Paul Cleave - The Laughterhouse

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Schroder is no longer looking at Watts. He’s looking at me, and we’re both thinking the same thing. Then, to spell it out for us anyway, Watts carries on. “Two dead lawyers, an accountant, and a school teacher. Now a missing doctor. Could be related, right?”

Schroder keeps looking at me. Everybody in the room does. It’s as if they’re all waiting for my opinion before they react, but they’re not. They’re forming their own ideas on what this could mean.

“Nanny means children,” I say. “How many?”

“Three,” Watts tells us. “Stanton is separated from his wife, but he has full custody of the three children. The older two haven’t shown up to school today. Daughters, aged eleven and eight. The one-year-old is normally looked after by the nanny.”

“Let’s go,” Schroder says, standing up, and I follow.

CHAPTER TWENTY-FOUR

Caleb jerks awake in the car outside the slaughterhouse listening to the radio. Shit. He was only planning on closing his eyes for a few seconds, maybe five minutes at the most, but a quick look at his watch tells him he’s been asleep in the driver’s seat for three hours. The warmth from the sun combined with his exhaustion has knocked him out. He straightens up in the seat, his neck is sore from the angle he’s slept on it. The midday news is on. There are many reports, except the reports don’t have much detail. It seems the reporters don’t know anything but that isn’t stopping them from reporting it. He tries using the cell phone but the signal is too weak for the Internet to connect.

He steps out of the car and leans against it. The sun is still surrounded by blue sky, but it looks overcast toward town. The ground is still wet, but only in the shade. There are birds hanging about. He bends down and picks up a stone and starts throwing it up and catching it, not high, just to about the top of his head, over and over. The first time he came out here was fifteen years ago with James Whitby. People died that day. First there was the policeman. He didn’t mean for that to happen. He knows that’s why the cops told the inmates Caleb had raped and murdered his own daughter. It set him up for years of torture, and that made the cops happy and, in a way, he can’t blame them for doing it.

Fifteen years ago. Christ, he can’t believe it’s really been that long. It’s almost one-third of his life. His daughter has been dead for more years than she was alive. Can it really be that way?

Fifteen years. Crazy. There was still crime scene tape out here when he came that day. It was easy to find which room his daughter had died in. Just look for the blood. The entire place was so fucking cold he thought he’d lose his toes on the walk from the car to the doorway. He had a head start on the police but he was sure they would know who had taken Whitby, where he was going, just as he’s sure that they’ll come out here again once they realize who they’re dealing with. It’s all about symmetry. But he had to back then-there were rumors that Whitby was going to get away with what he had done because the confession had been beaten out of him-he couldn’t allow that to happen. It was hard not to blame the police for that mistake, even though the police had beaten the confession out of Whitby in the hopes of finding Jessica alive. So Caleb had done their job for them.

James Whitby was unconscious in the backseat when he came here last. When Caleb closes his eyes he can still feel the moment, can remember the day. He can remember the long sleepless night earlier, holding his wife, the tears and the anger burning right through to a morning that didn’t feel any better. The day started with rain washing at the snow. There had been no blue sky, no sun. He said goodbye to his wife and when he saw her again he had killed two men.

When he got to the slaughterhouse with Whitby, he didn’t even turn off the engine. He was sure he only had a few minutes at the most before the police arrived, and he didn’t want to waste them. It turned out he had longer. It turned out the police didn’t figure it out until after they’d arrested him at home.

He dragged Whitby through the mushy snow into the building. He got him into the same room and laid him down in his daughter’s blood and started slapping him until he woke up. Caleb tried to stay calm, he tried to ask why Whitby had hurt his little girl, but he did none of that. He couldn’t control himself.

The cutting started right away. It didn’t bring his daughter back, but it did stop other young girls from being killed. For that Caleb would spend fifteen years in jail. His wife would kill herself, she would kill their unborn baby, and for that James Whitby could no longer be punished.

He throws the stone toward the slaughterhouse, aiming for one of the few windows that has defied the odds by not being broken over the years, but misses-it hits the wall a few feet beneath it and bounces into the weeds.

It won’t be dark for another five or six hours, and he doesn’t want to risk carrying on his work until then. He’ll go and see Ariel Chancellor. That’s what he was going to do when he came out here earlier. He still doesn’t know what he’s going to say to her. Or do. First he’ll go and see another psychic. Why not-he has all day to kill.

And speaking of killing-there is still the judge, there is still Mrs. Whitby, and then it’s time to come back here. That’s when the blood is really going to hit the floor.

Tonight at the slaughterhouse it’s all going to come to an end.

CHAPTER TWENTY-FIVE

Town rushes past in a blur. Schroder’s car has flashing lights built into the front and a siren that wails all the way to the doctor’s house. Most people try getting out of the way for us, others get confused and come to a complete stop, blocking our path.

“What do you think?” he asks.

“What do psychiatrists and lawyers have in common?” I ask him.

“Other than overcharging?” he says, swerving at the wheel to avoid a car backing out of a driveway. “They can both end up dealing with very sick people.”

“Exactly. What if our killer was a client, he blames his lawyer, he blames his shrink.”

“Blames them for what?”

“I don’t know. The same thing he blames his teacher, his accountant, and his divorce lawyer for. The same thing that put him in jail. His life has fallen apart and he feels these people are the reason why.”

Stanton lives in a nice neighborhood, where friendly neighbors are all craning their necks to get a good look at the action. There are patrol cars blocking off the street and media vans clogging the traffic. There’s a media helicopter circling and if we’re lucky it might start raining reporters and cameramen. The house is a two-storey affair with a lush front lawn and manicured garden. There’s a series of garden gnomes along the base of the house among the shrubs, some of them giving me a wink while others go about their work, one pushing a wheelbarrow, another holding a potted plant, another laying on his back with his eyes closed and a book on his stomach-probably the foreman.

The front door is wide open and there’s a flurry of people moving around it. The fridge and pantry have been raided, tins and sachets of food have been knocked over and dropped on the floor. The doctor’s car is gone. It’s possible he’s grabbed his children and gone on the run, but not likely because his wallet is still here. People don’t go on the run without their wallets. There’s a stroller in the corner of the living room. Why didn’t he take it? There are drops of blood on the floor and plastic ties that have been done up and then cut. They all have evidence markers next to them, and a photographer is going from one to the next, taking shots. The girls’ beds are unmade and their pajamas are dumped on the floor.

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