Adrian Magson - Tracers

He took out his mobile and considered calling him. Two sets of eyes were better than one, and he should warn him to keep an eye out for unusual movement around his flat. But what if Rik overreacted and got himself into a jam? He decided against it. No point in raising the tension unnecessarily. First he needed proof.

A mile ahead of the lay-by, Dog sat astride a trials bike in the forecourt of a petrol station and sipped from a small bottle of mineral water. And waited.

He was dressed in worn, nondescript black leathers and a scratched crash helmet, and was watching for signs of the Saab.

Whatever had caused Tate to pull off the road so abruptly didn’t particularly concern him; he was certain he hadn’t been made, although that might change the longer he stayed on Tate’s tail. But any deviation from the norm was a change in pattern and, in Dog’s experience, such changes often carried unforeseen dangers if you ignored them.

When the familiar car flashed by ten minutes later, he tossed the bottle into a bin and dialled a number on his mobile. When a voice answered, he said, ‘We’re off again.’ Then he switched off the mobile and powered away after the Saab.

Unaware of Dog’s presence, Harry was soon off the main routes and cruising through quiet back roads. He drove fast, negotiating the bends with ease and flicking past slower traffic and the occasional cluster of houses. All the while he kept an eye out for signs of pursuit, but saw nobody hovering in his wake for longer than seemed normal.

A sign came up for South Acres. A crudely painted sheet of marine ply nailed to a pine tree at the side of the road, it bore an arrow pointing down a narrow, unpaved track. The track disappeared into a thick belt of conifers and seemed to lead to the only dwelling for some distance.

Harry turned round and drove back slowly past the entrance to study the layout. The track bent out of sight after fifty yards, and wherever South Acres was, it lay screened by trees at the top of a rising slope.

A hundred yards beyond the entrance was a scrubby, unkempt field dotted with tufts of couch grass. A few weather-worn poles and uprights lay scattered, with a rusting feed bin on its side, buckled and unused. The paint on the poles was peeling and dull, and if any horses had jumped them, it must have been a long time ago. Another line of trees at the end of the field prevented any view of a house or farm buildings. A newish TO LET sign on a post stood against the fence near the road, with the agent’s name followed by a phone number.

Harry spotted a gap in a group of trees just beyond the field and stopped. He reversed off the road until the nose of the car was screened by folds of soft bracken and the overhanging branches of a beech tree. He checked his watch and nodded towards the sky, where the light was already beginning to fade. Another thirty minutes and it would be safe to take a walk.

He took out his mobile and dialled the number of the letting agent that he’d seen on the post in the field.

‘Dempsey’s. Can I help you?’ The singsong tones of a young woman echoed in the car.

Harry said, ‘I’ve just noticed your panel in a field near a place called South Acres. Is it vacant?’

‘I’m sorry, sir.’ The young woman sounded distracted, as if she’d been about to leave. ‘But that property’s on a short let. Perhaps you could call in the morning? Our Mr Dempsey can tell you-’

‘I don’t have much time,’ Harry interrupted her before she could put the phone down. ‘I’m flying out of Luton this evening and I need to get something sorted in the next day or so, otherwise my wife and daughters are going to kill me. I need to rent a place for at least twelve months, but it’s got to have stabling for three horses.’

‘Yes, sir, but-’

‘What’s your name, miss?’

‘It’s Donna.’

‘Listen, Donna, you could save my life and I’ll tell your Mr Dempsey what a big help you’ve been. Let me know the name of the current tenants, so I can pop in for a quick look round, would you? If it fits what I want, I’ll do a bank transfer tomorrow, first thing.’

‘I’m sorry, sir.’ Donna sounded interested but cautious. ‘I can’t do that. Mr Dempsey handles the South Acres let. All I know is, it was to a gentleman who wanted a temporary base here for a few weeks.’ Her voice dropped slightly. ‘He insisted on paying for three months, and since the place had been empty for a while, Mr Dempsey let it go as a special. That’s all I can tell you.’

Harry thanked the young woman and rang off. Pity Rik wasn’t here, after all. He could have sent him round in person. She’d have probably salivated all over him and given him whatever information he asked for.

He wondered what kind of person needed an isolated farm as a temporary base. Presumably somebody who needed space around them, and where they were not troubled by neighbours. But for what?

A few vehicles swept by, fanning the surrounding foliage. If anyone noticed the car among the trees, they clearly considered it none of their business. Harry settled back to wait for daylight to fade.

When the light had dropped sufficiently, he got out of the car and closed the door. He checked the gun in his pocket but left it where it was. He didn’t know anything about this place yet, and could be on a wild goose chase. Wandering around the woods at dusk with a handgun could expose him unnecessarily if he chanced on someone innocently walking their dog.

He zigzagged through the trees, following a line roughly parallel to the road. The undergrowth was rampant, with tangles of briar and nettles underfoot, and lots of deadwood slowly rotting into the soil, making progress slow. An occasional curtain of hanging branches stung his cheeks, but although he wasn’t ideally dressed for tramping through the woods, he didn’t need to detour too far off his intended route. Other than the background hum of vehicles along the road, the atmosphere among the trees was quiet and sombre, the air heavy with the aroma of sap, rotten wood and damp earth. He stopped every few yards to listen and check his surroundings.

Eventually he reached the edge of the tree line and saw the field containing the abandoned jump fences. Turning away from the road, he followed a rusted barbed wire fence until he reached another stretch of twisted wire. On the other side of this was a twin set of ruts, a continuation of the track from the road.

Beyond the track was another belt of trees, dark and silent save for the faint rustle of leaves. The undergrowth looked as wild and desolate as the area he had just crossed, with fallen tree trunks and branches littering the ground.

He looked right. The track ran for a few yards before curving sharply left and out of sight. It was tempting, and would allow him to move faster. But following it would leave him out in the open if anyone came along. He decided on the trees opposite, which looked like ideal cover.

Crossing the track into a denser thicket, he eventually reached a high stone wall. The top layer showed signs of crumbling, with broken fragments lying in a jumble at the base. Moss covered the stones, filling the gaps with fuzzy bundles like small, hairy bugs, and the air reeked of damp and the permanent absence of sunlight. The structure was too high to see over, but Harry spotted a point where a stone had fallen out. He stepped across and peered through the gap.

What had once been an elegant, two-storey farmhouse stood a few yards away, with the track running across between it and the wall. Beyond the house stood a collection of ancient barns and outbuildings, the latter with moss-covered walls and iron stains from large reinforcing cross-bolts in the stonework. A rusted iron fence ran along the front of the house, and inside it, the remains of a flowerbed now peppered with weeds and tufts of rampant, coarse grass.