William Giraldi - Hold the Dark

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Hold the Dark: краткое содержание, описание и аннотация

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A terrifying literary thriller set on the Alaskan tundra, about the mystery of evil and mankind’s losing battle with nature. At the start of another pitiless winter, the wolves have come for the children of Keelut. Three children have been taken from this isolated Alaskan village, including the six-year-old boy of Medora and Vernon Slone.
Stumbled by grief and seeking consolation, Medora contacts nature writer and wolf expert Russell Core. Sixty years old, ailing in both body and spirit, and estranged from his daughter and wife, Core arrives in Keelut to investigate the killings. Immersing himself in this settlement at the end of the world, he discovers the horrifying darkness at the heart of Medora Slone and learns of an unholy truth harbored by this village.
When Vernon Slone returns from a desert war to discover his son dead and his wife missing, he begins a methodical pursuit across this frozen landscape. Aided by his boyhood companion, the taciturn and deadly Cheeon, and pursued by the stalwart detective Donald Marium, Slone is without mercy, cutting a bloody swath through the wilderness of his homeland. As Russell Core attempts to rescue Medora from her husband’s vengeance, he comes face to face with an unspeakable secret at the furthermost reaches of American soil—a secret about the unkillable bonds of family, and the untamed animal in the soul of every human being.
An Alaskan
, an epic woven of both blood and myth,
recalls the hyperborean climate and tribalism of Daniel Woodrell’s Winter’s Bone and the primeval violence of James Dickey’s
.

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“I like tomato.”

I like tomato . Jesus Christ, you are something. Eat this soup, man.”

* * *

In his sleep, inhaling his boy’s T-shirt, Slone remembered it:

A tardy cold that autumn, the mornings finally below freezing in late October. Slone and Medora sixteen years old, setting out at six a.m. hand in hand through the hills outside Keelut. Plodding over footpaths they’ve known since childhood, miles down into the dale, across it to where the screes and crags slope up sharply from the plain. Avenues through cities of rock, scattered pine, and tufts of short spruce seen by only a dozen eyes before.

They wear packs with sandwiches and water, towels and candles. Every twenty minutes they rest to see the scape beyond. They kiss there against cliffs, soft at first and then harder. They touch conifer cones like infant pineapples that have shaken off rain. Two hours in and the temp has risen enough for them to remove their coats, to trek in sweaters and hats. At last they squeeze through crevices in the shadow-stroked crags, then track around to the cave, the steam exhaling from its entrance.

“Is that the one?” he asks her.

“Yes, that’s it, hurry,” she says, and smiling she pulls him along, up and around the rock-ribbed path to the cave.

Standing at the entrance on the slanted table of shale, with the sun strong at their backs now, they can see down into the hot spring. Steam in a steady hover on the surface of lucent water. She bounds smoothly over rocks into the heat of the cave, down to the rim of the pool. He follows her in. They erect candles in cracks around the pool, the steam aglow in a dozen small flames.

Their bodies are damp with sweat beneath their clothes. They strip bare, smiling at one another, Slone stiff already at the sight of her breasts in full weight, her blond patch of hair. Her velvet tongue tastes scantly of sugar. An inner writhing of excitement and need, at her touch a threshing all through him.

Her hand pumps him slowly there in the steam at the edge of the pool as they sit with their shins submerged. His fingers are gentle in her wet, his mouth on her breast, the skin of it almost liquid in its softness.

They enter the spring, its heat a whip on them at first, she in his arms as they spin laughing through the pool, as they go under together and hold, hold their breath, holding one another. When the heat swells they ascend to the mouth of the cave for October air to cool them. In the sun her blond nakedness seems the source of light, for an instant a halo about her matted crown.

This is a vision he will die with. The jolts and twitches deep within him, his arms around her in this morning chill, her breasts cradled in his hands. Soon they return to the warmth of the steam.

On a tabletop of rock above the pool they unroll towels. They lie enlaced and sweating. He’s far inside her now and she claws a fistful of his hair and draws his face down to hers so she can breathe into his mouth, whisper her love into his throat. His left hand is pinched in her right, fingers linked, locked. Her white skin has turned rose from this twofold heat, a rash fanning from her breasts to neck. He waits for her to quiver and tense and when he empties inside her they both go limp.

And when Slone woke at Shan Martin’s place, he knew where Medora was.

X

From his motel room’s window Core saw the weak sun between a dip in the range, its warmth nothing to the ferns of frost smeared on the glass. His sickness had finally gone during a medicated sleep of eighteen hours. He was hungry now for chocolate and cigarettes. With a mug of coffee from the motel’s lobby, he smoked at the window of his room as the sun glumly ascended, ice particles suspended in the air like mists of glitter, the cold a living thing—a willful thing with mind and lungs. He spat gobs of hardened phlegm into the bushes of snow beneath him. The engine above was a Cessna with skis cutting its way eastward and north to taxi men to their hunt. He planned to shower and leave this place, leave for the city to see his daughter.

But on the television a local news program, a female reporter in the village of Keelut, the microphone clouded by her breath. Core could not find the remote to unmute the sound but he read in blue ribbons at the bottom of the screen all that Cheeon had done there. Photos of the men he’d gunned down, a panning shot of Keelut—the water tower, generator shack, sled dogs, rows of cabins, those hills looming above. Another reporter at the morgue in town, shots of the parking lot behind it, Donald Marium being interviewed, looking bothered by the microphone so close to his mouth. More photos, the two cops Core remembered from the morgue, the coroner, the words “Vernon Slone,” and Core felt an unsnapping just below his chest.

In the shower he leaned against the tiled wall, the overhot stream on his scalp, hair long enough to touch his mouth. He felt filthy from days of illness, filthier still after seeing all Cheeon and Slone had done. He’d packed a towel in the space under the door of the bathroom and the steam swelled there around him. The water off now, he sat holding himself in the tub, addled by a dread he fought to understand, newly disgusted by his body hair. He could recall Medora Slone scrubbing herself in the tub, how he’d peeked on the night he arrived in Keelut. He reached for the razor in his bag, ran the faucet, and with a circle of motel soap he spent the next hour shaving his body, unbothered by the many nicks that dripped blood in the water.

When he finally rose he wiped the mirror clear, and with scissors he clipped away his beard and hair, sweating still. Soon the sink filled with wet clumps of white. He shaved his face, his throat. The exposed skin felt bloomed, seemed to exhale after decades of held breath. He stood studying himself for a long while and for a moment he recognized the new father he’d been at twenty-five.

A red square flashed on the telephone but he was hesitant to hear whatever news this message brought. Perhaps his daughter, his wife, someone calling him to return home. But no one knew he was here. He sat on the unmade bed and looked at the pulse of light. It was Marium’s voice saying he needed to meet, his office number, his cell. When Core dressed, his newly shaven body was cool and naked-feeling beneath his clothes, sensitive, strangely alive against flannel and denim. The sensation felt like a secret.

When he opened the door to get more coffee, a cop in a snowsuit was standing there. “Don Marium sent me to get you, Mr. Core.”

“I just got his message, yes.”

“He’s in Keelut now. He wants us there.”

“Yes,” Core said, “I’ll go to the village.”

“I can drive you.”

“I know the way,” Core said. “I’ve been there before.”

“Let me drive you,” the cop said. “I know Don’s looking to talk with you,” and Core was irked by the way he’d said it.

* * *

An eighty-minute crawl to Keelut, half that time behind a weather-wrecked snowplow fanning salt and sand across the blacktop, the cop not eager to speak and Core glad for the quiet. He read the paper, articles about the Slones, about Cheeon, this village. A foot of new snow mantled the land, undulating up into the hills, into granite rock faces. Marium was there at the entrance to Keelut, his truck pointed at the Slones’ cabin.

He waved through the windshield for Core, the cop walked off into the village, and Core joined Marium in the cab of the truck, the air burdened with the scent of coffee and smoke.

“Took me a sec to recognize you without the beard,” Marium said.

Core stomped snow from his boots and shut the door.

“You got my message?”

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