Johnny Temple - USA Noir - Best of the Akashic Noir Series

We had to leave most of our things behind on the mainland when we were shipped out here on a rusty lobster boat called Second Chance , but our pasts couldn’t help but follow us here anyway. We were always looking over our shoulders and finding them there. Depending on the time of day, we were either chasing the shadows of our pasts or being chased by them. We cast them out over the water with our fishing nets. They were with us when we hoed the garden, split wood, and changed the oil to keep Second Chance , the school’s only boat, in working order. We watched them tackle and collide and fall to the ground next to us while we played football and beat the shit out of each other much like the waves that endlessly pounded this rock. I just wondered when our pasts would pick themselves up, dust themselves off, and walk away. You could say that’s what we all wanted them to do. Least that’s what I wanted for mine.

I never meant to be in the car that killed that girl. It was like that was someone else, not me. Like I wasn’t even there. But I was.

Mr. Riaf, my court-appointed lawyer, had said that the hardest thing out here on Penikese was figuring out how to survive the other guys. “Someone always cracks,” he said. “Don’t let it be you, kid.”

Freddie Paterniti said that when DYS told him he could go to school on an island for a year instead of being thrown back in the can, he thought he was gonna be spending his days jet skiing. Everybody gave Freddie a load of shit for being such a stupid fuck though they had all thought the same thing. Me, I never admitted to knowing better.

Instead of jet skis, cigarette boats, and chicks in bikinis, we got Cunningham, the school’s founder, an ex-Marine who fought in Vietnam and looked like Jean-Claude Van Damme crossed with Santa Claus. Cunningham believed that our salvation lay in living like it was 1800, but the lesson wasn’t about history: “You boys were chosen to ride Second Chance here because you have shown a demonstrated capacity for remorse for your crimes. We’re here to teach you that your actions literally create the world around you. By creating everything you need with your own bare hands, you can re-form the person you are deep within. And you can take that second chance all the way back to a new place inside.”

That’s why we carried water, slopped pigs, caught fish, dug potatoes, gathered eggs, and built tables and chairs, and if we didn’t, we wouldn’t have had anywhere to sit and nothing to eat.

We chopped a lot of firewood that was brought in on Second Chance from Woods Hole. If we got pissed off—which was often—we were sent out to chop more. At first our muscles ached for days. The feel of the axe ricocheted up our elbows, into our shoulders, our skulls. But we got stronger. Soon we split wood and dreamed of splitting the take, splitting open girls’ thighs, splitting this place, this life.

We were constantly making our world in this nowhere place, chopping it to bits, and redoing it all over again, but we couldn’t remake what we had done to earn our way here.

“Boys,” Tiny Bledsoe would say when we made the cutting boards that were sold in a fancy Falmouth gift shop to help fund the school, “consider yourselves to be in training for Alcatraz. Soon you’ll graduate to making license plates and blue jeans!” Each time Tiny said this Freddie hit the woodshop floor, laughing.

Freddie and Tiny were an odd couple. Freddie: sixteen, short, oily, wall-eyed, with the whiniest high-pitched Southie voice you could imagine. Tiny: seventeen, a lumbering, club-footed giant who came from East Dennis. They were nothing like me and my big brother Chad, but they reminded me of us in their own way. They both claimed to have killed people. That was their thing. Their special bond. Something that Chad and me have now too.

That girl’s mother sent me a picture of her, lying in her casket. It looked like one of those jewelry boxes lined in pink satin with a little ballerina that spins while the music plays. All you have to do is turn the key and that ballerina comes to life, but there’s no key on a casket. Just some motor at the gravesite that lowers the box into the ground. My little sister Caroline had one of those jewelry boxes. There was nothing in it but some rings she got out of those grocery store things you put a quarter in. The rings weren’t worth anything, but Chad convinced me to steal her jewelry box anyway.

Freddie and Tiny. It was never Tiny and Freddie, though Tiny was a foot taller. Even Cunningham and our teachers caught on, always saying “Freddie and Tiny” like “I got Freddie’s and Tiny’s homework here!” “Freddie and Tiny are going to lead us in hauling traps!” “Freddie and Tiny…”

One day early in the year, Ryan Peasely was rolling his eyes in mechanics class and mumbling behind Cunningham’s back, “Freddie and Tiny sucked my cock. Freddie and Tiny ate my ass.” It seemed like no one could hear him other than me, but Tiny had sonar for ears. He clamped down on Ryan with a headlock in no time flat. Freddie then whispered into Ryan’s ear that he would kill him by running a set of battery chargers off Second Chance ’s engine block up his ass.

Ryan is from Wellesley. Just cause he used to sell dope to his private school buddies he thinks he’s better than all of us, but Ryan just about shit his pants that day. Cunningham punished Freddie and Tiny by making them clean out the outhouse, but Freddie didn’t seem to care. He nearly died from laughing so hard.

When Freddie laughs he sounds like the trains that went through the woods down the road from the cul-de-sac where I grew up back in Pocasset: “A-Huh-a-huh-a-huh-a-huh. A-Huh-a-huh-a-huh-a-huh.”

It was also Chad’s idea to take Caroline’s jewelry box and set it on the train tracks. Bits of that doll went flying everywhere. You could still hear the music playing long after the train left.

Caroline cried so hard after she saw her jewelry box was missing, I went out and gathered up all the pieces of the ballerina that I could find. I wanted to give them to Caroline and make her feel better, but Chad shook his head and said, “What people don’t know can’t hurt them.”

I threw the pieces of the ballerina in the yard later on. I still remember watching the bits of pink plastic and white gauze fly from my hand.

Chad came into the room we shared later that night and said, “You’re a real man now, you know that, kid?”

I was only eight, and he was thirteen but he had started shaving. He knew what it meant to be grown up.

Learning how to be a man is part of Penikese’s chop-wood-carry-water philosophy. Penikese isn’t like being in jail, boot camp, or even regular school, though we can earn our GED and learn a couple of trades like fishing and woodworking. It’s some of all of these things in an Abe-Lincoln-in-a-log-cabin kind of way. Cunningham leads us on walks and tells us stories about the island and calls it history. Wood shop is where Mr. Da Cunha teaches us how to make furniture, which is also his way to con us into measuring angles and calling it geometry. We whittle pieces of wood along with the time; we’re stuck here for a year unless we fuck up, which means getting shipped off to juvie, which none of us wants though there is something about this place that makes everything bad we’ve ever done seem impossible to escape. Like the fact that the house where we’re living is a ship going nowhere.

At night we sit by kerosene lanterns and do homework around the kitchen table or play pool, except for Bobby Pomeroy who spends a lot of time in the outhouse where we’re all convinced he’s busy beating wood.