John Le Carré - Call For The Dead

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John le Carré classic novels deftly navigate readers through the intricate shadow worlds of international espionage with unsurpassed skill and knowledge, and have earned him — and his hero, British Secret Service Agent George Smiley, who is introduced in this, his first novel — unprecedented worldwide acclaim.  George Smiley had liked Samuel Fennan, and now Fennan was dead from an apparent suicide. But why? Fennan, a Foreign Office man, had been under investigation for alleged Communist Party activities, but Smiley had made it clear that the investigation — little more than a routine security check — was over and that the file on Fennan could be closed. The very next day, Fennan was found dead with a note by his body saying his career was finished and he couldn't go on. Smiley was puzzled...

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"My story really begins in 1938. I was alone in my rooms one summer evening. It had been a beautiful day, warm and peaceful. Fascism might never have been heard of. I was working in my shirt sleeves at a desk by my window, not working very hard because it was such a wonderful evening."’

He paused, embarrassed for some reason, and fussed a little with the port. Two pink spots appeared high on his cheeks. He felt slightly drunk though he had had very little wine.

"To resume;" he said, and felt an ass: "I'm sorry, I feel a little inarticulate ... Anyway, as I sat there, there was a knock on the door and a young student came in. He was nineteen, in fact, but he looked younger. His name was Dieter Frey. He was a pupil of mine, an intelligent boy and remarkable to look at?" Smiley paused again, staring before him. Perhaps it was his illness, his weakness, which brought the memory so vividly before him.

"Dieter was a very handsome boy, with a high forehead and a lot of unruly black hair. The lower part of his body was deformed, I think by infantile paralysis. He carried a stick and leaned heavily upon it when he walked. Naturally he cut a rather romantic figure at a small university; they thought him Byronic and so on. In fact I could never find him romantic myself. The Germans have a passion for discovering young genius, you know, from Herder to Stefan George — somebody lionised them practically from the cradle. But you couldn't lionise Dieter. There was a fierce independence, a ruthlessness about him which scared off the most determined patron. This defensiveness in Dieter derived not only from his deformity, but his race, which was Jewish. How on earth he kept his place at University I could never understand. It was possible that they didn't know he was a Jew — his beauty might have been southern, I suppose, Italian, but I don't really see how. To me he was obviously Jewish."

"Dieter was a socialist. He made no secret of his views even in those days. I once considered him for recruitment, but it seemed futile to take on anyone who was so obviously earmarked for concentration camp. Besides he was too volatile, too swift to react, too brightly painted, too vam. He led all the societies at the University — debating, political, poetry and so on. In all the athletic guilds he held honorary positions. He had the nerve not to drink in a University where you proved your manhood by being drunk most of your first year."

"That was Dieter, then: a tall, handsome, commanding cripple, the idol of his generation; a Jew. And that was the man who came to see me that hot summer evening."

"I sat him down and offered him a drink, which he refused. I made some coffee, I think, on a gas ring. We spoke in a desultory way about my last lecture on Keats. I had complained about the application of German critical methods to English poetry, and this had led to some discussion — as usual — on the Nazi interpretation of 'decadence' in art. Dieter dragged it all up again and became more and more outspoken in his condemnation of modern Germany and finally of Nazism itself. Naturally, I was guarded — I think I was less of a fool in those days than I am now. In the end he asked me point blank what I thought of the Nazis. I replied rather pointedly that I was disinclined to criticise my hosts, and that anyway I didn't think politics were much fun. I shall never forget his reply. He was furious, struggled to his feet and shouted at me: 'Von Freude ist nicht die Rede!' — 'We're not talking about fun!'" Smiley broke off and looked across the table to Guillam: "I'm sorry Peter, I'm being rather long-winded"

"Nonsense, old dear. You tell the story in your own way." Mendel grunted his approval; he was sitting rather stiffly with both hands on the table before him. There was no light in the room now except the bright glow of the fire, which threw tall shadows on the rough-cast wall behind them. The port decanter was three parts empty; Smiley gave himself a little and passed it on.

"He raved at me. He simply did not understand how I could apply an independent standard of criticism to art and remain so insensitive to politics, how I could bleat about artistic freedom when a third of Europe was in chains. Did it mean nothing to me that contemporary civilisation was being bled to death? What was so sacred about the eighteenth century that I could throw the twentieth away? He had come to me because he enjoyed my seminars and thought me an enlightened man, but he now realised that I was worse than all of them."

"I let him go. What else could I do? On paper he was suspect anyway — a rebellious Jew with a University place still mysteriously free. But I watched him. The term was nearly over and the long vacation soon to begin. In the closing debate of the term three days later he was dreadfully outspoken. He really frightened people, you know, and they grew silent and apprehensive. The end of the term came and Dieter departed without a word of farewell to me. I never expected to see him again."

"It was about six months before I did. I had been visiting friends near Dresden, Dieter's home town, and I arrived half an hour early at the station. Rather than hang around on the platform I decided to go for a stroll. A couple of hundred metres from the station was a tall, rather grim seventeenth-century house. There was a small courtyard in front of it with tall iron railings and a wrought-iron gate. It had apparently been converted into a temporary prison: a group of shaven prisoners, men and women, were being exercised in the yard, walking round the perimeter. Two guards stood in the centre with tommy guns. As I watched I caught sight of the familiar figure, taller than the rest, limping, struggling to keep up with them. It was Dieter. They had taken his stick away."

"When I thought about it afterwards, of course, I realised that the Gestapo would scarcely arrest the most popular member of the University while he was still up. I forgot about my train, went back into the town and looked for his parents in the telephone book. I knew his father had been a doctor so it wasn't difficult. I went to the address and only his mother was there. The father had died already in a concentration camp. She wasn't inclined to talk about Dieter, but it appeared that he had not gone to a Jewish prison but to a general one, and ostensibly for 'a period of correction' only. She expected him back in about three months. I left him a message to say I still had some books of his and would be pleased to return them if he would call on me."

"I'm afraid the events of 1939 must have got the better of me, because I don't believe I gave Dieter another thought that year. Soon after I returned from Dresden my Department ordered me back to England. I packed and left within forty-eight hours, to find London in a turmoil. I was given a new assignment which required intensive preparation, briefing and training. I was to go back to Europe at once and activate almost untried agents in Germany who had been recruited against such an emergency. I began to memorise the dozen odd names and addresses. You can imagine my reaction when I discovered Dieter Frey among them."

"When I read his file I found he had more or less recruited himself by bursting in on the consulate in Dresden and demanding to know why no one lifted a finger to stop the persecution of the Jews?" Smiley paused and laughed to himself: "Dieter was a great one for getting 'people to do things.'" He glanced quickly at Mendel and Guillam. Both had their eyes fixed on him.

"I suppose my first reaction was pique. The boy had been right under my nose and I hadn't considered him suitable — what was some ass in Dresden up to? And then I was alarmed to have this firebrand on my hands, whose impulsive temperament could cost me and others our lives. Despite the slight changes in my appearance and the new cover under which I was operating, I should obviously have to declare myself to Dieter as plain George Smiley from the University, so he could blow me sky high. It seemed a most unfortunate beginning, and I was half resolved to set up my network without Dieter. In the event I was wrong. He was a magnificent agent."

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