Dean Koontz - Innocence

The swaddled baby had been set aside in a bassinet that was in fact a lozenge-shaped white-enameled basin, pending the official weighing and transfer to the neonatal-care unit. No sooner had the effort to resuscitate his wife failed than Bailey let go of her hand and went directly to his daughter. When he picked her up and looked into her as-yet-unfocused eyes, he knew himself to a degree that he had never known himself before, and a flood of remorse for certain past actions nearly brought him to his knees.

He withstood the wave of emotion, and his mind, always quick, had never been quicker as he tried to make sense of the effect that Gwyneth had on him. According to Father Hanlon, Bailey had been not merely a good man, but also scrupulously honest and honorable; successful, but humble in his success. If he had been corrupt, or if he had been ruthlessly ambitious in his rise from poverty to wealth, perhaps his reasons for remorse would have been so numerous and serious that he would have dropped the infant on her head, right there, right then, and blamed his weak grip on the grief that racked him. Instead, he held fast to her, overcome by a conviction that she was precious not only in all the ways that a daughter was precious to her father, but also for reasons he could not explain.

He thought the effect she had on him might be proof of some psychic ability that she was too young to be able to control. She might be a telepath or an empath, if that was a word, a clairvoyant or a mind reader. He didn’t know which of those she might be or if she was any of them, but he knew that she was something. He suspected that the explosive examination of conscience she had triggered in him could not have been what the physician and the nurses experienced. If they had endured anything that invasive and intense, their reactions would have been more dramatic; their quiet shunning would no doubt have been more hostile. Perhaps when still linked to her mother by an umbilical cord and in the few minutes after it was cut, Gwyneth had a lesser effect than after she’d been breathing on her own for a few minutes, her heart no longer in sync with her mother’s heart, the electrical activity in her brain more vital by the minute.

Some on the hospital staff thought Bailey eccentric and others judged him imperious when he insisted that his daughter not be taken to the neonatal-care unit but that instead she be given a private room where he could stay with her and tend to her himself, according to the instructions of a nurse. Eccentric or imperious, or even if mentally unbalanced by grief, he was treated respectfully and his demands were granted because he was a well-liked man but, in truth, because his foundation had given the hospital millions in grants. No one on its staff or in its administration wanted to put at risk any future millions that might come to the institution.

As soon as he could, Bailey phoned Father Hanlon, his parish priest. Without explanation, he inquired as to the availability of a particularly devout nun, someone who had taken her vows young and whose experience of the world was largely limited to her convent and to prayer. Preferably she would be in the contemplative rather than the active life, if such a one could be given a dispensation to leave her cloistered circumstances for this assignment. Bailey needed such a relative innocent to come to the hospital that night, to assist him with the care of his newborn and motherless daughter, for he didn’t trust a nurse, any nurse, in the room alone with her.

Even in those days, the city was home to fewer religious orders than in the past. The number of moniales residing in convents was lower than in yesteryear, when the church was stronger. Nevertheless, as a consequence of Bailey’s former generosity and Father Hanlon’s persuasiveness, Sister Gabriel, of the Sisters of Charity of St. Augustine, though in the active life rather than the contemplative, proved to be an ideal choice, for she was an untroubled soul, yet wise to the ways of the world and effective in dealing with the most secular of individuals in a manner that made them pleased to do as she felt best.

In addition, as a result of her meditation and contemplation, Sister Gabriel was a mystic with an awareness beyond the five senses. The very sight of Gwyneth troubled her but also filled her heart with gladness, so that she could endure the searing introspection caused by the very sight of the child and be uplifted by it. On only the third day of the infant’s journey in the world, the nun told Bailey that his daughter had been born in a condition of absolute purity, that somehow she was not burdened with the sad inheritance of the first-made in Eden. How this could be, Sister Gabriel could not say, given that Gwyneth was born of man and woman, but her certainty was such that, were she to be told by a superior that her perception was in error and that to insist upon it might be an occasion of mortal pride, she would have insisted just the same, because this was a truth that pierced her. Bailey knew it to be true, as well, the moment that he heard it.

Gwyneth was taken home from the hospital, and for the next four years, Sister Gabriel visited daily, to assist with the child’s care. At the end of this period, she believed that Bailey could manage the situation himself, because Gwyneth was by then intellectually and emotionally mature beyond her years, aware of the great gift of her innocence, of the necessity and difficulty of preserving it, and of the danger of a world hostile to one such as she. Sister Gabriel elected thereafter a contemplative and cloistered life and never ventured again beyond the walls of her convent.

During those same four years, Bailey had so often experienced the involuntary examination of his conscience, which occurred when he but looked at the girl, that he came to fully understand himself and his past errors. He arrived at a state of perfect contrition, so that he could enjoy her company and she his, in as normal a fashion as any father and daughter.

He had by then divested himself of his real-estate empire and reordered his investments so that management of them could be left largely to others. He devoted himself to Gwyneth and embarked upon a most unlikely second career as a novelist, under a pen name, which proved amazingly successful in spite of the fact that he never toured or engaged in much publicity.

To explain Gwyneth’s reclusive, almost monastic, existence, Bailey told the household staff and others in his life that his daughter was afflicted with fragile health, a compromised immune system, though in fact she never had as much as a cold or a headache. Later it was said that she suffered from social phobia, which in fact she did not. The girl’s nature was such that she thrived on seclusion and devoted herself to literature and music and study. She and her father believed that hers was to be a life in waiting, that the day would come when her purpose would be clear and that in the meantime she needed only to be patient.

When she hit upon the scheme to disguise her nature and thereby be able to go out into the world, her father was at first reluctant to grant permission. But Gwyneth was nothing if not persistent, and she proved that her plan was workable. In the magazine photographs of the Paladine marionettes, she recognized a portrait of evil that would be the perfect mask to hide her true nature and to dissuade people from looking closely at her, so that if she could avoid being touched, and thereby known, she could dare to venture tentatively and cautiously out of the house in which she had, until then, passed her entire life.

When I had asked why she imitated the look of the marionettes, she had said that it was to overcome her social phobia, that she felt she needed to look edgy. She was afraid of people, and she thought the best way to keep them at a distance might be to act a little scary. I had known at the time that her answer was incomplete, that she was keeping something from me. The full truth was that she and I were two of a kind, that whereas I lived by day underground and aboveground only by night, she moved safely in the city by spackling over her true nature with Goth makeup. Her strange, disturbing eyes, black with red striations like those of the vile marionettes, were contact lenses, nonprescription because she had perfect vision, custom-made for her by a company that produced all manner of prosthetics for actors of stage and screen, as well as for the growing number of people who chose to escape unsatisfying, mundane lives by donning costumes not just for fantasy and gaming conventions but also for more and more of their lives outside of their office jobs.