Ник Харкуэй: Angelmaker

Joe finds all his old, unused and unwelcome instincts rushing to the surface. Alarm! Alert! Sound the dive klaxon and blow the tanks! Run silent, run deep! He wonders why. He glances at the hand still gripping his own, and sees no watch. Gentlemen of this vintage rarely operate without watches, and watches communicate something of one’s identity. Of course, if one wished to avoid such communication… His gaze flicks to Mr. Titwhistle’s waistcoat, and finds what he’s looking for: a fob watch on an unornamented chain. No charms, no Masonic badges, no club marks. No private signs or colophon. No military insignia. A blank, empty space on an item for display. He looks back at the wrist. Cufflinks. Plain studs. The tie is generic, too. This man is a cypher. He hides himself.

Joe glances back at Mr. Titwhistle’s face. Gazing into those clear, benevolent eyes, he finds he is sure of exactly one thing: that Mr. Titwhistle, congenial sherry drinker and alderman of the city of Bath, would have precisely the same damp, avuncular expression on his face if he were strangling you with piano wire.

Unwillingly, he grants the Night Market self a brief leave to remain.

The formalities dispensed with, Mr. Cummerbund sits and lays out his notepad on his lap. From this angle, he is even more bizarre than when Joe first saw him galloping along Quoyle Street. He has a head shaped almost exactly like a pear. His brain must be squeezed into the narrow place at the top. His cheeks are wide and fatty, so that, if Mr. Cummerbund were a deer or a halibut, they would excite pleasurable anticipation in those fond of rich foods and delicacies. He smells strongly of a thin, high-scented cologne. It is a cologne advertised by young men who surf and then trip lightly into tropical casinos with curvy, dark-eyed women. It comes in a bottle made to look like a crystal glass pineapple. It is too young for him, and does not conceal the stinky eau de Cummerbund which is the natural product of his body.

“A matter of some delicacy?” Joe says.

“I’m afraid so,” Mr. Titwhistle agrees.

“Regarding?”

“Regarding some of your late grandfather’s effects.”

“My grandfather?” It is an innocuous word, and Daniel Spork was not a firebrand or a red-toothed crook—unlike his son—but it puts Joe a little more on edge.

“Yes, indeed. Mr. Daniel, I believe.”

“What about him?”

“Ah. Well… I am tasked to acquire your grandfather’s journals, and any correspondence you might be willing to part with. Along with any examples of his work or his tools which you might still possess. And any curiosities.”

“I see.” He doesn’t, or rather, he sees something, but cannot identify it.

“I’m authorised to negotiate the sale so that it can be done quickly, and to arrange for collection. The new exhibitions usually start in January, and they take a while to prepare, so time is of the essence. Have you been to the Museum?”

“No, I’m not familiar with it.”

“So few people are. A great shame. But the curators really do an amazing job. They build up the exhibits in a way which sets them off quite splendidly. You should visit.”

“It sounds fascinating.”

“Once I’ve seen the items, of course, I can give you a better idea of what we’d be willing to pay—but I have a considerable budget. American money, you see, not British. Additional zeroes, you understand.”

“And are there any specific items you might be looking for? I have a small number of rather ordinary tools which belonged to him. Although I think I do have a table clamp he designed for engraving work. The best stuff I’m afraid my father disposed of rather informally, while my grandfather was still alive.” Did he ever. Daniel Spork, measured and frail, shouting fit to raise the roof and shake the foundations. His son was a serpent, a buffoon, a deceiver. He was a crawling bug with no concept of honour, no understanding of humanity’s better urges. He was vile. And Joe’s mother, weeping and holding Mathew’s arm, clutching at the old man. Don’t say that, Daniel, please! Please. He didn’t know!

But Daniel Spork was a pillar of flame. A great trust had been shattered. The world was poorer for it—and Mathew, flesh of his flesh, lying and unforgivable clot, was the weak link in a chain of such incredible importance that it could not be fully expressed. Daniel turned his back and shook and shuddered, and batted away their hands. And then he went down to his workroom to leaf through the remains of Mathew’s “fire sale” and see what was still there and what could be reasonably brought back. It was only after a half-day spent leafing through his books and piling up bits and bobs upon his table, mouth still a bitter line of hurt and the Death Clock set appallingly in front of him ticking away these black moments of his life, that he looked over the remaining clutter and began to calm. His diary, yes, was here. His sketchbooks had gone to a friend in the trade, and could be had back, no doubt. His toolbox was gone—a magical thing of levers and cogs which extended and unfolded into a miniature bench—but the tools themselves remained.

Having lined up the survivors of the auction, Daniel paced and fluttered, opened ledgers and fussed with boxes, and finally gave a shout of satisfaction as he held up a collection of jazz records, old 78s, in a purpose-made satchel.

“Frankie,” he murmured. And then, with a snarl to his son, “Your mother!”

Only the sight of Joe—knee-high and cowering amid all this splashy and appalling adult confusion—broke through his rage, and even then it merely unleashed his grief, which was infinitely worse.

“No,” Mr. Titwhistle says, “nothing in particular. Unusual items always fetch a premium, of course. Anything idiosyncratic. Impractical, even. Or intricate.”

But his hands—which he has raised, palms up, to convey his sincerity—have betrayed him. He is tracing the outline of something, absently sketching it in the air as he speaks. Something which Joe has recently seen. Something strange, of which gentlemen from Scottish museums might in theory be aware, but whose connection with Joe himself should be quite beyond their ken. In any case, what manner of museum sends two fellows with anonymous ties and empty eyes all the way to London on the off chance? Do they not have the electric telephone in Edinburgh?

Mr. Cummerbund has been silent so far, listening and watching with great acuity, and every so often he has made notes in an impenetrable shorthand. The top leaves of the pad he is using have wrinkled, because his hands are moist and because he presses very hard with his cheap supermarket-brand ballpoint—a thin plastic thing which has already cracked along one edge, and which he occasionally puts between his lips to chew. Now, he removes it, and the smell of Mr. Cummerbund’s mouth is briefly added to the smell of tropical-fruit cologne, a tantalisingly disgusting flavour of old mint, tooth decay, and kidneys.

“Rodney,” he says tightly, and Mr. Titwhistle glances at him, then follows the line of Mr. Cummerbund’s gaze back to his own fingers. Joe sees the sequence of events unfolding, and realises a moment too late what will happen next: Mr. Titwhistle and Mr. Cummerbund look guiltily from the shape in the air to Joe to see whether he has made anything of it, and catch him staring guiltily at them. Between the three men, there is a moment of comprehension. Oh, yes. All out in the open, now, isn’t it? Or, not all, but enough. The rusty machinery of his father’s world wakes within him again, unfolding from an old corner of his mind that he barely knew was there; the forgotten instinct which prompts him to lie, promise, misdirect, all in one.

“I’m sorry, gentlemen,” Joe says confidingly, “you place me in a rather awkward position. I had a similar offer not two days ago from another interested party, and this morning my phone has barely stopped ringing. I’ve made some enquiries and not all my suitors are in fact entirely reputable”—you two, in particular, but we don’t say that because we want everyone to feel nice and safe and not disposed to rash action—“so I’d rather prefer to deal with you. If the price is right, of course.”