Stuart MacBride - Dying Light

Fourteen Kettlebray Crescent was a mess. Vacant windows stared out at the street, surrounded by dark streaks of soot. The roof was gone, collapsed in on itself as the flames raged through the building. Now faint, rainy daylight filtered into the house’s shabby interior. The buildings on either side hadn’t fared too badly; the fire brigade had arrived quickly enough to save them. But not the six people who’d been in number fourteen. Insch grabbed an umbrella from the boot and marched off into the fire-ravaged house, leaving Logan and PC Steve to scurry along behind getting wet. A mobile incident room was abandoned outside the building: a cross between a Portakabin and a caravan, only without the windows. The standard black-and-white checked ribbon ran around the outside, with the SEMPER VIGILO thistle logo in the middle. Like a bow on a grubby, unwanted Christmas present.

They ducked under the blue-and-white POLICE tape stretched across the burnt-out building’s garden gate and walked up the path to the front door. It was hanging off its hinges, battered in by the fire brigade as soon as they realized someone was actually in there, but by then it was too late. Logan stopped at the doorframe: there were about two dozen three-inch screws poking through the wood, their shiny steel points grabbing the space where the door should have been. Inside it was like something out of Better Homes and Infernos . The walls in the hallway were stripped back to the plaster and lathe, black and covered in soot. ‘Er... sir?’ asked PC Steve, hanging back, peering into the gutted building from the outside. ‘Are you sure this is safe?’

The upper floor was missing, leaving the building little more than a burnt-out shell, the ground floor covered in broken slates and charcoaled wooden beams. Rain fell steadily through the gaping hole where the roof used to be, drumming off the inspector’s brolly. He stood in a relatively clear patch and pointed up at one of the windows on the upper floor. ‘Main bedroom: that’s where the petrol bombs came in.’

Logan risked a clamber over the shifting, rain-slicked slates, to peer out into the street beyond. The mud was slowly washing off the inspector’s filthy car, the expectant nose of a smelly spaniel pressed against the rear window, looking up at the building where six people had been burned to death. Screaming until their lungs filled with scalding smoke and flame, falling to the floor in agony as their eyes cooked and their flesh crackled... Logan shuddered. Did it actually smell of burning people in here, or was it just his imagination? ‘You know,’ he said, looking away from the window and back into the hollowed-out building, ‘I heard it takes twenty minutes for the human brain to die once the flow of blood’s stopped... all the electrical impulses, firing away to themselves, till there’s no charge left...’ The ruined face, staring up at him out of the body-bag in the morgue: eyes, nose and lips gone. ‘Do you think it was like that for them? Already dead, but still feeling themselves burn and cook?’

There was an uncomfortable silence. And then PC Steve said, ‘Jesus, sir, morbid much?’ Insch had to agree. They picked their way carefully through the debris and back outside; there was nothing else to see here anyway.

Logan stood on the top step, looking up and down the deserted street. ‘What did you find when you searched the other buildings?’

‘Not a bloody thing.’

Logan nodded and wandered out into the road, slowly turning through three hundred and sixty degrees, taking in the boarded-up houses on both sides of the street. If he was the sick bastard who’d screwed the door shut so that three men, two women and a nine-month-old baby girl would be roasted alive, he’d want to hang about and watch them burn. That would be where the fun was. He crossed the road, trying the door handles, looking for one that wasn’t locked... Two houses up, something caught his eye, something grey and squishy, trapped in the corner of the doorframe. It was nearly invisible: a disposable tissue, soaked transparent by the rain and slowly disintegrating. He pulled out a small, clear evidence baggie and turned it inside out, using it like a makeshift mitten to scoop up the tissue before flipping the baggie round the right way again, trapping the contents inside. A shadow fell across the doorway.

‘What is it?’ DI Insch.

Logan risked a sniff at the open evidence bag. ‘Unless I’m very much mistaken, it’s a wankerchief. Your man probably stood here to watch the place burn, listen to them scream as they died, tossing himself off to the smell of roasting human flesh.’

Insch wrinkled his nose. ‘PC Jacobs was right: you are a morbid bastard.’

The woman next door was drunk again. Out in her back garden with the radio blaring Northsound One, staggering about in time to the music, swigging from a bottle of wine, not caring that it was pouring with rain. She just wasn’t right in the head, that much had been clear from the moment they’d moved in: her and her strange, pointy-faced boyfriend and their huge black Labrador. He was a lovely dog, a great slobbery lump of affection, but there had been no sign of him for nearly two weeks. The woman said he’d probably run away. That he was an ungrateful bastard and didn’t deserve a home.

She said the same thing about her boyfriend.

Shaking her head, Ailsa Cruickshank turned away from the window and finished making the bed. The woman next door didn’t care that her dog was missing, so it had been up to Ailsa to make up little laminated posters and fix them to the lampposts and shop windows all over Westhill. Never let it be said that she didn’t do her bit.

Outside, the noise got even worse as the woman started singing along with some rap ‘song’ with the swearwords bleeped out. Only the woman next door wasn’t censored like the radio; she roared out the obscenities at the top of her voice. Shuddering, Ailsa went through to the lounge and turned her own television up loud. The woman wasn’t right in the head: everyone knew it — she was on tablets. Abusive, drunken, violent; she was every neighbour’s worst nightmare. How were Ailsa and Gavin supposed to start a family with that harpy screeching and yelling next door? Gavin and the woman were at loggerheads the whole time, arguing over the noise, the language, calling the police... Ailsa shook her head sadly, watching as her neighbour slipped on the rain-soaked grass, clanged her head off the whirly washing line and lay there crying for a minute, before swearing and screaming, hurling her wine bottle to explode against the fence. Ailsa shivered: she was going to end up hurting someone; she just knew it.

Union Grove looked a lot more posh than it actually was: a long avenue of granite tenements branching off Holburn Street in the city’s west end, lined with parked cars and the occasional tree. Brooding in the rain. The address they had for Graham Kennedy was a top-floor flat in one of the grubbier buildings, the communal front door caked with layers of blue and green blistered paint. The street was empty, except for a trio of small kids standing in a doorway across the road eating crisps, watching the police with interest. A patrol car, Alpha Four Six, was already sitting out front as PC Steve parked Insch’s Range Rover half a mile from the kerb, getting an earful from the inspector for his efforts. Blushing furiously he shoogled the car forwards and backwards until the pavement was within walking distance. He was told to stay behind and watch the spaniel.

On the inspector’s orders Alpha Four Six had brought a family liaison officer, a nervous young man with a permanently runny nose and two left feet. After a damp handshake he hurried after Insch and Logan into the building, out of the rain, confessing on the way that this was his first case. Insch took pity on the man and gave him a fruit pastille, for which he was obscenely grateful. The stairs up to the top floor were covered in a shabby, threadbare carpet, the walls in peeling flock wallpaper. Everything had that unmistakable, stinging reek of cat piss. Flat number five: brown door, fading brass number screwed to the wood and a plaque bearing the legend ‘MR & MRS KENNEDY’.