Colin Forbes: By Stealth

Half a minute later she slowed as quickly as she dared to warn Newman. The headlights shone on a tarred drive leading off to the left into the forest. At the entrance two large stone pillars flanked it and high wrought-iron gates stood open. She pulled up, leaned forward to see the name. Leopard's Leap. Wrong house.

She continued staring as Newman pulled up a few yards behind her, dipped his headlights. On top of each stone pillar was perched an extraordinarily lifelike black sculpture of a leopard leaping forward as though springing on its prey.

Paula felt sure she might have missed the entrance to Prevent. A short distance back out of the corner of her eye she'd seen a track leading off the road on the same side. At that point the curve of the road had angled her headlights on to the other side.

Flashing her indicator, she swung slowly through a U-turn until she faced the way she had come. Through the open window she waved her hand for Newman to follow. She drove slowly back and now the headlights showed up a cinder track leading into the trees. No gates but a squat concrete block carried the name-plate in large letters. Prevent. She shuddered, and wondered why.

Tweed had decided at the entrance that he would take over his Escort and drive in with Paula. He asked Newman to wait in the Mercedes, to hide the car as best he could in the undergrowth on the far side of the road facing the entrance.

`Andover may not welcome a delegation,' he explained. 'On the phone he urged me to come alone.'

`He won't object to my presence?' Paula queried.

`At times you're more persuasive than I am in coaxing men to talk. And I had the impression Andover is a frightened man..

Paula found it creepy as Tweed drove the Escort slowly along the winding track out of sight of the road. On both sides massed rhododendron bushes over nine feet high formed a dense wall. They had a straggly look as though they hadn't been trimmed in years. She remarked on the fact to Tweed.

`Doesn't surprise me a bit. Andover is a man without interest in his surroundings.'

`The house confirms that,' she commented.

Rounding another bend the headlights played over a Victorian pile of no great architectural value. It was a large house with three large gables and an air of neglect. Tweed was surprised at the size of the place. He pulled up in front of the main entrance, his wheels crunching on the cinders.

`The front door is wide open,' Paula observed quietly. She took off her right-hand glove, delved into her shoulder-bag, extracted her. 32 Browning automatic. `I don't like the look of this.'

`What made you bring the Browning?'

`Harvey was so insistent there was something menacing on the Solent. I'd hoped I could go with him in the powerboat. I wanted to be ready for trouble. There could be some here.'

`That open door on a night like this is peculiar,' Tweed agreed. `So, we proceed with caution..

`Shall I go round the back?'

He had opened the door of the Escort and he looked at her as the courtesy light shone down on her. It gleamed on her raven-black hair, showed up her fine bone structure, the determined chin. He sensed she was making a great effort to convince him she'd thrown off the shock of her experience at the marina. Another traumatic experience tonight would be a bit much for her.

`No,' he whispered, 'we'll stick together. And we'll try the front entrance. But the minimum of talk.'

He switched off the headlights, got out, locked the car and led the way up two worn stone steps to the massive stone porch, then paused. The wide-open front door was made of heavy wood with a stained-glass window in the upper half. There appeared to be a curtain behind it and he noticed the fish-eye spyglass let into the side of the door. Andover took precautions against undesirable visitors. So why leave the door wide open?

Tweed hauled on the handle of the pull-chain. Somewhere inside the brooding house a bell rang. Beyond the doorway was a large hall spread with a woodblock floor. Tweed hauled the pull-chain and again the distant bell rang. Still no one appeared.

`There's something awfully wrong here,' Paula whispered.

`I can't say I like the look of it too much myself. At this hour.'

`So what next?'

`We'll go into the hall and I'll call out for Andover. But only after we've listened for a short time. Maybe someone has broken in. Better give me the gun.'

`I can use it if I have to. It's mine,' she said firmly.

He shrugged with resignation. She was a crack shot on the range and seemed to have a grip on herself. If he insisted she'd take it as a display of a lack of confidence in her.

`Andover,' he called out as they walked quietly into the deserted hall.

He raised a hand to keep her silent. A wide old- fashioned staircase of oak mounted to a landing at the rear of the hall, then turned back on itself to climb higher. Round the first floor above them ran a railed gallery. Tweed looked up, checked it carefully. So often people forgot the danger could be at the higher level.

The hall smelt of fog which had drifted in through the open door. Paula found the atmosphere, the total lack of movement, the silence, spooky. A light shone through an open door at the rear of the hall, another from an open door to their right. No light illuminated the hall which was oak-panelled and full of disturbing shadows.

`Andover!' Tweed called out louder and waited.

When there was no response he pointed to the rear door for Paula to explore, made a second gesture indicating he would check the right-hand room. Their rubber-soled shoes made no sound as they moved in their different directions.

Tweed, standing at the entrance, peered inside the room which had the appearance of a study and library. The illumination came from a large shaded lamp on an ancient desk. He noted the heavy ceiling to floor curtains were closed over the windows, shabby crimson velvet curtains which needed replacing.

Three walls were lined with glass-fronted bookcases and again they ran from ceiling to floor. A wooden ladder was perched against one bookcase and Tweed guessed the top had wheels so the ladder could be slid along. What was wrong with the empty room?

The desktop was neat. A blotter framed in leather, a notepad with a fountain-pen ready for note-taking. The black telephone perched at one corner within a hand's reach of a carver chair behind the desk reminded him of Andover's agonized call from a public phone box. Why?

As he walked slowly across the threadbare Axminster carpet he took off his glasses, began cleaning them on his handkerchief. A white mug with a delft design stood on a place mat on the desk full of brown liquid. He felt it with one hand and the mug was cold. In doing so he dropped his glasses.

Stuffing his handkerchief in his pocket, he stooped to retrieve them, put them on, still crouched. He was straightening up when he caught sight of something at the top of the wire frame inside the large lamp shade. He stared at the small concealed object. Like a small glass eye it was covered with a fine grille. A listening bug.

Tweed began moving with great agility. Picking up the telephone receiver, he unscrewed the speaking end. Inside was another listening bug. It was the most advanced type and voice-activated. He searched the whole room, knowing now where to look.

Standing on a chair after lighting the central chandelier, he found a third of the devices cunningly secreted among the glass pendants. He replaced the chair, walked over to the ladder, climbed it until he could look along the rail. Nothing.

He climbed down quickly, lifted the ladder, moved it cautiously towards the door, then more swiftly when he found the wheels were well oiled, made hardly a sound. The ladder slid along the rail and was then stopped by some obstruction close to the door. Normal with such ladders.