John Le Carré - Call For The Dead

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John le Carré classic novels deftly navigate readers through the intricate shadow worlds of international espionage with unsurpassed skill and knowledge, and have earned him — and his hero, British Secret Service Agent George Smiley, who is introduced in this, his first novel — unprecedented worldwide acclaim.  George Smiley had liked Samuel Fennan, and now Fennan was dead from an apparent suicide. But why? Fennan, a Foreign Office man, had been under investigation for alleged Communist Party activities, but Smiley had made it clear that the investigation — little more than a routine security check — was over and that the file on Fennan could be closed. The very next day, Fennan was found dead with a note by his body saying his career was finished and he couldn't go on. Smiley was puzzled...

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He could picture her on the terrible night when she found her husband's murderer standing by his body: hear her breathless, sobbing explanation of why Fennan had been in the park with Smiley: and Mundt unmoved, explaining and reasoning, compelling her finally to conspire once more against her will in this most dreadful and needless of crimes, dragging her to the telephone and forcing her to ring the theatre, leaving her finally tortured and exhausted to cope with the enquiries that were bound to follow, even to type that futile suicide letter over Ferman's signature. It was inhuman beyond belief and, he added to himself, for Mundt a fantastic risk.

She had, of course, proved herself a reliable enough accomplice in the past, cool-headed and, ironically, more skilful than Fennan in the techniques of espionage. And, heaven knows, for a woman who had been through such a night as that, her performance at their first meeting had been a marvel.

As he stood gazing at the little shepherdess, poised eternally between her two admirers, he realised dispassionately that there was another quite different solution to the case of Samuel Fennan, a solution which matched every detail of circumstance, reconciled the nagging inconsistencies apparent in Fennan's character. The realisation began as an academic exercise without reference to personalities; Smiley manoeuvred the characters like pieces in a puzzle, twisting them this way and that to fit the complex framework of established facts — and then, in a moment, the pattern had suddenly reformed with such assurance that it was a game no more.

His heart beat faster, as with growing astonishment Smiley retold to himself the whole story, reconstructed scenes and incidents in the light of his discovery. Now he knew why Mundt had left England that day, why Fennan chose so little that was of value to Dieter, had asked for the 8.30 call, and why his wife had escaped the systematic savagery of Mundt. Now at last he knew who had written the anonymous letter. He saw how he had been the fool of his own sentiment, had played false with the power of his mind.

He went to the telephone and dialled Mendel's number. As soon as he had finished speaking to him he rang Peter Guillam. Then he put on his hat and coat and walked round the corner to Sloane Square. At a small newsagent's beside Peter Jones he bought a picture postcard of Westminster Abbey. He made his way to the underground station and travelled north to Highgate, where he got out. At the main post office he bought a stamp and addressed the postcard in stiff, continental capitals to Elsa Fennan. In the panel for correspondence he wrote in spiky longhand: "Wish you were here." He posted the card and noted the time, after which he returned to Sloane Square. There was nothing more he could do.

He slept soundly that night, rose early the following morning, a Saturday, and walked round the corner to buy croissants and coffee beans. He made a lot of coffee and sat in the kitchen reading The Times and eating his breakfast. He felt curiously calm and when the telephone rang at last he folded his paper carefully together before going upstairs to answer it.

"George, it's Peter" — the voice was urgent, almost triumphant: "George, she's bitten, I swear she has!"

"What happened?"

"The post arrived at exactly 8.35. By 9.30 she was walking briskly down the drive, booted and spurred. She made straight for the railway station and caught the 9.52 to Victoria. I put Mendel on the train and sped up by car, but I was too late to meet the train this end."

"How will you make contact with Mendel again?"

"I gave him the number of the Grosvenor Hotel and I'm there now. He's going to ring me as soon as he gets a chance and I'll join him wherever he is?"

"Peter, you're taking this gently, aren't you?"

"Gentle as the wind, dear boy. I think she's losing her head. Moving like a greyhound." Smiley rang off. He picked up his Times and began studying the theatre column. He must be right . . . he must be. After that the morning passed with agonising slowness. Sometimes he would stand at the window, his hands in his pockets, watching leggy Kensington girls going shopping with beautiful young men in pale blue pullovers, or the carcleaning brigade toiling happily in front of their houses, then drifting away to talk motoring shop and finally setting off purposefully down the road for the first pint of the week-end.

At last, after what seemed an interminable delay, the front-door bell rang and Mendel and

Guillam came in, grinning cheerfully, ravenously hungry.

"Hook, line and sinker," said Guillam. "But let Mendel tell you — he did most of the dirty work. I just got in for the kill?"

Mendel recounted his story precisely and accurately, looking at the ground a few feet in front of him, his thin head slightly on one side.

"She caught the 9.52 to Victoria. I kept well clear of her on the train and picked her up as she went through the barrier. Then she took a taxi to Hammersmith?"

"A taxi?" Smiley interjected. "She must be out of her mind?"

"She's rattled. She walks fast for a woman anyway, mind, but she damn nearly ran going down the platform. Got out at the Broadway and walked to the Sheridan Theatre. Tried the doors to the box office but they were locked. She hesitated a moment then turned back and went to a cafe a hundred yards down the road. Ordered coffee and paid for it at once. About forty minutes later she went back to the Sheridan. The box office was open and I ducked in behind her and joined the queue. She bought two rear stalls for next Thursday, Row T; 27 and 28. When she got outside the theatre she put one ticket in an envelope and sealed it up. Then she posted it. I couldn't see the address but there was a sixpenny stamp on the envelope."

Smiley sat very still. "I wonder," he said; "I wonder if he'll come."

"I caught up with Mendel at the Sheridan," said Guillam. "He saw her into the cafe and then rang me. After that he went in after her."

"Felt like a coffee myself," Mendel went on.

"Mr. Guillam joined me. I left him there when I joined the ticket queue, and he drifted out of the cafe a bit later. It was a decent job and no worries. She's rattled, I'm sure. But not suspicious?"

"What did she do after that?" asked Smiley.

"Went straight back to Victoria. We left her to it?"

They were silent for a moment, then Mendel said:

"What do we do now?"

Smiley blinked and gazed earnestly into Mendel's grey face.

"Book tickets for Thursday's performance at the Sheridan."

They were gone and he was alone again. He still had not begun to cope with the quantity of mail which had accumulated in his absence. Circulars, catalogues from Blackwells, bills and the usual collection of soap vouchers, frozen pea coupons, football pool forms and a few private letters still lay unopened on the hall table. He took them into the drawing-room, settled in an armchair and began opening the personal letters first. There was one from Maston, and he read it with something approaching embarrassment.

"My dear George,

I was so sorry to hear from Guillam about your accident, and I do hope that by now you have made a full recovery.

You may recall that in the heat of the moment you wrote me a letter of resignation before your misfortune, and I just wanted to let you know that I am not, of course, taking this seriously. Sometimes when events crowd in upon us our sense of perspective suffers. But old campaigners like ourselves, George, are not so easily put off the scent. I look forward to seeing you with us again as soon as you are strong enough, and in the meantime we continue to regard you as an old and loyal member of the staff."

Smiley put this on one side and turned to the next letter. Just for a moment he did not recognise the handwriting; just for a moment he looked bleakly at the Swiss stamp and the expensive hotel writing paper. Suddenly he felt slightly sick, his vision blurred and there was scarce!y strength enough in his fingers to tear open the envelope. What did she want? If money, she could have all he possessed. The money was his own, to spend as he wished; if it gave him pleasure to squander it on Ann, he would do so. There was nothing else he had to give her — she had taken it long ago. Taken his courage, his love, his compassion, carried them jauntily away in her little jewel case to fondle occasionally on odd afternoons when the time hung heavy in the Cuban sun, to dangle them perhaps before the eyes of her newest lover, to compare them even with similar trinkets which others before or since had brought her.

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