Charles Todd - Watchers of Time

“Where will I find her?” He stepped through the doorway as she handed him his coat and hat. He could feel the blowing mist on his face, fine as silk against his skin.

“She’s at the rectory still, though I don’t know for the life of me how the poor woman can walk through the door. It’s her duty to be there, she says. Every day. Just as if Father James was still alive. Osterley is the name of the town. Surely they told you that in London? It’s closer to the sea in the north, and easy enough to get to from here.” Her eyes were shrewd. “Easier, of course, to go back to London satisfied you’ve done your duty by us. There’s many would do that. Somehow I don’t think you’re one of them!”

And with that she bade him a good day and closed the door.

Rutledge turned the crank and got into his motorcar, out of the rain. And then he surprised himself by sitting there, considering what Bryony had said, the motor idling under his gloved hands as they rested on the wheel.

He hadn’t anticipated being drawn into the life or the death of this man. It wasn’t the task that had been set him…

Go to Norfolk to reassure the Bishop that the police are doing their job properly.

And instead he’d been expected, he thought wryly, to perform a small miracle or two. Find a true explanation for the murder of the priest-and then track down the killer.

He didn’t envy the local man, Blevins, struggling to conduct an investigation in a climate of disbelief that refused to accept simple murder for what it really was, a commonplace calamity, not the stuff of legends.

But even as he tried to make light of Bryony’s forceful plea and Monsignor Holston’s fears, Rutledge couldn’t escape the fact that their intensity had touched him.

Hamish said, “Aye, but it will pass, with the mood.”

Which was probably true. The thing was, Bryony had made it very hard for him to walk away.

Instead, he put the motorcar in gear and turned the bonnet north instead of south toward London, driving on to Osterley.

As a schoolboy, learning to draw the map of Great Britain, Rutledge had been taught that the island resembled a man in a top hat riding a running pig. The top hat was the northern part of Scotland-the Highlands. The man’s head and body were the Lowlands and the Midlands of England. The pig’s head was Wales, its front feet the Cornish peninsula, its hind feet the downs of Kent. And its rump was East Anglia, the great bulge of Essex, Suffolk, and Norfolk jutting out into the North Sea toward the Low Countries.

It was a picture he and his schoolmates had found diverting, endlessly practicing their drawing of the pig and its rider, unaware that the effort sealed forever in their minds the geography of their country.

Now, as he covered the miles between Norwich and Osterley, Rutledge watched the raindrops collect on his windscreen and resisted Hamish’s efforts to draw him into a debate over the interview with Monsignor Holston. He didn’t want to delve into the priest’s motivations or Bryony’s. The earlier mood (as Hamish had predicted) was wearing off, and in its place was a rising doubt about his own judgment. He hadn’t been cleared for a return to full duty-and his instructions had been to travel to Norwich. Nothing had been said about continuing north.

Old Bowels would have his liver if he upset the local man on a whim and brought the wrath of the Chief Constable down on both their heads. On the other hand, Rutledge could say with some certainty that he had made precious little progress in “reassuring” the Bishop’s representative. The Monsignor wouldn’t have settled for less than a full-blown investigation by the Yard, given any choice in the matter. If a visit to Osterley was what it took to satisfy him of the Yard’s faith in Inspector Blevins, there would be no official objections to that.

But Hamish wouldn’t be put off. “It’s no’ the body that’s standing in your way! Ye havena’ put Scotland out of your mind. Ye werena’ ready to return to work because you werena’ ready to face living!”

“The bandages are off,” Rutledge answered flatly. “By the time I’m back in London, the police surgeon will be satisfied that the medical leave can be rescinded.”

“Aye, but watching yon fine doctor cut away bits of bandage is no’ the same as coming to grips with yoursel’.”

“I’ll deal with Scotland. When I’m back in London.”

“Oh, aye? Then tell me why we’re driving north again?”

It was a pretty route, leaving Norwich to follow country lanes through gently rolling hills. Many of them hid small flint or brick villages in pocket-size valleys. And the still-green meadows on the rounded hillsides were sheltered by a line of trees, where fluffy clusters of Norfolk sheep dotted the landscape, their fleece thickening for the winter. So unlike France, with its broken walls and stark chimneys lining the roads from the Front. He could almost pretend that it was 1914, and nothing had changed. But of course it had. There was never any going back.

To Hamish this was “soft country”-peaceful and prosperous, where a living came more easily than in the harsh, often barren landscapes of the Highlands. That very harshness, in Hamish’s opinion, had made the Scots formidable fighting men.

Norfolk had produced fine soldiers, too, Rutledge reminded him. But as far as Hamish was concerned, training and blood were two very different factors in the making of an army. One could be taught-the other was in the very bone.

Even in the trenches Hamish had been fond of citing examples-some of them ranging back to the twelfth century-of Scottish prowess in battle. It was, Rutledge thought, a way of life that had seldom brought prosperity or contentment to the Highlands, but in pride and fierce spirit, it had bred a full measure of courage.

The miles rolled away behind them, and then the road Rutledge was driving wound through a cut in a hill and unexpectedly came to an end facing a broad expanse of marshes, as flat as they were striking and bronzed now with the coming winter’s palette of red-brown and yellow and old gold. He paused at the junction to stare out across them, thinking to himself that for such a small country, England had its share of beauty.

Here the road went either right toward Cley or left toward Hunstanton, running along the landward edges of the marsh as far as the eye could see. Rutledge turned left, feeling the wind coming in from the northwest, bearing with it the cries of gulls out along the ridge of dunes by the sea. Rounding a curve a few miles farther on, Rutledge found himself in the outskirts of a small, sprawling village, lying under a sky that looked like a great gray bowl, holding in the light from the unseen water beyond the marshes to his right.

This wasn’t the famous “Constable sky,” those broad horizons that the artist had made his signature: vast banks of clouds filled with delicate color that somehow emphasized the simplicity of the ordinary lives he chose to paint. Farm lads fishing or tired horses drawing a haywain across a tree-shaded stream, each caught in his workaday world-rustic beauty unaware of the grandeur overhead.

Here the sky was self-effacing canopy, accepting its more prosaic role of joining sea and land even when the sea was nowhere to be seen. But it was out there, beyond the marshes that had taken root on the salty, wet silt it had left behind. This part of Norfolk had fought long battles with the forces of wind and water, which had often changed the shape of the coastline. A village might lie on the shore this century and find itself miles away from the sea in the next.

The first scattering of houses led him next into the village of Osterley. To his left a great flint church stood high on a grassy knoll, well above the main road and looking down across it to the houses that marked the waterfront. A church, Rutledge thought, that must have been built by the wool trade and heavy coastal shipping. There were a goodly number of these cathedrals in miniature in Norfolk, which had seen a flourishing economy in its day. If he remembered his history correctly, Osterley had been one of the great ports in the Middle Ages, and some of those riches had gone into the clerestory and the strong soaring towers, creating a sense of light and power at the same time.