William Giraldi - Hold the Dark

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Hold the Dark: краткое содержание, описание и аннотация

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A terrifying literary thriller set on the Alaskan tundra, about the mystery of evil and mankind’s losing battle with nature. At the start of another pitiless winter, the wolves have come for the children of Keelut. Three children have been taken from this isolated Alaskan village, including the six-year-old boy of Medora and Vernon Slone.
Stumbled by grief and seeking consolation, Medora contacts nature writer and wolf expert Russell Core. Sixty years old, ailing in both body and spirit, and estranged from his daughter and wife, Core arrives in Keelut to investigate the killings. Immersing himself in this settlement at the end of the world, he discovers the horrifying darkness at the heart of Medora Slone and learns of an unholy truth harbored by this village.
When Vernon Slone returns from a desert war to discover his son dead and his wife missing, he begins a methodical pursuit across this frozen landscape. Aided by his boyhood companion, the taciturn and deadly Cheeon, and pursued by the stalwart detective Donald Marium, Slone is without mercy, cutting a bloody swath through the wilderness of his homeland. As Russell Core attempts to rescue Medora from her husband’s vengeance, he comes face to face with an unspeakable secret at the furthermost reaches of American soil—a secret about the unkillable bonds of family, and the untamed animal in the soul of every human being.
An Alaskan
, an epic woven of both blood and myth,
recalls the hyperborean climate and tribalism of Daniel Woodrell’s Winter’s Bone and the primeval violence of James Dickey’s
.

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Female swine and rabbits will stifle their young if the young are sick or weak, if resources run low. It’s called “savaging.”

Prairie dogs kill so many of their own young it’s practically a sport for them.

Rats eat their own young if they are hurt or deformed. But they are rats.

Wasps. Sand sharks. Sea lions. Tree swallows.

Those dolphins we so admire for their intelligence: they’ve been recorded ramming calves to death, nose-first, like football players.

Over forty species of primates kill their own young. Our ancestors? Darwin doubted they participated in such barbarity: they weren’t that “perverted,” he wrote. Goodall observed female chimps killing and eating baby chimps.

Thirty percent of infant deaths among certain baboons are the result of infanticide.

Postpartum depression will cause a human mother to murder her child. But scientists have said that most human infanticide is caused by social or economic woe. The mothers are almost always very young. If there’s a choice between children, a boy and a girl? The girl goes.

An Aborigine tribe has been documented killing a child to feed it to another. In the New Guinea Highlands, mothers kill their daughters and then try again for sons. !Kung mothers will walk into the forest with an unwell newborn and then walk back alone.

There is not a culture on earth in which a parent has not killed a child.

What was in Medora Slone’s nature that day when she twisted a rope around the throat of her own boy in a root cellar? Look to the woods, he knew, not the books. The annals of human wisdom fall silent when faced with the feral in us.

On this motel bed at the rim of the world, Core could feel himself forgetting how to know, how to believe.

IV

Vernon Slone landed in Alaska after dark, not in uniform but in dungarees fitted around combat boots, a baseball cap without a logo, a wool parka from a dead man at the military hospital in Germany. A patch on his neck, another on his shoulder. His sandy mane gone long and a blondish beard of weeks, lips hidden by mustache.

He’d been days in Germany, or a week, he couldn’t know for sure—the pills, blue and pink. Surgery to remove the lead in his shoulder and neck, some of it lodged in bone. Then the unclear flight to a base back home. Kentucky, he was told. News about his boy. News about his wife.

An Army doctor spoke at him. No one contacted you? Someone was supposed to contact you. Slone couldn’t bring his face into focus; his voice came as if from underwater. It’s been two weeks —He looked at papers in a folder. It’s been nearly two weeks. You should have been told this.

A shock wave softened by science, by more blue and pink. Another distorted voice from underwater. A woman this time, in civilian clothes. A counselor. Gold crucifix nestled in her jugular notch. She sat in a chair opposite him, at a table in his room, by a window. Her individual words were English, he knew, but her sentences seemed something else altogether. She kept asking if he wanted to pray. Slumped in a chair, Slone looked out the window at the uniforms passing on the walkway. In another minute he was asleep with his forehead on the table.

Pulse felt everywhere in his body, in ears clotted with blood or clogged shut with cotton. Mention of a Purple Heart by a pock-faced officer he’d never seen before. Mention of a ceremony to honor him. Still more pills and the weighted sleep of the sick. He fell into some netherland of shade and vapor where faces are more creature than person, blurred screams stretched across silence. His son’s name in his mouth.

In the sun outside. Someone pushed him in a wheelchair, though there was nothing wrong with his legs and the pain in his shoulder and neck had gone. A redheaded teenager dressed as a candy striper handed him a bundle of yellow roses, still in green cellophane—her breasts too large for her age, a face splattered with freckles, a mouth grotesque with metal, braces refracting sunlight that stung his eyes. She spoke a tongue he didn’t know and nobody explained. He needed to weep but could not find the strength to do it.

Beams of sunlight segmented the room in cryptic patterns, from windows both west and east, it seemed. He could not understand this abeyance of order. Shadows from branches and twigs brushed the wall like bone arms. At evening the lamplight covered the corners in malign misshapes he tried to decode but could not. His son spoke to him in dreams and when he woke he found he’d been sobbing as he slept.

The waking world had an awkward way with time now. Alaskans, he’d been told, had the skewed circadian rhythm of arctic things, tuned in to a half year of dark and ice. In those nebulous corridors between wake and sleep he saw his father, that chapped man, skin like shale, fractured by tobacco and cold. Each time he woke he remembered the facts anew.

Days ago someone had given him printed pages of the news article, black-and-white photos of Medora and Bailey. Photos that were three years old, he saw, partial and faded from the printer’s low ink. Only the top halves of the sentences were visible, so that it seemed as if they were only half true—seemed as if he himself might be in charge of making those sentences whole, of completing the details of this story.

By the time he boarded the plane home he had flushed the blue and pink pills. He was beginning now to emerge from that gauzy lair.

His boyhood companion Cheeon met him at the gate. Slone saw him there among the colorful others eager to greet family—six feet tall, half Yup’ik, a fixed expression of grief and resolve. He recognized his drab winter clothes, his boots, the strong tobacco scent of him. Black hair pouring from beneath a camouflaged hunter’s cap. His five-year-old daughter was the second child taken from the village by wolves, but he said nothing of this to Slone.

The men did not speak a word, did not clasp hands or embrace, only met each other’s eyes and nodded. Cheeon took Slone’s duffel bag, then handed him a cigarette and Zippo, a bowie knife in a black leather sheath. Slone moved briskly through the airport with Cheeon beside him keeping pace. Once through the double doors he lit the cigarette, fit the knife into his belt at the small of his back, and looked to Cheeon, who nodded the way to the truck across the road in the parking deck.

The temperature was two degrees now and would drop toward twenty below by dawn. His visible breath and the sharp scent of winter—Vernon Slone knew he was home.

For the eighty minutes it took them to arrive at the town’s morgue the men did not speak. Cheeon drove and smoked and smoked again, his window cracked an inch for vent. The raised white scar jutting from the corner of his mouth told of the autumn morning when fishing on the lake in the valley. Fourteen years old, Slone cast his lure, not looking, and hooked him clean through the mouth. A quick yelp and Cheeon grabbed for the line so Slone wouldn’t cast. Slone snipped off the barb with side cutters and threaded out the hook, holding down his laughter as the blood leaked onto their boots and Cheeon cursed him with his eyes and teeth.

This reticence between them, both instinct and ritual, was a lifetime old. Squalling babes the same age, they’d become instantly quiet when brought together, each a balm for the other in some way no one could explain. Bow-hunting elk or deer from adjacent stands in spruce, they’d pass twelve hours in uncut quiet, hand signals between them a superior tongue.

The winter hunt required an uncommon silence when the cold killed the sounds of summer, when ice muffled the earth and caribou a mile off could hear a man move through snow. They passed whole weekends of fishing for king salmon and trout without a single sentence on the river for fear that the fish could hear. All through November nights in their tent they wrapped around one another for warmth and never thought to wonder about an affection this natural.

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