Rosamund Lupton - Sister

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Sister: краткое содержание, описание и аннотация

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“Lupton enters the highly charged ring where the best psychological detective writers spar… Like Kate Atkinson, Patricia Highsmith and Ruth Rendell… Both tear-jerking and spine-tingling,
provides an adrenaline rush that could cause a chill on the sunniest afternoon.”

When her mom calls to tell her that Tess, her younger sister, is missing, Bee returns home to London on the first flight. She expects to find Tess and give her the usual lecture, the bossy big sister scolding her flighty baby sister for taking off without letting anyone know her plans. Tess has always been a free spirit, an artist who takes risks, while conservative Bee couldn’t be more different. Bee is used to watching out for her wayward sibling and is fiercely protective of Tess (and has always been a little stern about her antics). But then Tess is found dead, apparently by her own hand.
Bee is certain that Tess didn’t commit suicide. Their family and the police accept the sad reality, but Bee feels sure that Tess has been murdered. Single-minded in her search for a killer, Bee moves into Tess’s apartment and throws herself headlong into her sister’s life—and all its secrets.
Though her family and the police see a grieving sister in denial, unwilling to accept the facts, Bee uncovers the affair Tess was having with a married man and the pregnancy that resulted, and her difficultly with a stalker who may have crossed the line when Tess refused his advances. Tess was also participating in an experimental medical trial that might have gone very wrong. As a determined Bee gives her statement to the lead investigator, her story reveals a predator who got away with murder—and an obsession that may cost Bee her own life.
A thrilling story of fierce love between siblings,
is a suspenseful and accomplished debut with a stunning twist.

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My legs have lost all feeling and I’m worried that Mr. Wright will have to carry me, fireman style, out of the park. Or maybe he will get an ambulance to drive all the way in.

But I will finish this first.

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I pleaded with him. Did you do that too? I think that you did. I think that like me you were desperate to stay alive. But of course it didn’t work; it just irritated him. As he twisted the cap off the bottle of sleeping pills, I summoned the residue of my physical energy and tried logical argument.

“If I’m found here, in the same place as Tess, it’s bound to make the police suspicious. And it’ll make them question Tess’s death too. It’s madness to do it here—isn’t it?”

For a moment the irritation left his face and he stopped twisting the cap, and I’d won a reprieve in this perverted debate.

Then he smiled, as if reassuring me as much as himself that I needn’t have such worries. “I did think about that. But the police know how you’ve been since Tess died; they already see you as a little unhinged, don’t they? And even if they don’t get it themselves, any psychiatrist will tell them that you chose this place to kill yourself. You wanted to kill yourself where your little sister had died.”

He took the cap off the bottle of sleeping pills.

“After all, if we’re being logical, who in their right mind would choose to end the life of two people in the same building?”

End the life . He was turning brutal killing into something passive, as if it was assisted euthanasia and not murder.

As he poured the pills into his cupped hand, I wondered who would question my suicide or vouch for my sane state of my mind. Dr. Nichols, at whom I had furiously sung the lullaby? Even if he thought I wasn’t suicidal at our last meeting, he would probably doubt that diagnosis, as he did with you, and blame himself for not seeing the signs. And DI Haines? He already thought I was overly emotional and irrational, and I doubted DS Finborough, even if he wanted to try, could convince him otherwise. Todd thought I was “unable to accept the facts,” and many others agreed, even if they were too kind to say so to my face. They’d think that in emotional turmoil after your death, irrational and depressed, I could easily have become suicidal. The sensible, conventional person I’d been a few months ago would never have been found dead from an overdose in this place. They would have asked questions for her but not for the person I had become.

And Mum? I’d told her I was about to find out what happened to you and I knew she would tell the police that. But I knew too that they wouldn’t believe her, or rather what I’d said to her. And I thought that after a while Mum wouldn’t believe it either, because she’d choose to bear the guilt of my suicide rather than think that I had felt a moment of this fear. And I found it unbearable to imagine her anguish when she’d have to mourn me too, with no one to comfort her.

He put the empty bottle in my coat pocket. Then he told me that the postmortem must show I swallowed the pills whole because that would make it look voluntary. I am trying to shut out his voice but it breaks in, refusing to be silenced.

“Who can make another person swallow pills against her will?”

He held a knife to my throat; in the darkness I could feel the cold edge of metal against the warmth of my skin.

“This isn’t what I am. It’s like a nightmare and I’ve turned into a stranger.”

I think he expected my pity.

He put his hand with the pills in it up to my mouth. The bottle had been full, which meant at least twelve pills. The dose was one in twenty-four hours. Any more was dangerous. I remembered reading that on the label. I knew that twelve would be more than enough to kill me. I remembered Todd telling me I should take one, but refusing because I had to stay alert; because I wasn’t allowed a few hours of drugged oblivion, however much I craved it; because I knew taking a sedative would be a cowardly reprieve that I’d want to repeat over and over again. This is what I was thinking as he pushed the pills into my mouth, my tongue uselessly trying to stop him.

Then he tipped water from a mineral water bottle into my mouth and told me to swallow.

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I t’s dark now, countryside black. I think of all the nocturnal creatures that are out here now the humans have gone home. I think of that storybook we had about the teddy bears coming out at night to play in the park. “There goes the bear at number three, sliding down the slide.”

“Beatrice…?”

Mr. Wright is helping me along, prompting and coaxing so I can finish this statement. His hand still holds mine, but I can hardly see his face anymore.

“Somehow I managed to wedge the pills behind my teeth and inside my cheeks, and the water went down my throat with just one, maybe two, I think. But I knew it wouldn’t be long before they all dissolved in my own saliva. I wanted to spit them out, but his flashlight was still full on my face.”

“And then?”

“He took a letter out of the inside pocket of his jacket. It was from Tess to me. It must have been the one she was writing on the park bench just before she died.”

I pause, my tears falling onto the grass, or maybe onto Mr. Wright; in the dark I can’t tell.

“He shone his flashlight on her letter so he could read it out to me. It meant that the flashlight was no longer shining on me. I had a brief opportunity, and I hung my head down toward my knees and spat out the sleeping pills onto my lap. They fell into the folds of my coat and made no sound.”

You know what you wrote to me, but it was William’s voice not yours that I heard, William’s voice telling me of your fear, your desperation, your grief. It was your murderer’s voice telling me that you walked the streets and through parks, too afraid to be in the flat, that you yelled up at the dark winter sky at a God you no longer believed in, yelling at him to give your baby back. And that you thought this was also a sign of your madness. It was your killer who told me that you couldn’t understand why I hadn’t come over, hadn’t phoned, hadn’t answered your calls. It was the man who killed you who told me that you were sure there was a good reason, and his voice as he spoke your written words violated their faith in me. But at the end of your letter your soft voice whispered to me beneath his:

“I need you, right now, right this moment, please Bee.”

Then, as now, your words pricked my face with tears.

“He put the letter back in his pocket, presumably to destroy it later. I’m not sure why he kept it or why he read it to me.”

But I think it’s because, like me with Mr. Wright earlier, his guilt was desperate for some company.

“I need you. Right now, right this moment, please Bee.”

He wanted to make me as culpable in some way as he was.

“And then?” asks Mr. Wright, needing to prompt me now to make sure I remember all of it. But we’re nearly finished.

“He switched off my phone and put it near the door where I couldn’t reach it. Then he took a scarf of mine out of his pocket—he must have taken it from the flat. He tied it around my mouth, gagging me.”

As he gagged me, panicking thoughts filled my head, one bashing into the other, a six-lane highway of thoughts, all happening simultaneously, backing up, bumper to bumper, unable to get out, and I thought that some would be released simply by screaming, others by crying, others if I was held. Most of my thoughts had become primal and physical. I hadn’t known before that it’s our bodies that think most powerfully, and that was why it was so cruel to be gagged. It wasn’t because I couldn’t shout for help—who’d hear me in an empty building in the middle of a deserted park? It was because I couldn’t scream or sob or moan.

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