Johnny Temple - USA Noir - Best of the Akashic Noir Series

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The best USA-based stories in the Akashic noir series, compiled into one volume and edited by Johnny Temple!

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Stevens smiles as if he likes the way De La Russe is get­ting into this. “This ain’t the only store in town, ya know. And stores ain’t the only sources we got. You’re from the Second District, right? People there got real nice taste.”

De La Russe decides he’s just fallen into a real deal. Here they are, right this minute, he and Stevens, policing Wal-Mart and helping themselves while they’re at it. He sees how he can patrol his own district, get credit for coming to work, arrest a few of the real looters—the street guys—and help himself to whatever he wants while everybody’s still out of town. How come he hadn’t thought of it first?

* * *

It’s early the next day when De La Russe sees the black cou­ple—oh, excuse him, the two African-Americans—packing up their car in front of the biggest-ass goddamn house in the Garden District, or so near it doesn’t matter. What the hell are they thinking? There aren’t any cops around here? He decides he’s really going to enjoy this.

He parks his car and strolls up all casual, like he’s just gonna talk to ’em. “How y’all?” Dicking with them.

They go rigid though. They know from the get-go he’s trouble, and it has to be because of their guilty little con­sciences. “What y’all doing?”

“Leavin’,” the man says. “Gettin’ out of town quick as we can. You want to see some ID? My wife works here and the owners are in North Carolina. So we rode out the storm here.” He starts to put his hand in his pocket, maybe to get the ID, and that gives De La Russe an excuse to slam him up against the car, like he thinks the guy’s going to go for a weapon.

He pats the man down, and sure enough, there is one. Doesn’t that just sweeten this whole deal. Worth a lot to a couple guys he knows. “You got a permit for this?”

The guy doesn’t answer, but his wife pipes up: “It’s not ours. It belongs to Tony. My employer. When the looters came…”

De La Russe smiles. “… ya thought it might be okay to steal ya boss’s gun, huh? You know how pathetic that story sounds? Know who I think the looters are? Yeah. Yeah, I guess ya do. Let’s see what else ya got here.”

The woman says, “My boss, Mathilde… she asked me to bring—”

“Mrs. Berteau,” the man says. “My wife works for Mathilde Berteau.”

“Right,” says De La Russe. “Y’all get in the backseat for a while.”

“What about… ?” The woman’s already crying, know­ing exactly what’s in store for her. He grabs her by the elbow and rassles her into the car, shoving her good, just for the fun of it.

“What about what?”

“Nothin’, I just…”

The husband is yelling now. “Listen, call the Berteaus. All you have to do is call ’em, goddammit! Just call ’em and let ’em tell you.”

* * *

“Like there was the least chance of that,” Cherice says ten months later. The encounter had led to the misery and indig­nity of incarceration for three days and two nights, plus the humiliation of being accused of looting—almost the hardest part to bear. But she has survived, she and Charles, to tell the story at a Fourth of July barbecue.

“Know why I was wastin’ my breath?” Charles chimes in. “’Cause that peckerwood was enjoyin’ himself. Wasn’t about to ruin his own good time.”

She and Charles are living in Harvey now, in a rental, not a FEMA trailer, thank God, until they decide what to do about their gutted house. Their families have all heard the story many times over, but they’ve made new friends here on the West Bank, people they haven’t yet swapped Katrina yarns with. Right now they have the rapt attention of Wyvette Johnson and her boyfriend Brandin. Cherice didn’t catch his last name.

Wyvette gets tears in her eyes. “Mmmm. Mmmm. What about those poor dogs?”

This annoys Cherice, because it’s getting ahead of the way she usually tells it. But she says, “I nearly blurted out that they were there at the last minute… before he took us away. But I thought they’d have a better chance if he didn’t know about ’em. Last thing I wanted was to get my dogs stole by some redneck cop.” Here she lets a sly smile play across her face. “Anyhow, I knew once Mathilde knew they was still in the house, that was gon’ give her a extra reason to come get us out.”

“Not that she needed it,” Charles adds. “She was happy as a pig in shit to hear we’d been dragged off to jail. I mean, not jail, more like a chain-link cage, and then the actual Big House. I ended up at Angola, you believe that? The jail flooded, remember that? And then they turned the train sta­tion into a jail. Oh man, that was some third world shit! Couldn’t get a phone call for nothin’, and like I say, they put you in a cage. But one thing—it was the only damn thing in the city that whole week that worked halfway right. Kept you there a couple days, shipped you right out to Angola. But they got the women out of there just about right away. So Cherice was up at St. Gabriel—you know, where the women’s prison is—in just about twenty-four hours flat. And after that, it wasn’t no problem. ’Cause they actually had working phones there.”

Wyvette is shaking her silky dreads. “I think I’m missin’ somethin’ here—did you say Mathilde was happy y’all were in jail?”

“Well, not exactly,” Cherice says. “She was outraged — ’specially since I’d been there for two days when they finally let me make the call. It’s just that outrage is her favorite state of mind. See, who Mathilde is—I gotta give you her number; every black person in Louisiana oughta have it on speed dial—who Mathilde is, she’s the toughest civil rights lawyer in the state. That’s why Charles made sure to say her name. But that white boy just said, ‘Right,’ like he didn’t believe us. Course, we knew for sure she was gon’ hunt him down and fry his ass. Or die tryin’. But that didn’t make it no better at the time. In the end, Mathilde made us famous though. Knew she would.”

“Yeah, but we wouldn’t’ve got on CNN if it hadn’t been for you,” Charles says, smiling at her. “Or in the New York Times neither.”

Wyvette and Brandin are about bug-eyed.

“See what happened,” Charles continues, “Cherice went on eBay and found Mathilde’s mama’s engagement ring, the main thing she wanted us to bring to Highlands. Those cops were so arrogant they just put it right up there. In front of God and everybody.”

“But how did you know to do that?” Wyvette asks, and Cherice thinks it’s a good question.

“I didn’t,” she says. “I just felt so bad for Mathilde I was tryin’ anything and everywhere. Anyhow, once we found the jewelry, the cops set up a sting, busted the whole crime ring—there was three of ’em. Found a whole garage full of stuff they hadn’t sold yet.”

Brandin shakes his head and waves his beer. “Lawless times. Lawless times we live in.”

And Cherice laughs. “Well, guess what? We got to do a little lootin’ of our own. You ever hear of Priscilla Smith-Fredericks? She’s some big Hollywood producer. Came out and asked if she could buy our story for fifteen thousand dollars, you believe that? Gonna do a TV movie about what happened to us. I should feel bad about it, but those people got way more money than sense.”

* * *

Right after the holiday, Marty Carrera of Mojo Mart Productions finds himself in a meeting with a young producer who has what sounds to him like a good idea. Priscilla Smith-Fredericks lays a hand on his wrist, which he doesn’t much care for, but he tries not to cringe.

“Marty,” she says. “I believe in this story. This is an important story to tell—a story about corruption, about courage, about one woman’s struggle for justice in an unjust world. But most of all, it’s the story of two women, two women who’ve been together for twenty-two years—one the maid, the other the boss—about the love they have for each other, the way their lives are inextricably meshed. In a good way.

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