Dennis Lehane - Live by Night

Joe jumped into the Essex and drove out of the foundry. The Bartolo brothers drove past him in their Cole, the back end sliding away from them as they hit a patch of dry red dirt. The dirt spewed onto Joe’s windshield and covered it. He leaned out the window and wiped at the dirt with his left arm while he drove with his right. The Essex bounced high off the uneven ground and something took a bite out of Joe’s ear. When he pulled his head back in, he could see a lot better, but blood poured from his ear, sluicing under his collar and down his chest.

A series of pings and thunks hit the back window, the sound of someone skipping coins off a tin roof, and then the window blew out and a bullet sparked off the dashboard. A cruiser appeared on Joe’s left and then another on his right. The one to his right had a cop in the backseat who rested the barrel of a Thompson on the window frame and opened fire. Joe stepped on the brakes so hard the steel coils of his seat pressed against his back ribs. The passenger windows exploded. Then the front window. The dashboard spit pieces of itself all over Joe and the front seat.

The cruiser to his right tried to brake as it turned in toward him. It rose on its nose and left the ground like something lifted by a gust. Joe had time to see it land on its side before the other cruiser rammed the back of his Essex and a boulder appeared out of the weeds just before the tree line.

The front of the Essex collapsed and the rest of it snapped to the right, Joe snapping with it. He never felt himself leave the car until he hit the tree. He lay there for a long time, covered in glass pebbles and pine needles, sticky with his own blood. He thought of Emma and he thought of his father. The woods smelled like burning hair, and he checked his arm hair and head just in case, but he was fine. He sat in the pine needles and waited for the Pittsfield police to arrest him. Smoke drifted through the trees. It was black and oily and not too thick. It moved around the tree trunks like it was looking for someone. After a while, he realized the police might not be coming.

When he stood and looked past the mangled Essex, he couldn’t see the second cruiser anywhere. He could see the first, the one that had fired the tommy gun at him; it lay on its side in the field, a good twenty yards from where he’d last seen it bounce.

His hands had been chewed up by glass or fragments flying around inside the car. His legs were fine. His ear continued to bleed. When he found the rear window along the driver’s side of the Essex intact, he looked at his reflection and saw why—no more left earlobe. It had been removed as if by a flick of the barber’s blade. Past his reflection, Joe saw the leather satchel that held the money and the guns. The door wouldn’t open right away, and he had to put both feet on the driver’s door, which was unrecognizable as a door. He pulled hard though, pulled until he felt nauseated and light-headed. Just when he was thinking he should probably go find a rock, the door opened with a loud groan.

He took the bag and walked away from the field and deeper into the woods. He came upon a small, dry tree that was aflame, its two largest branches curving toward the fireball in its center, like a man trying to pat out his own burning head. A pair of oily black tire tracks flattened the brush in front of him, and some burning leaves listed in the air. He found a second burning tree and a small bush, and the black tire tracks grew blacker and more oily. After about fifty yards, he arrived at a pond. Steam curled along its edges and wisped off the surface, and at first Joe couldn’t tell what he was seeing. The police cruiser that had rammed him had entered the water on fire, and now it sat in the middle of the pond, the water up to its windowsills, the rest of it charred, a few greasy blue flames still dancing on the roof. The windows had blown out. The holes the Thompson gun had made in the rear panel looked like the butts of flattened beer cans. The driver hung halfway out his door. The only part of him that wasn’t black was his eyes, all the whiter for the charring of the rest of him.

Joe walked into the pond until he was standing on the passenger side of the cruiser, the water just below his waist. There was no one else inside the car. He stuck his head in through the passenger window even though it meant getting that much closer to the body. The heat radiated off the driver’s roasted flesh in waves. He leaned back out of the car, certain he’d seen two cops in that cruiser as they’d raced across the field. He got another whiff of cooked flesh and lowered his head.

The other cop lay in the pond at his feet. He looked up from the sandy floor, the left side of his body as blackened as his partner’s, the flesh on the right curdled but still white. He was about Joe’s age, maybe a year older. His right arm pointed up. He’d probably used it to pull himself out of the burning car and fell into the water on his back, and it had stayed that way when he died.

But it still looked like he was pointing at Joe, the message clear:

You did this.

You. No one else. No one living anyway.

You’re the first termite.

Back in the city, he dumped the car he’d stolen in Lenox and replaced it with a Dodge 126 he found parked along Pleasant Street in Dorchester. He drove it to K Street in South Boston and sat down the street from the house he’d grown up in while he considered his options. There weren’t many. By the time night fell, he’d probably be out of them.

It was in all the late editions:

The two men Joe had come across in the pond were identified as Donald Belinski and Virgil Orten. Both had left wives behind. Orten had left two children. After studying their photos for a bit, Joe decided that Orten had been the one driving the car and Belinski had been the one who pointed up at him from the water.

He knew the real reason they were dead was because one of their brother lawmen had been stupid enough to fire a fucking tommy gun from a car bouncing across uneven ground. He knew that. He also knew that he was Hickey’s termite and Donald and Virgil never would have been in that field if he and the Bartolo brothers hadn’t come to their small city to rob one of their small banks.

The third dead cop, Jacob Zobe, was a state trooper who’d pulled over a car along the edge of the October Mountain State Forest. He’d been shot once in the stomach, which bent him over, and once through the top of his skull, which finished him off. The killer or killers ran over his ankle as they sped away, snapping the bone in half.

The shooting sounded like Dion. It was how he fought—punched a guy in the stomach to fold him in half and then worked the head until he went down for good. Dion, to the best of Joe’s knowledge, had never killed a man before, but he’d come close a few times, and he hated cops.

Investigators had yet to identify any suspects, at least publicly. Two of the suspects were described as “heavyset” and “of foreign descent and odor,” while the third—possibly a foreigner as well—had been shot in the face. Joe looked at his reflection in the rearview mirror. Technically, he supposed, it was true; the earlobe was attached to the face. Or, in his case, it had been.

Even though no one had their names yet, a sketch artist with the Pittsfield Police Department had rendered their likenesses. So while most papers ran pictures of the three dead cops below the fold, above it they printed sketches of Dion, Paolo, and Joe. Dion and Paolo looked more jowly than normal and Joe would have to ask Emma if his face looked that thin and wolfish in the flesh, but otherwise, the resemblance was remarkable.