Thomas Enger - Scarred

Fortunately deciding where they were going to live required little discussion. Mattis wasn’t particularly bothered. Nor was he worried about how the house should look. Interiors, choice of sofa, the colour on the walls, the dinner service, none of that mattered to him and he was happy to leave all the decisions to her. So they bought a house that Emilie plans to redecorate over time, once she gets a clearer idea of what she wants.

Her only regret is that Johanne didn’t move back home to Jessheim once she had finished her studies. It would have made it so much easier for them to meet, or at least they would be seeing each other more than they do now. A whole summer has come and gone since the last time. And that is why Emilie is particularly excited about having lunch with her friend tomorrow.

But tomorrow is twenty-four hours away. Right now it is about the usual morning routine. Give Sebastian his breakfast, clean his teeth, brush his hair, make his packed lunch, help him into his coat and wellies, pack a spare set of clothing in case – no, not in case – because he inevitably gets dirty or wets himself.

She can’t wait until that stage is over. Sometimes she wishes it was possible to press the fast-forward button, as if life was a DVD series where you could skip all the boring episodes. But then Sebastian will smile or laugh or say something that gives her a warm glow all over, and she wishes she could change the pace of life to slow motion instead.

It is just past 8.30 in the morning when Emilie parks outside Nordby Nursery, a long flat building that has never been painted any colour other than red. She went there herself when she was little. She doesn’t remember very much about it except that they spent most of the day outdoors regardless of the weather – a tradition that seems to have endured. The nursery has a large outdoor space with plenty of playground equipment and a hill where the children can toboggan and roll down in winter.

Emilie gets out of the car, adjusts her clothing slightly, lifts Sebastian out of his car seat and puts him down carefully on the ground. Then she holds out her hand to him and he takes it. Slowly they start walking towards the entrance, a tarmac footpath where prams are lined up all the way to the wall. A father she meets practically every morning smiles to her. Emilie smiles back. It’s a fine morning and it’s important to enjoy it while it lasts. The sun breaks through the trees, which are craning their necks towards the sky. An autumnal morning mist has wrapped the branches and leaves in candy floss.

Her attention is drawn to a man standing close to the fence behind a fir tree. He is holding up a camera and isn’t moving. Emilie slows down and narrows her eyes to get a better look at him. She can’t see much in the drowsy morning light other than that he wears a khaki army jacket and that his face is obscured by the camera. When he lowers it, he seems to be staring right at her. At them.

‘Mummy,’ says a small, squeaky and impatient voice at her side. She looks down at Sebastian who is pulling at her.

‘I’m coming, darling, I was just—’

She turns again and looks towards the fir tree. The man is no longer there. She tries to work out where he could have gone, but all she can see are branches swaying in the wind and clouds of dust whirling up from the ground.

How strange , she thinks. Was he taking pictures of us?

She looks around. Right now they are the only people outside. And she thought there was something familiar about him.

She brushes the idea aside. He might just have been taking pictures of the beautiful light. Nothing to worry about.

Emilie carries on walking to the entrance while she glances at her watch. And it comes back, this twitchy, nagging feeling. Surely Mattis has to ring soon?

The reporters gathered around the big staircase at Oslo Police Station instantly fall silent when Pia Nøkleby arrives. She is usually accompanied by Chief Inspector Arild Gjerstad, but this time she is alone.

Henning has to be honest: he has grown to like Pia Nøkleby since he returned to work in the spring. He likes her dark hair, the fringe that she always brushes behind her right ear even though the hair instantly falls back over her eyes again. And her eyes – brown with a fleck of green, eyes that never look tired. The little beauty spot left of her nose, which gives him yet another reason to look at her heart-shaped face. Her lips always moist, not too red, as if she deliberately stops herself from being too beautiful. Her cheeks, soft and rosy with only a hint of pale, delicate hairs, are tempting to touch.

She is always very serious when the microphone is switched on, behaving like she thinks she should and ought. But as soon as the cameras are turned off, her personality changes and she will come out with quick and insightful comments. She has always had this professional acuity that rarely or never leads her astray in interviews.

Henning has seen something in her eyes, not often, but every now and then she drops her facade. True, it’s some time since he last felt a woman’s warmth, or even interest, but he hasn’t completely lost his touch. Pia’s voice tends to soften when she speaks to him, also when other journalists or police officers are present.

But Henning also remembers how Pia’s replies became more and more evasive when he started asking questions about the police investigation into a murder of which ex-torpedo and property magnate Tore Pulli was found guilty. At first he had put her behaviour down to work-related stress, concluding that she might not be inclined to answer questions from someone who was clearly critical of an investigation she had headed. But ever since Henning discovered that Pia had redacted a report in the police investigation program, Indicia, a report that stated that Tore Pulli was outside Henning’s flat on the night of the fire that killed his son, it’s tempting to think that her less than forthcoming answers were prompted by other motives.

All Henning knows about the Pulli report is that Pulli was sitting in a car outside Henning’s flat in Markveien 32, on 11 September 2007, and that he had been there several nights in a row. But why was he there? Was he waiting for a meeting? Was he planning to beat someone up – after all, he had previously made his living as one of Oslo’s best-known enforcers? Or was he simply observing?

Henning has been asking himself those same questions in the last few weeks. Last month Pulli contacted Henning and told him he had information about what happened on the night that Jonas died. But before Pulli was able to tell him, he was murdered in Oslo Prison. Because of what he was about to tell Henning? And what did the original Indicia report say about Pulli’s movements on the night in question? Who might that information have incriminated – unless it was damaging to Pia Nøkleby herself?

Henning was tempted, of course he was, to confront Nøkleby when he discovered what she had done, but he has since had second thoughts. He decided to protect his source who had told him Nøkleby had edited the report and find another way to proceed. There must be others who know something.

He looks at Nøkleby as she stops on the fourth step from the bottom and surveys the crowd. TV camera lights are switched on. Microphones are stretched out. Mobile telephones switched to recording mode.

Henning knows the police are not about to disclose anything that he doesn’t already know. They might release a photograph of the victim, tell them a little about her background and confirm the information that Henning has already included in the article he filed earlier today. But Nøkleby won’t say anything about how the victim was maimed. Instead she will say that the investigation is looking at every aspect, technical as well as tactical, and that they have solid evidence that they are following up. But no one will be told what that solid evidence is, obviously.