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Brian Freemantle: Here Comes Charlie M

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Brian Freemantle Here Comes Charlie M

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The Director appeared as tailored for the room as the antique furniture and the unread first editions. He was a fine-featured, elegantly gangling man who affected pastel coloured shirts with matching socks and a languid diffidence that concealed the fervent need for acceptance in a job he had coveted for fifteen years and seen to go to two other men before him.

The only intrusive mannerism was the habit, during acrimonious or difficult discussions, of using a briar pipe, which he was never seen to light, like worry-beads, revolving it between his peculiarly long fingers and constantly exploring the bowl with a set of tiny tools that retreated into a gold container.

‘It’s good to see you again,’ greeted Wilberforce formally. Always before the meetings had been in Washington: he couldn’t recall an American Director of the C.I.A. making a visit like this to his predecessors, he thought.

Onslow Smith responded with one of the open-faced, boyish smiles that Wilberforce recalled from the sports photographs that littered the man’s office.

‘Seemed a good idea to hitch a ride on the same aircraft taking the new vice-President on his tour of Europe,’ said the C.I.A. director.

Wilberforce looked doubtful and the other man’s smile became apologetic.

‘And there was another reason,’ he conceded.

‘What?’

Smith hesitated, arranging the words.

‘The President has a new broom complex,’ he said. ‘Just like your guy.’

He cleared his throat, to make the quote obvious.

‘… “loose ends neatly tied … mistakes vigorously rectified where necessary.”’

Already, recalled Wilberforce, political cartoonists were featuring Austin and Smallwood taking turns at being each other’s ventriloquist’s dummies.

‘So I hear,’ said the Briton, waiting.

‘There’s been an official policy document,’ said Smith.

‘We’ve had something like that here,’ admitted Wilberforce.

‘Which means we have the same old problem,’ said Onslow Smith.

Wilberforce nodded, reaching out for a worry pipe.

‘Charlie Muffin,’ he agreed. ‘The bastard.’

FIVE

It wasn’t until he got into the churchyard and felt the damp, cold wind that always seems to blow in English cemeteries in November that Charlie Muffin sobered sufficiently to realise completely what he had done. And that the stupidity could kill him. Like so many stupidities before it.

The trained instinct surfaced through the swamp of alcohol and he pulled away from one of the main pathways, using a straggled yew tree for cover. About ten yards away, a black knot of people huddled speechless around a grave still cheerfully bright from funeral flowers. Nearer, a practised mourner, shirt-sleeved despite the cold, knelt over a green-pebbled rectangle on a padded cloth, scrubbing the headstone and surround into its original whiteness, lips moving in familiar conversation with someone who couldn’t reply any more. Charlie turned, widening his vision. At least twenty people spread throughout the churchyard. Too many.

‘You’re a prick,’ Charlie told himself. ‘A right prick.’

He frowned, surprised at the emergence of the habit. He’d always talked to himself, unashamedly, when he was under stress or afraid. It had been a long time since he had done it. Like welcoming back an old friend, he thought.

The drunkenness was gone now, but the pain was banded around his head and his throat was dehydrated. For a man apparently seeking a momentarily forgotten grave, he’d stood long enough beneath the tree, Charlie decided, groping for the professionalism of which he had once been so confident He swallowed, forcing back the desire to flee, to run back along the wider pathway to the car he could still see, over the low wall.

‘Never run,’ he murmured. ‘Never ever run.’

One of the basic lessons. Often ignored, though. Sometimes by people who should know better. And invariably by amateurs. Gunther Bayer had been an amateur. No, Charlie corrected, not an amateur. An innocent. A trusting, manipulated innocent who had believed Charlie was sincere in trying to help him escape across the Wall. And so he’d run when he got caught in the East German ambush that had been intended for Charlie. He’d been dead before the flames had engulfed the Volkswagen, Charlie assured himself. Had to be, in that cross-fire.

He pushed away from the tree, rejoining the main path, alert for the attention the movement would have caused even a trained watcher. Nothing. Perhaps he was all right, after all. Perhaps, after so long, there was no observation. Or perhaps they were too well trained.

The pathway along which he was walking ran parallel with the perimeter wall, Charlie realised. But there was a linking lane, built like a spoke through the middle. He could turn on to that and regain the entrance. Four hundred yards, he estimated. It seemed a very long way.

The hesitation was hardly perceptible when, suddenly, he saw the tomb. In his earlier drunkenness he had imagined that Sir Archibald Willoughby’s grave would be marked in an ordinary, traditional way, like that tended by the shirt-sleeved man near the yew tree. The family vault was an ornate, castellated affair, protected by an iron fence and reached through a low, locked gate. Plaques were set into the wall, recording the names of the occupants.

Charlie was confident his reaction to the vault had been completely covered; to stop, pause, even, would be all the confirmation they would need.

He was past, actually on the straight path leading to the exit, when the challenge came.

‘Charlie! Charlie Muffin!’

Afterwards Charlie remembered with satisfaction the smoothness of his reactions. The gateway was still too far away to consider walking on, as if the name meant nothing. He couldn’t run, of course. But they could. They’d get him before he’d gone twenty yards. They? It had been a single voice. Just one man, after so long? Probably. Fight then. Feign bewilderment, to gain the moment of uncertainty. Then fight to kill. Quickly, before anyone in the cemetery realised what was happening. Go for the throat, the carotid artery, smashing the voice box with the same blow. Sir Archibald’s tomb would give him the concealment. He’d only need minutes to get to the car.

He tensed, to make the turn, then stopped. There’d been all the training, certainly. Poncing about in canvas suits, waving his arms about and yelling ‘aargh’ like a bloody idiot. But he’d never killed anyone — not body to body, feeling the warmth of their skin and possibly seeing the terror in their faces. That had always been done by proxy, by others.

He completed the turn, head held curiously, keeping the movement purposely slow.

‘I’m sorry …’ he frowned, the confusion perfectly balanced.

It was a tall man, habitually stooped in an effort to reduce his size. Beaked nose, too large for his face. A clipped, military moustache, a darker brown than the swept-back, short-cropped hair. Familiar, decided Charlie. Someone from the old department then. The man smiled and began coming forward.

‘It is Charlie Muffin, isn’t it?’

He wasn’t professional, judged Charlie. Couldn’t be. What properly trained man openly challenged a victim? And then walked forward, both arms held out, losing any chance of surprise in producing a weapon? He wouldn’t make another juvenile mistake like Paris, Charlie decided.

Who then?

‘Willoughby,’ the man identified himself, as if in answer to Charlie’s question. ‘Rupert Willoughby.’

Charlie’s eyes flickered for a moment to the name on the tomb plaques, then back to the man who was now offering his hand, recognising the similarity. The handshake was firm, without the usual ridiculous tendency to turn it into a form of Indian palm wrestling, and the brown eyes held Charlie’s in a direct, almost unblinking gaze. Just like the old man’s, remembered Charlie. Until the end, that was.

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