David Duffy - Last to Fold

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Last to Fold: краткое содержание, описание и аннотация

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One of the most exciting debut anti-heroes since Lee Child’s Jack Reacher
From Review Turbo Vlost learned early that life is like a game of cards…. It’s not always about winning. Sometimes it’s just a matter of making your enemies fold first.
Turbo is a man with a past—his childhood was spent in the Soviet Gulag, while half of his adult life was spent in service to the KGB. His painful memories led to the demolition of his marriage, the separation from his only son, and his effective exile from Russia.
Turbo now lives in New York City, where he runs a one-man business finding things for people. However, his past comes crashing into the present when he finds out that his new client is married to his ex-wife; his surrogate father, the man who saved him from the Gulag and recruited him into the KGB, has been shot; and he finds himself once again on the wrong side of the surrogate father’s natural son, the head of the Russian mob in Brooklyn.
As Turbo tries to navigate his way through a labyrinthine maze of deceit, he discovers all of these people have secrets that they are willing to go to any lengths to protect.
Turbo didn’t survive the camps and the Cold War without becoming one wily operator. He’s ready to show them all why he’s always the one who’s… LAST TO FOLD.
Nominated for the 2012 Edgar for Best First Novel by an American Author. Duffy’s promising debut introduces Turbo Vlost, a gulag survivor who later worked as an undercover man for the KGB until the Soviet Union’s breakup. Now living in New York City, Vlost works at finding things for people. A wealthy businessman, Rory Mulholland, hires Vlost off the books to locate his 19-year-old adopted daughter, Eva, who appears to have been kidnapped. In his effort to rescue Eva, Vlost gets hold of a laptop that contains vital business records of the local Russian mob. When he doesn’t immediately return the computer, Vlost discovers himself back on familiar ground, negotiating the hard and violent realities of his Russian past. The dialogue is crisp and rings true, and the main character is easy to like and root for. The plot, however, needs a clarity check from time to time, and Duffy needs to learn when to stop writing atmosphere and social commentary and simply let his story move forward. (Apr.)
(c) Copyright PWxyz, LLC. All rights reserved. “One of the most original protagonists I’ve ever come across—a cross between Arkady Renko and Philip Marlowe: a Russian-born ex-KGB agent living in New York, a private eye with a strong sense of irony and a Russian sense of fatalism. David Duffy knows his Russia inside and out, but most of all, he knows how to tell a story with flair and elegance. This is really, really good.”
—Joseph Finder, New York Times bestselling author of
and
“The dialogue is crisp and rings true, and the main character is easy to like and root for.”
—PUBLISHERS WEEKLY

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I wedged the door shut that night and returned the next day with a heavy-duty combination lock. I spent a good hour kicking it around the street to make it look old. I checked the place periodically over the next three months. So far as I could tell, no one ever got near it. I used the shelter more than a dozen times over the next two years. I never saw evidence that anyone else even knew of its existence. My agents were evenly divided. Half found it fascinating. The rest disdained the dirt and damp. I took pleasure in the irony every time I visited.

Another summer thunderstorm tonight. I ran through seven blocks of rain to Dover Street, clothes glued to my body when I got there. Early evening, sunset still hours away, but it might as well have been midnight. No lights from the buildings. No one on the street. Dim pools of reflection on the asphalt from a few streetlights. The hulk of the bridge weighed heavy above. An urban no-man’s-land, bereft of life, except for the rumble of traffic on the ramp.

Lightning flashed off the door to the old shelter. No way to tell if anyone had been there since my last visit in 1988. I took refuge in the entrance of an unlit building and waited. No motion, no people, nothing. The rain slackened some but still fell hard. I didn’t have a good idea—I didn’t have any idea except to hope the lock was still my own and take my chances. The exertion of running made everything ache. I hadn’t brought a gun. A good hand to fold.

I waited another few minutes on the grounds that summer storms pass. The rain kept falling.

Muttering under my breath, I started across the street at a trot. I could see the old iron door more clearly as I got closer, the pockmarks of rust and age brightening in the lightning flashes. I could almost see there was no padlock on the latch when a strong arm grabbed my shoulder and pulled me around. My feet gave way on the asphalt, slick with rain, and my butt hit the pavement, setting off a chain of pain through every bruised muscle I had.

Damned fool! Of course he’d have someone watching.

I looked up, expecting to see the bullet that would split my skull, thinking about Victoria and Aleksei and Eva and my own stupidity.

An eye patch. Then a hand grabbed mine. “This way. Move!”

Petrovin pulled me to my feet and shoved me to the refuge of another pier. Eva Mulholland was huddled in the shadows, hair matted around her head, soaked shirt clinging to her frame.

Petrovin had traded his white suit for black jeans and a black T-shirt. He hadn’t lost any of his presence.

“I was following Polina,” he said. “I think you had someone on her, too.”

I nodded.

“She brought me here and went inside. That was four o’clock. Eva came at five. I waylaid her.”

I looked at Eva. “Why’d you leave the office?”

“She c… called.” Her voice was between a squeak and a whisper.

“And?”

“She n… needed m… m… me. Said I had to c… come. Then…”

“Then what?” Pretrovin said, with a gentleness I doubt I could’ve managed.

Tears welled. “She screamed. It w… w… was aw… aw… awful.”

“I know this place,” I said to Petrovin. “I’ll go.”

“You armed?”

“No. Are you?”

He shook his head. “Are you sure you’re in shape…”

“I’ll be fine. It’s an old fallout shelter, one big room. If I’m not back out in two minutes, get her out of here and find a cop.”

Nobody came or went while we talked. The rain picked up a little, then slowed. It was falling harder again when I took a breath and started for the rusted door a second time.

The padlock lay on the pavement, cut open, off to the side. Same one I’d bought two decades before, looked like.

I put my back to the wall beside the door, reached around, pushed it open a few inches. If anyone made any noise, it was drowned by the traffic rumble above. I peered into the dark. Couldn’t see a thing. There was a light switch to the right of the door. I’d been amazed years ago when it worked. Who was paying the bill? Where was the bill sent? I was just as amazed now.

I flicked the switch and gave the door a hard shove. It struck something. Glass broke. A trail of fire skittered across the floor around a stack of water drums—a whoosh and a flash and flames and shadows danced on all four walls. I could feel the heat and smell the oil.

Behind the drums a circle of fire raged, fed by kerosene-soaked blankets, flames leaping six to eight feet. In the center I could just make out Polina, tied to a chair, head falling forward. A funeral pyre of blankets burned under the chair.

No time. She’d be dead in a minute and the whole place an inferno a minute after that. Holding a dry blanket in front of me—an ineffective shield if there ever was one—I made my way around the fire circle to the back. No room between the fire and the wall. The designer of this execution chamber had done his work well. The heat scorched everything. The fire burned all around—no spaces, no breaks. My clothes would be alight in a second.

I held the blanket out in front and jumped through the fire. I screamed as the flames seared my skin, the smell of burning flesh mixing with kerosene. I wrapped the blanket around Polina, lifted the burning chair off the pyre, and ran through the other side, giving her a final shove as I fell to the floor and rolled, trying to extinguish burning linen and skin.

“STAY STILL!” Petrovin barked. I stopped, and he covered me with blankets. The burning eased. The smell remained. He took more blankets to Polina and covered her. As I sat up, I saw Eva by the door, her whole body shaking. She let out a wail—the sound of a lifetime of fear, pain, and sorrow reverberating around the stone walls before she collapsed to the floor.

“Get the fire out,” Petrovin yelled.

“Water drums,” I said. “Soak the blankets.”

He went to work on one of the metal cans. It took forever—probably just a few seconds—to get one open. We suffocated the kerosene-soaked blankets. The space filled with black smoke. The stench of fuel, wool, and flesh made me gag.

Polina’s clothes were badly charred, her skin black and red. The burns could be the least of her problems. She’d been worked over with a blade—disfigurement by a thousand cuts. The wounds puffed and oozed. I put my nose next to one; it reeked of kerosene. I fought the urge to throw up.

Her hands were bound to the back of the chair, and her feet to the legs, with duct tape wrapped thick. Tape covered her mouth. I looked for something to cut her free. A box cutter lay in a corner, blood on the blade. The torture weapon. I slashed the tape on her arms and legs and the chair fell away. I pulled the piece off her face as gently as I could. She was unconscious and barely breathing. I pulled out my cell phone. No way not to get my hands dirty this time.

Victoria got on the phone immediately. “Are you all right?”

“I’m okay,” I lied. “Ambulance. ASAP. Front and Dover. In the bridge support. Felix Mulholland. Severe burns and lacerations. Loss of blood. Blood poisoning. She doesn’t have long. Cops, too. I’ll wait.”

She hesitated half a second, a hundred questions running through her mind. She didn’t ask one. “I’ll call back.”

Mulholland next. “Your wife’s badly hurt.” I repeated the essentials. “Ambulance on the way. New York Hospital?”

“Yes. I’ll meet her there. Tell me—”

“Time for that later.”

He understood urgency, too. “Thank you,” he said. “For everything.”

Petrovin sat on the floor, Polina’s head in his lap. He stroked her hair. I thought I saw tears in his good eye, but that could have been the smoke. When he saw me looking, he put his finger to her neck.

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