Dean Koontz - Innocence

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Innocence: краткое содержание, описание и аннотация

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He lives in solitude beneath the city, an exile from society, which will destroy him if he is ever seen.
She dwells in seclusion, a fugitive from enemies who will do her harm if she is ever found.
But the bond between them runs deeper than the tragedies that have scarred their lives. Something more than chance—and nothing less than destiny—has brought them together in a world whose hour of reckoning is fast approaching.
In
, #1
bestselling author Dean Koontz blends mystery, suspense, and acute insight into the human soul in a masterfully told tale that will resonate with readers forever.

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“It goes fast.”

“Express train.”

In my recent trips to the library, I had not read newspapers. Fragments of things heard on TV in the past two nights suddenly coalesced in my mind, and I understood why I had seemed to be missing some subtext in Gwyneth’s conversations with Edmund Goddard and the archbishop.

I have always been of the world but little in it. In this case, the price of isolation was ignorance.

Gwyneth began to put down the safety railing on her side of the girl’s hospital bed.

“Better not touch her,” Telford advised.

“I’m taking her out of here.”

“I’ve touched her. Pretty much all over. Sweet thing. Succulent. She’ll die of it now.”

Gwyneth pulled back the sheet and blanket. The sleeping girl’s pajamas had been disarranged.

I looked away.

“Couldn’t manage more than touching,” the curator said. “But it was lovely—the sharing.”

Abruptly he wrapped his arms around himself and doubled over, almost toppling from Cora’s bed. He made that keening noise, as if he were straining to lift a heavy weight, but it was a more tortured sound and went on longer than when he’d been on the phone. He looked as if he were coming apart inside and was trying desperately to hold himself together. Something that didn’t look like vomit and that smelled worse drooled from his mouth.

Having one of his moments.

Gwyneth leaned over the bed, adjusting the girl’s pajamas. “Addison, in the nightstand drawer, you’ll find a bottle of alcohol, a package of cotton pads, and adhesive tape. Please set them out for me.”

I did as she asked, glad to be useful. I worked with my left hand, keeping the little pressurized can of Mace in my right.

When Telford recovered, he sat up straighter and wiped his mouth on his sleeve. The tears on his eyelashes and those sliding down his face were tinted with blood. He looked around as if trying to recall the nature of this place and how he had gotten here.

Gwyneth withdrew the plastic cannula from the vein in the girl’s left forearm and let the drip line dangle from the bag of fluid that hung on the IV rack. She said, “I don’t think this is necessary, but just in case,” and with alcohol, she swabbed the point of insertion from which she’d withdrawn the cannula.

Having oriented himself, Telford said, “What’re those stitches in her side?”

“We had the feeding tube taken out two days ago,” Gwyneth said.

“I didn’t like the look of them. Turned me off. Otherwise, she’s a tender little thing. A bit sloppy from lying around all this time, but all in all, prime enough.”

“She’s a child.”

“How prime does it get?”

Gwyneth placed a cotton pad over the puncture in the forearm and taped it down.

Turning quarrelsome, Telford said, “Hell’s bells, the bitch is brain-dead and contaminated. What’re you doing? What’s the use? Why do you care anyway?”

“She’s special,” Gwyneth said.

Picking up the pistol that he had claimed to be too weary to use, he said, “How’s she special?”

Instead of answering him, she pulled the blanket off the bed and threw the top sheet back, so that it draped over the footrail, exposing the girl in her pajamas, head to foot.

“How’s she special?” Telford repeated.

Gwyneth rolled the girl onto her right side, facing away from us, and said, “Addison, help me with this blanket.”

Telford raised the gun, pointing it at the ceiling, as if to get our attention. “I’m talking here.” He must have been even weaker than he appeared, and the weapon must have been too heavy for him, because his wrist kept going limp, the gun wobbling this way and that. “Why is this little slut so special?”

“Because everyone is,” Gwyneth said.

“She’s just a little slut.”

“If that’s so, then I must be wrong.”

“You’re wrong as shit, that’s what you are.”

Together, Gwyneth and I placed the blanket on the bed, so that half of it was draped over the side.

“You’re special, too,” she told Telford.

“What kind of crack is that?”

“It’s not a crack. I’m just hoping.”

She rolled Jane Doe 329 toward us, onto the blanket, and then onto her left side, almost to the edge of the bed.

“Hoping what?” Telford asked.

“Hoping you use what time you have left to save yourself.”

We draped the dangling length of blanket over the girl and sort of tucked it against her back.

“You know I’m dying, bitch. Screw hope.” He struggled up from the second bed, as loose-limbed as a drunk. “I gotta tell you something.”

Gwyneth grabbed the farther hem of the blanket, and pulled it across the insensate child, thereby wrapping her completely.

Telford stumbled two steps forward and grabbed the other bed railing with his left hand to steady himself.

I raised the Mace, and Gwyneth said, “No. That’ll just make him crazy. And then what?”

“Little titmouse, you want crazy, go to North Korea. Maniacs. Lunatic bastards. TV says this thing the lunatics engineered, it’s a twofer.”

Gwyneth said, “Addison, get your arms under her, lift her off the bed. Do it now.”

I didn’t want to pocket the Mace. Maybe it would drive him crazy, the burning in his eyes, but maybe that would be good, even if he had a loaded pistol.

“Do it now, Addison.”

“Hey, Lone Ranger, you hear it’s a twofer?”

“I heard,” I assured him as Gwyneth took the Mace from me.

“Ebola virus, Lone Ranger, and flesh-eating bacteria, and way pumped up, the shit’s totally enhanced , airborne, they say worse than atom bombs. It eats you up from the inside out. How’s that for bad?”

I got my arms under the girl and lifted her from the bed. Strong with terror, I was amazed that she felt so light.

The pistol tumbled from Telford’s hand onto the bed. Dripping sweat, weeping bloodier tears than before, he leaned hard across the railing, not to retrieve the weapon, but instead to spit in Gwyneth’s face. The thick, disgusting wad of spittle contained more than mere saliva.

67

IN THIS FALLEN WORLD, THERE ARE THINGS YOU hope for but never expect to receive because there is no luck and never was, but also because they are things of such great value that not all the good you could do in an entire lifetime would be enough to make you worthy of them. If one of your hopes is fulfilled, if that precious thing ever comes to you, it comes to you as a grace, and every day of your life thereafter, you need to give thanks for the gift. The girl I met in lamplight near Charles Dickens—she was my grace, all I wanted or would ever want.

I stood there helpless, with Jane Doe in my arms, and Telford spat in Gwyneth’s face, a foul phlegm that he worked up for a final outrage. He laughed shakily, and there was amusement in it, a giddy delight, almost rapture. “A gun’s too easy, titmouse. You die like me, just like me.”

She snatched a corner of the top sheet and blotted her face, but I knew that couldn’t be good enough to spare her.

“Die like me, like me.” The curator drew out each me like squeezed air escaping from the pinched neck of a balloon. He was a man and a monster, too, a monster and a clown amusing himself, and if he had possessed the strength, he would have capered in his delight.

God help me, I almost dropped the comatose girl to seize the gun and kill him. A rushing noise swelled in my head, like cataracts of water falling from a hundred feet, flecks of static in my vision, ice in my marrow, for I was overtaken by wrath and almost consumed by it, but I didn’t drop the girl.

Gwyneth said, “Let’s get her out of here,” and I said, “The bathroom, hot water, soap, wash yourself ,” and she said, “Move, move, now, let’s go.”

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