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Dennis Lehane: Live by Night

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Dennis Lehane Live by Night

Live by Night: краткое содержание, описание и аннотация

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Boston, 1926. The ’20s are roaring. Liquor is flowing, bullets are flying, and one man sets out to make his mark on the world. Prohibition has given rise to an endless network of underground distilleries, speakeasies, gangsters, and corrupt cops. Joe Coughlin, the youngest son of a prominent Boston police captain, has long since turned his back on his strict and proper upbringing. Now having graduated from a childhood of petty theft to a career in the pay of the city’s most fearsome mobsters, Joe enjoys the spoils, thrills, and notoriety of being an outlaw. But life on the dark side carries a heavy price. In a time when ruthless men of ambition, armed with cash, illegal booze, and guns, battle for control, no one—neither family nor friend, enemy nor lover—can be trusted. Beyond money and power, even the threat of prison, one fate seems most likely for men like Joe: an early death. But until that day, he and his friends are determined to live life to the hilt. Joe embarks on a dizzying journey up the ladder of organized crime that takes him from the flash of Jazz Age Boston to the sensual shimmer of Tampa’s Latin Quarter to the sizzling streets of Cuba. is a riveting epic layered with a diverse cast of loyal friends and callous enemies, tough rumrunners and sultry femmes fatales, Bible-quoting evangelists and cruel Klansmen, all battling for survival and their piece of the American dream. At once a sweeping love story and a compelling saga of revenge, it is a spellbinding tour de force of betrayal and redemption, music and murder, that brings fully to life a bygone era when sin was cause for celebration and vice was a national virtue.

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“So she’s Albert’s girl.” It deflated Joe to think of her as just another gangster’s moll. He’d already had visions of them racing across the country in a stolen car, unencumbered by a past or a future, chasing a red sky and a setting sun all the way to Mexico.

“I seen them together three times,” Paolo said.

“So now it’s three times.”

Paolo looked down at his fingers for confirmation. “Yeah.”

“What’s she doing fetching drinks at his poker games then?”

“What else she going to do?” Dion said. “Retire?”

“No, but…”

“Albert’s married,” Dion said. “Who’s to say how long a party gal lasts on his arm?”

“She strike you as a party gal?”

Dion slowly thumbed the cap off a bottle of Canadian gin, his flat eyes on Joe. “She didn’t strike me as anything but a gal bagged up our money. I couldn’t even tell you what color her hair was. I couldn’t—”

“Dark blond. Almost light brown, but not quite.”

“She’s Albert’s girl.” Dion poured them all a drink.

“So she is,” Joe said.

“Bad enough we just knocked over the man’s joint. Don’t go getting any ideas about taking anything else from him. All right?”

Joe didn’t say anything.

“All right?” Dion repeated.

“All right.” Joe reached for his drink. “Fine.”

She didn’t come into The Shoelace for the next three nights. Joe was sure of it—he’d been there, open to close, every night.

Albert came in, wearing one of his signature pinstripe off-white suits. Like he was in Lisbon or something. He wore them with brown fedoras that matched his brown shoes which matched the brown pinstripes. When the snow came, he wore brown suits with off-white pinstripes, an off-white hat, and white-and-brown spats. When February rolled around, he went in for dark brown suits and dark brown shoes with a black hat, but Joe imagined, for the most part, he’d be easy to gun down at night. Shoot him in an alley from twenty yards away with a cheap pistol. You wouldn’t even need a streetlamp to see that white turn red.

Albert, Albert, Joe thought as Albert glided past his bar stool in The Shoelace on the third night, I could kill you if I knew the first thing about killing.

Problem was, Albert didn’t go into alleys much, and when he did he had four bodyguards with him. And even if you did get through them and you did kill him—and Joe, no killer, wondered why the fuck he found himself thinking about killing Albert White in the first place—all you’d manage to do would be to derail a business empire for Albert White’s partners, who included the police, the Italians, the Jew mobs in Mattapan, and several legitimate businessmen, including bankers and investors with interests in Cuban and Florida sugarcane. Derailing business like that in a city this small would be like feeding zoo animals with fresh cuts on your hand.

Albert looked at him once. Looked at him in such a way that Joe thought, He knows, he knows. He knows I robbed him. Knows I want his girl. He knows.

But Albert said, “Got a light?”

Joe struck a match off the bar and lit Albert White’s cigarette.

When Albert blew out the match, he blew smoke into Joe’s face. He said, “Thanks, kid,” and walked away, the man’s flesh as white as his suit, the man’s lips as red as the blood that flowed in and out of his heart.

The fourth day after the robbery, Joe played a hunch and went back to the furniture warehouse. He almost missed her; apparently the secretaries ended their shift the same time as the laborers, and the secretaries ran small while the forklift operators and stevedores cast wider shadows. The men came out with their longshoremen’s hooks hanging from the shoulders of their dirty jackets, talking loud and swarming the young women, whistling and telling jokes only they laughed at. The women must have been used to it, though, because they managed to move their own circle out of the larger one, and some of the men stayed behind, and others straggled, and a few more broke off to head toward the worst-kept secret on the docks—a houseboat that had been serving alcohol since the first sun to rise on Boston under Prohibition.

The pack of women stayed tight and moved smoothly up the dock. Joe only saw her because another girl with the same color hair stopped to adjust her heel and Emma’s face took her place in the crowd.

Joe left the spot where he’d been standing, near the loading dock of the Gillette Company, and fell into step about fifty yards behind the group. He told himself she was Albert White’s girl. Told himself he was out of his mind and he needed to stop this now. Not only should he not be following Albert White’s girl along the waterfront of South Boston, he shouldn’t even be in the state until he learned for sure whether or not anyone could finger him for the poker game robbery. Tim Hickey was down south on a rum deal and couldn’t fill in the blanks about how they’d ended up knocking over the wrong card game, and the Bartolo brothers were keeping their heads down and noses clean until they heard what was what, but here was Joe, supposedly the smart one, sniffing around Emma Gould like a starving dog following the scent of a cook fire.

Walk away, walk away, walk away.

Joe knew the voice was right. The voice was reason. And if not reason, then his guardian angel.

Problem was, he wasn’t interested in guardian angels today. He was interested in her.

The group of women walked off the waterfront and dispersed at Broadway Station. Most walked to a bench on the streetcar side, but Emma descended into the subway. Joe gave her a head start, then followed her through the turnstiles and down another set of steps and onto a northbound train. It was crowded on the train and hot but he never took his eyes off her, which was a good thing because she left the train one stop later, at South Station.

South Station was a transfer station where three subway lines, two el lines, a streetcar line, two bus lines, and the commuter rail all converged. Stepping out of the car and onto the platform turned him into a billiards ball on the break—he was bounced, pinned, and bounced again. He lost sight of her. He was not a tall man like his brothers, one of whom was tall and the other abnormally so. But thank God he wasn’t short, just medium. He stepped up on his toes and tried to press through the throng that way. It made the going slower, but he got a flash of her butterscotch hair bobbing by the transfer tunnel to the Atlantic Avenue Elevated.

He reached the platform just as the cars arrived. She stood two doors ahead of him in the same car when the train left the station and the city opened up in front of them, its blues and browns and brick red deepening in the onset of dusk. Windows in the office buildings had turned yellow. Streetlamps came on, block by block. The harbor bled out from the edges of the skyline. Emma leaned against a window and Joe watched it all unfurl behind her. She stared out blankly at the crowded car, her eyes alighting on nothing but wary just the same. They were so pale, her eyes, paler even than her skin. The pale of very cold gin. Her jaw and nose were both slightly pointed and dusted with freckles. Nothing about her invited approach. She seemed locked behind her own cold and beautiful face.

And what will the gentleman be having with his robbery this morning?

Just try not to leave marks.

That’s usually what liars say.

When they passed through Batterymarch Station and rattled over the North End, Joe looked down at the ghetto, teeming with Italians—Italian people, Italian dialects, Italian customs and food—and he couldn’t help but think of his oldest brother, Danny, the Irish cop who’d loved the Italian ghetto so much he’d lived and worked there. Danny was a big man, taller than just about anyone Joe had ever met. He’d been a hell of a boxer, a hell of a cop, and he knew little of fear. An organizer and vice president of the policemen’s union, he’d met the fate of every cop who’d chosen to go out on strike in September 1919—he’d lost his job without hope of reinstatement and been blackballed from all law enforcement positions on the Eastern Seaboard. It broke him. Or so the story went. He’d ended up in a Negro section of Tulsa, Oklahoma, that had burned to the ground in a riot five years ago. Since then, Joe’s family had heard only rumors about his whereabouts and those of his wife, Nora—Austin, Baltimore, Philadelphia.

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