Charles Todd - A test of wills

"It appears that way. Without Hickam, there's no evidence where the Captain had come from before he ran into Miss Sommers. No evidence of a further quarrel. And no real reason except for what Johnston and Mary overheard in the hall at Mallows for us to believe that the Captain had any cause to shoot Harris."

Sergeant Davies brightened. "And no jury in this county is going to take a Daniel Hickam's word over that of a man holding the Victoria Cross."

"You're forgetting something, Sergeant," Rutledge said, climbing into the car.

"What's that, sir?" Davies asked anxiously, coming around and peering into the car from the passenger side so that he could see Rutledge's face.

"If Wilton didn't shoot Harris, then who did? And who turned the corpse over?"

After lunch at the Shepherd's Crook, Rutledge took out the small leather notebook, made a number of entries, and then considered what he should do next. He had sent Davies home to his wife for lunch, while he lingered over his own coffee in the dining room, enjoying the brief solitude.

What was Harris like? That seemed to be the key. What lay buried somewhere in the man's life that was to bring him to a bloody death in a sunlit meadow?

Or to turn it another way, why did he have to die that morning? Why not last week-last year-ten years from now?

Something had triggered the chain of events that ended in that meadow. Something said-or left unsaid. Something done-or left undone. Something felt, something glimpsed, something misunderstood, something that had festered into an angry explosion of gunpowder and shot.

Royston, Wilton, Mrs. Davenant, Lettice Wood. Four different people with four vastly different relationships to the dead man. Royston an employee, Wilton a friend, Mrs. Dav- enant a neighbor, and Lettice Wood his ward. Surely he must have shown a different personality to each of them. It was human nature to color your moods and your conversations and your temperament to suit your company. Surely one of the four must have seen a side to his character that would lead the police to an answer.

It was hard to believe that Charles Harris had no sins heavy on his conscience, no faces haunting his dreams, no shadows on his soul. There was no such thing as a perfect English gentleman Hamish had started humming a tune, and Rutledge tried to ignore it, but it was familiar, and in the way of songs that run unbidden through the mind, it dragged his attention away from his own speculations. And then suddenly he realized what it was-a half-forgotten Victorian ballad called "The Proper English Gentleman" written by a less well known contemporary of Kipling's-less popular perhaps because his sentiments were bitter and lacked Kipling's fine sense of what the reading public would put up with, and what it would turn from. But the ballad had been popular enough in the trenches during the war: He's a proper English gentleman who never spills his beer. He dines with all the ladies and never shows his fear Of picking up the wrongfork or swearing at the soup When it's hot enough to burn him, or jumping through the hoop Of English society, and all it represents. But he's a damned good soldier in front of all the troops And marches like a gentleman in his fine leather boots And eats in the reg' lar mess and calls the men by name And shares the dirty work with 'em, what's called the killing game Of English Imperialism and all it represents. But by his own hearthside he's a very different sort And he beats his tenants quarterly and no one dares retort, He takes their wives and daughters, and never stops to think That a man might someday shoot him when he's had enough to drink! Of English duplicity, and all it represents, He's the finest of examples, and there's others of his kind Who keep their secrets closely and never seem to mind That the man who sits at table and has their deepest trust Might carry in his bosom the foulest kind of lust, Not English respectability, and all it represents. So watch your step, my laddies, keep your distance, ladies dear, Watch out for English gentlemen and don't ever let them near. Their faces won't betray them, their deeds are fine and true, But put them near temptation and it really will not doFor certain English gentlemen and all they represent. What was the secret behind Charles Harris's very proper face? What had he done, this apparently "thoroughly nice" man, that had made someone want to obliterate him, and to choose a shotgun at point-blank range to do it? Barton Redfern was just removing the coffee things and turning to limp back to the kitchen when Dr. Warren came through the dining-room door and, seeing Rutledge at the table by the window, crossed hurriedly to him. "You'd better come," he said. "They're about to lynch that stupid devil Mavers!"

Mavers, sprawled in the dust by the worn shaft of the village's market cross, was bloody and defiant, spitting curses as a dozen men tried to kick and drag him toward the broad oak tree that stood outside a row of shops. There was murder in the angry faces encircling him, and someone had found a length of rope, although Rutledge wasn't sure whether the initial intent was to hang Mavers or tie him to the tree for a sound thrashing. One man was carrying a horsewhip, and when in the confusion a heavy blow intended for Mavers caught him on the shin instead, he wheeled and lashed out in retaliation. The whip flicked across several heads, and for an instant it looked as if a general battle might ensue, while Mavers called them all every unprintable name he could think of. It was noisy, dangerous chaos on the verge of turning even nastier as other men came running toward the scene, shouting encouragement.

Women had hurried into the safety of the nearest shops, their pale faces peering out of windows in horror, while the shopkeepers stood in their doorways, demanding that this nonsense stop. Children clinging to their mothers' skirts were crying, and four or five dogs attracted by the din had begun to bark excitedly.

As Hamish growled over the odds in some far corner of his mind, Rutledge reached the melee and began forcing his way through with rough disregard for victim or victimizer. He used his voice with coldly calculated effect, the officer commanding discipline, Authority in the flesh, a man to be reckoned with. "That's enough! Let him go, or I'll have the lot of you up before the magistrate for assault! Touch me with that whip, you fool, and you'll be flat on your back with your arm broken…"

His unexpected onslaught scattered the attackers for an instant, and Rutledge quickly had Mavers by his collar, yanking him to his feet with blistering impatience. "Now what's this all about?"

Dr. Warren had followed Rutledge as fast as he could, and reaching the market cross, began catching men by the arm and calling them by name. "Matt, don't be stupid, put that whip down. Tom, George, look at the lot of you! Your wife will take a flatiron to you for ripping that coat, Will, wait and see if she doesn't!"

Mavers, wiping his bloody nose on the sleeve of his shirt, said to Rutledge, "I don't need the likes of you to fight my battles for me! A policeman stinks of his masters, and I can smell oppression, London's bourgeois fist in the backs of the people-"

Rutledge gave a jerk of his collar that silenced Mavers with a choking grunt. Warren had stopped tongue-lashing the disgruntled villagers still milling around the market cross and was already casting a professional eye over cuts and bruises and one swelling lip.

Then the affair was over as quickly as it had begun, and Warren said, "Take Mavers to my surgery. I'll be there in five minutes."

Rutledge's eyes swept the circle of faces, grimness changing slowly to sullen mortification on most of them, and decided that there would be no more trouble here. With one hand still gripping the rumpled collar, he marched Mavers down the street and across to the doctor's surgery, ignoring the man's protests and the stares of latecomers. Warren's housekeeper, prim and neat in starched black, was waiting in the doorway. She looked at Mavers's condition with disgust and said, "Don't you dare drip blood on my clean floor!" before going off to fetch cold water and a handful of cloths.