Karin Fossum - The Murder of Harriet Krohn

He leans back against the headrest and reflects. He’s never quite fit the pattern. And when he’s looked at other people, he’s always felt that they’ve been attached to the world in a totally different way. He’s always had the feeling that he’s ambivalent, remote. What’s just occurred couldn’t have been avoided. This acknowledgment is so dismal that he feels like the victim of something he doesn’t understand. Something to do with fate. That the crime has lain in wait for him, trapped him like some pawn in a game. Plotted by God or the devil, he doesn’t know which. He shivers. He gets out his tobacco and rolls a cigarette, lights up, and inhales deeply. Then he puts the Honda in gear and drives off.

She didn’t survive that, he thinks. Such a frail person, fragile and brittle as plaster. Soon he’s passing the railway station. Thoughts whirl around his head, but his pulse is beginning to slow because he can’t see anyone. There’s a cozy glow coming from the windows of Hamsund. The snow is falling soft and still. People are busy with other things and he’s getting away. All at once, he’s aware of a shadow to his right, but he continues plowing on, driving carefully on the slippery surface. It’s his right of way. The shape is suddenly frighteningly close. In the next moment, there is a jolt, and he hears the noise of metal crunching against metal. The bang is loud in the silence. He is thrown against the steering wheel and feels a blow to his chest. Then everything goes quiet and the silence is unreal. Confused, he peers through the windshield and finds himself looking directly at another car. He is filled with cold terror. He remembers the revolver lying on the floor and what he’s just done, remembers it as if for the first time. Suddenly he’s wide awake. He’s fallen from the track he was moving along and into a tangled undergrowth of panic and fear. A young man is gazing at him from the other car, a pale face with frightened eyes and large, prominent ears. Charlo loses control. Without thinking, he gets out into the slush, crosses to the small white car, and tears open the door. His body is shaking ominously and he flies off the handle, exploding like a firecracker. Everything that’s pent up inside him spills out in a furious torrent. The boy seeks shelter from this storm, this vast stream of words. He holds on tight to his steering wheel and waits for things to settle down. But they don’t settle down because all the floodgates inside Charlo have opened, and his fury is pouring out.

“I’ve got a claim form,” the boy mumbles.

His arm moves toward the glove compartment, his thin hand trembling. Charlo panics at the thought of a claim form. Documents to fill out, his signature at the bottom. He will be placing himself in Hamsund on the night in question, November 7. He knows he can’t do that. He’s still leaning heavily on the doorframe and yelling into the car. His expletives become more personal; they erupt from him like white-hot lava. He stops to draw breath. He thought he was empty, but more emerges. It’s like vomit; he feels it in the pit of his stomach. Then his voice cracks and he begins to sob. He weeps over what he’s left behind him on the floor. He weeps over Julie who won’t see him. Then he’s appalled at his own reaction. Only a madman acts like this, he thinks with alarm, and slams the door shut. He rushes back to the Honda.

He can see no stars. Only a thick darkness.

Out of that darkness, the snow drops quietly. This is the planet’s ultimate night. It will never be light again; no sun will rise in the morning. So grisly was his recent act. He bows his head in despair. If he’s being honest with himself, he thinks he’s dreaming. Soon he’ll wake up and groan with relief because it was only a nightmare. He switches on the courtesy light in the car and looks down at himself. His parka is bloody. The collision must have been the hand of God, a sudden intervention to halt him in his flight and make him face justice.

The lights are on in Erlandson’s house next door, and there, a shadow at the window. It’s almost eleven o’clock; his right arm is trembling. He sits in the car smoking, unable to tear himself away. Now and again he hears a hoarse groan, and it’s coming from him. He’s killed Harriet Krohn, but all he can think about is the accident with the white car. He thinks it was a Toyota, a Yaris. The contretemps was inexcusable. His reaction unforgivable. Only a lunatic would have behaved like that. He takes a firm grip of himself and grabs hold of the bag of silverware and jewelry, the “Tina’s Flowers” bag, and the bloody revolver. He gets out of the car and locks it.

His knees are weak. He bends close to the fender: a dent and the remains of some white paint. If only it were a bad dream, if only the fender were smooth and undamaged. Damn this weather, he thinks. Damn this whole wretched existence that I can’t cope with. Once again, he feels the need to cry, and some miserable sobs escape from him. He throws another glance at Erlandson’s house, but there’s no one at the window now.

He goes into his own house, slams the door behind him, and drops the revolver and the bag on the floor. He throws off the parka and it falls in a heap. And there he remains, standing with eyes closed, leaning against the wall. He hears himself breathing and knows that he’s alive, that the world is moving on. Even though he’s sunk to the bottom, to the very depths of existence. There’s a thudding at his temples, and the skin of his cheeks is prickling. He opens his eyes, sees his furniture and possessions. There’s the photo of Inga Lill and Julie; he can’t meet their gaze. He doubles over and starts tearing his hair, yanking so hard that his scalp hurts and the tears come. He eases his shoulders, gets a firm grip of himself, and sits down in his chair. The familiar red chair. He lies back. Oh, he’s so tired, so tired. He tries to force his breathing into an even rhythm and succeeds. Just sit quietly now, breathe, rest.

Only after an eternity does he get up and cross the floor. He knows that he must meet himself in the mirror. Instead he looks down and sees splashes of blood at the bottom of his trouser legs. Aghast, he kicks them off. He goes into the bathroom to shower. He imagines it will help, that perhaps he’ll return to his old self. Can he ever be himself again? Didn’t the door just slam and shut him away from everything? He imagined he heard a boom. He is standing quite naked in the garishly lit room. But then there’s the mirror. Perhaps it’s all hopeless if his eyes give him away as a killer.

He approaches the mirror with lowered head, and again he closes his eyes. I know what I look like, he thinks. I don’t need to make a big thing about it. He opens them again and looks straight ahead. His eyes are strange. His look is so distant; it reaches him from far away. Meditative, a little defensive. Is this really me? Am I alive? He steadies himself on the washbasin. This is too much for me, he thinks. I must calm down now. Calm down, Charlo! He makes another attempt, lifting his head and looking at his reflection with a more forceful expression. That’s better. He looks more collected. But there are those gray eyes — there’s something about them. The irises seem metallic. He leans close to the mirror and looks at his own pupils. They’re not completely round. His brow wrinkles in concern. Is it possible? Aren’t all pupils round? He moves right up to the glass. They’re cloudy at the edges and elongated, like oval slits. But this is what I must look like, he thinks. I’ve never noticed it before. How strange, how horrible. It makes him start; then the goose pimples rise. He leans forward once more. No, they’re definitely not round. It worries him enormously and he turns his back on the mirror. He stands there, unmoving, his naked body winter pale and hairy. Again he stops, freezes up. He can’t budge. He tries talking sternly to himself, tries to tear free. He turns on the tap and stands under the jet of water. Then at last his mind moves on and the hot water streams down. She’s dead, he thinks, and it’s my fault. But I couldn’t help it. She was hysterical. She went for me like an angry terrier. I was caught off guard, I was frightened, I lost control. But I didn’t want to do it. I didn’t plan it; I’ve never been cold-blooded. Never. He wants the water to splash over him, warm and soothing. He stands there resting for a while. Steps out of the shower and puts on a dressing gown. Picks up the parka and retrieves the money from the pocket. His heart beats faster. There’s a lot of money, a lot more than he’d hoped for. He settles in his chair with the wad of notes in his lap and starts counting. It’s hard because his hands are shaking. His eyes grow large. The money is dry and smooth between his fingers, masses of thousand-krone notes. He counts them ten by ten, and places them on the table. Two hundred and twenty thousand.