Paul Cleave - Blood Men

“What do you want?” Schroder asks.

“Where’s my daughter?” Edward asks.

“Where’s the money?” the gunman asks.

“What?” Edward replies.

“The money you stole last night.”

“What are you talking about?” Edward asks.

“I’m talking about the cash you took from Kingsly.”

“What?” Edward asks, and he sounds genuinely confused.

“Don’t bullshit me, boy. You answered the phone. Only way you could have got the phone was if you took it from Kingsly. So you took the money too. You return it, and we return your daughter.”

“Wait, wait a moment,” Schroder says. “The money, we took the money into evidence this morning. Edward didn’t take it.”

“No. What you took was a couple of thousand dollars. I’m talking about the four hundred thousand.”

“Edward. .,” Schroder says.

“I didn’t take it,” Edward says.

“Turn around and get on your knees.”

“Why?” Edward asks.

“Not you. You, cop, get on your fucking knees and put your hands behind your head.”

“Look, we can. .”

“Now, asshole!”

It’s the last thing Schroder wants to do, but he can’t see an alternative. There’s no way he can jump forward and battle for the shotgun. That’s certain death. Turning around and putting his hands on his head suggests death, but at the moment it’s all he has. He turns around and kneels down.

“Take his cuffs and use them on him.”

Edward reaches into Schroder’s pockets and finds the cuffs and latches them around Schroder’s wrists.

“Drown him.”

“What?” Edward says, and Schroder is thinking the same thing.

“Put his head in the bath and drown him.”

“Wait,” both Schroder and Edward say in unison.

“You heard me. Drown him or your daughter doesn’t see tomorrow.”

Schroder tries to get up but doesn’t get far before his chest hits the edge of the bathtub. All of Edward’s weight goes on top of him, pushing his face right down to the water.

“I can’t,” Edward says.

“Now. Do it. Do it now!” Tattoo Man says.

“I can’t.”

“You can if you want to save your daughter.”

“Edward. .,” Schroder says, but he doesn’t know how to follow it up. There’s nothing. He knows what’s coming and he takes a deep breath.

“I’m sorry,” Edward whispers before pushing his head into the water.

Schroder’s cuffed arms make it impossible for him to fight his way out, though he seems to think differently. If I were any lighter he’d probably make it too. His head bangs against the bottom of the tub and the water turns a very pale shade of red. I pull more of his body from outside the tub and stuff it under the water. I hold him by the back of his neck, pushing hard, his muscles tightening-it’s like holding down a mechanical bull. His feet thrash against the floor, the tips of his shoes draw black lines across the tiles. Water is splashing all up the walls and I’m already half soaked. The bandage on my hand is waterlogged and starts slipping off. I try to imagine that I’m drowning a dog, not a person-that mangy mutt from twenty years back-and imagining that actually helps, not much, but enough to stop me from letting him up. Schroder slows down. His feet stop hitting the floor. More of him slides into the tub.

“Keep holding him.”

I keep holding him. A couple of bubbles break the surface. Schroder’s legs stop moving but he’s still moving his head, still fighting, still desperate to survive. The seconds keep ticking away. Five more. Another five. The bubbles stop. There is one final shudder and then Schroder no longer struggles. I let go of him and he stays in the water, makes no effort to get up. I turn around. My hands are shaking and I drop to my knees and start to dry-retch.

“No time for this shit,” the man says. “Get me the money.”

I cough like I’m the one with lungs full of water. “Where, where are they? My, my daughter and in-laws?”

“The money,” he says. “Then we talk.”

“The money is here.”

“Where?”

One more cough and I’m done. I slowly get to my feet, holding on to the side of the bath, careful not to touch Schroder. The guy with the gun isn’t wearing a balaclava. He looks like he did this afternoon. He probably hasn’t changed his clothes, or his gun. I doubt he’s used it tonight because it’s too noisy. I bet the policeman outside was killed a different way. I wonder how badly he wants to avoid using it.

“You’ll kill me once you have it.”

“You got this all wrong, boy. I am going to kill you. What you’re doing now is you’re buying your daughter’s life.”

“How do I know you’ll let her go?”

“She doesn’t know who we are. We got no reason to keep her. Now where’s the goddamn money?”

“Living room,” I say.

“Lead the way,” he says, and he backs out of the bathroom.

I lead him down the hallway. We reach the living room. “At the end of the couch,” I say, “against the wall.”

“Grab it.”

I reach down and grab the bag, trying to keep my injured leg as straight as I can. The bag is full of crayons and coloring pencils and some drawing books for Sam and is nowhere near big enough to hold all the money I saw last night. As usual it’s open. I zip it closed, pick it up, and toss it at his feet.

“What the. .?” he says, and he looks down at it and. .

Now. Now! Now!

We step forward, my monster and me, only this time I don’t even need him, I’m so mad. I swing my arm upwards, entering Tattoo Man’s line of sight from below, the pencil pointing straight up. He must see it coming, but he can’t avoid it, can’t even scream. He snaps his head upward as the pencil drives deep through his eye and, like a sneeze, thick, clear residue splashes all over my hand. He stands up as straight as a board. One hand releases the shotgun, which hangs by his other side for a moment before hitting the floor. He stays standing, staring at me, one eye bright and wide, the other a liquid mess with half a pencil behind it and half of that same pencil out in front. He doesn’t fall while I wipe the eye juice and blood off my hand; he saves it until I crouch down and grab the shotgun. He falls the way a dead man falls, without a care in the world, without any conviction or fear, his face hitting the armrest of the couch and driving the pencil home before snapping it off. He ends up on his side, a jagged finger of wood in his eye, looking at me but not watching as I race toward the bathroom.

What are you doing?

I’m trying to save him.

Why?

I need him alive.

Why?

Shut up.

Only thing you should be doing right now is to enjoying the rush. God, that was a thing of beauty! Come on, Eddie, the way you drove that pencil home-sweet Jesus, that’s a real winner of a memory-a real keeper-much better than Fido. Bet you a hundred to one that’s the way your father felt when he took his knife and. .

“I said shut up,” I say, then breathe more air into Schroder. His chest rises when I breathe in and drops when I take my mouth away. There is no pulse. His body is limp and heavy. I figure he’s been in the water three minutes tops.

I push at his chest. I’m not exactly sure what I’m doing. The last first-aid course I took was ten years ago and Schroder sure as hell feels a lot different from a dummy made of rubber and steel. I could be saving him, or I could be cracking his ribs and driving them into his lungs.

I breathe into him. Compress his chest ten times. Should it be ten? Twelve? Breathe into him again. How long do I give this? He’s been dead close to four minutes. What’s the cutoff before there’s a serious risk of brain damage? Isn’t it around four minutes? Only thing I can remember about the first-aid course was the instructor. She kept looking at me as though I were the reason the dummy wasn’t breathing anymore.