a poison pit, so they dug out the canal to drain it out. Then they filled it in, and then they stuck Canal Street on top of the canal. And all of that used to be Werpoes, the main Native American village in Lower Manhattan, on the shores of the pond. What’s left is, well, that. The pond basin, the remains of the dome houses of Werpoes, and any other sign that anyone was here before us are all well underground. Under that piece of park, and over there.”

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