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James Thompson: Snow angels

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James Thompson Snow angels

Snow angels: краткое содержание, описание и аннотация

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Kate manages a coquettish smile. “I’m going skiing.”

I don’t want her to, but can’t think of a reasonable objection. “Do you think you should?”

She takes my hand. Before I met Kate, I didn’t like public displays of affection, but now I can’t remember why. “I’m pregnant,” she says, “not crippled.”

In fact, we’re both slightly crippled. Me from a gun shot, Kate from a skiing accident that shattered her hip. We both limp. “Okay, I’ll go ice fishing.”

She closes her eyes for a second, stops smiling and rubs her temples.

“You feeling all right?” I ask.

She sighs. “When I first came to Finland to interview for my job, it was summer. The sun was up twenty-four hours a day. Everyone here seemed so happy. I met you. They offered me a lot of money to run Levi, a great career opportunity. The Arctic Circle seemed exotic, an exciting place to live.”

She looks down at the table. Kate isn’t given to complaining. I want to know what’s on her mind, so I prod her. “What changed?”

“This winter, I feel like the cold and dark will never end. I get it now that people weren’t happy, just drunk. It makes me depressed. It’s terrible. Being pregnant in Finland seems scary, makes me homesick for the States. I don’t know why.”

It’s two thirty P.M. on December sixteenth. We won’t see daylight again until Christmas day, and then only a glimmer. She’s right. That’s the way things are here in winter. A bunch of depressed hard drinkers freezing in an endless night. Kaamos is tough on everyone. I can see how being pregnant here would make her feel vulnerable and frightened.

My cell phone rings. “Vaara.”

“It’s Valtteri. Where are you?”

“In Hullu Poro with Kate. What’s up?”

He doesn’t speak.

“Valtteri?”

“There’s been a murder, and I’m looking at the body.”

“Tell me who and where.”

“I’m pretty sure it’s Sufia Elmi, that black movie star. It’s bad. She’s in a field on Aslak’s place, about thirty yards off the road.”

“Anybody there with you?”

“Antti and Jussi. They were the responding officers.”

“Anything that requires immediate attention, like a suspect?”

“No, I don’t think so.”

“Then seal off the crime scene and wait for me.” I hang up.

“Problem?” Kate asks.

“You could say that. Somebody’s been murdered in a snowfield on Aslak Haltta’s reindeer farm.”

“You mean where we met?”

“Yeah.”

She looks at me and I read pain in her eyes. “I wish you didn’t have to go,” she says.

I didn’t realize how much she needs me right now, and I don’t want to leave her. “Me too. Can we talk about this later?”

She nods but looks sad as I kiss her good-bye.

2

I step outside into the dark, and the cold makes my face burn. I take a deep breath to clear my mind, feel the hair in my nostrils freeze, check my watch. It’s two fifty-two P.M. I call Esko Laine, the provincial medical examiner, tell him there’s been a murder and to meet me at the crime scene. He’s getting ready to go to sauna, sounds a little drunk and less than pleased.

The car skitters on the ice as I pull out of Hullu Poro’s parking lot. I light a cigarette and crack the window, despite it being minus forty. Nicotine and cold are a good combination for thinking.

Finland has a population of only five and a half million people, but a lot of violent crime. Per capita, our murder rate is about the same as most American big cities. The overwhelming majority of our murders are intimate events. We kill the people we love, our husbands and wives, brothers and sisters, parents and friends, almost always in drunken rages.

This is different. In a country as sensitive to insinuations of racism as Finland, the murder of a black, female public figure will explode across national headlines. It’s never happened before. If the actress, Sufia Elmi, has been murdered, I’ve got a big problem.

Finns are sensitive about race relations because by and large we’re closet racists. As I once explained to Kate, it’s not the overt racism of the American kind she’s accustomed to, but a quiet racism. The passing-over of foreigners for promotions, a general disregard and disdain. I compared it to politics. Americans ramble on about politics but have a low voter turnout. Finns seldom talk about politics, but around eighty percent vote in presidential elections. We don’t talk about hatred, we hate in silence. It’s our way. We do everything in silence.

I’ve heard jokes about Sufia, local rednecks snickering over their beers, talking about how they’d like to do it with the knockout nigger movie star, but never anything threatening. If we’re lucky, Sufia’s killer is a tourist and we can avoid cultural implications. I hope it’s a German. Germans are a petty hatred I inherited from my grandparents, who despised them for burning down half of Finnish Lapland during World War II.

During the war, my grandmother found a German soldier frozen to death on a mountainside and dragged him down to show her friends. She told me it was the happiest day of her life. In my work, I find them a terrible annoyance. German tourists will steal anything. Silverware, salt and pepper shakers, toilet paper.

I know a little about Sufia from the newspapers. Looks as much as talent have earned her a minor career as a B-movie starlet in Finnish film, and she’s wintering here in Levi. The first time I saw her, I found myself staring. I was embarrassed at first, but then I noticed she inspired that reaction in everyone, even women.

Sufia wore a cocktail dress that didn’t do much to conceal spectacular breasts. Her waist was so small I could have wrapped my hands around it, and high heels accented the slender legs of a gazelle. Her black skin was flawless and her angelic face bore a combination of youth, beauty and innocence. She had obsidian eyes and a look of perpetual amusement that charmed everyone around her.

Sufia is, or was, a physical anomaly, so beautiful that it didn’t seem possible for a creature like her to exist. What seemed a gift may have drawn the wrong kind of attention and gotten her killed. The first inclination of so many people in this world, when confronted by beauty, is to destroy it.

I pull off the road onto the drive leading into Aslak Haltta’s reindeer farm, park next to Valtteri’s squad car and get ready for the hours I’m going to spend in the cold processing the crime scene. A winter field uniform is wadded up in the backseat of my Saab. Marine-blue police coveralls, they’re lined and heavy, should keep me warm enough to do my job. I pull them on over my jeans, sweater and a layer of thermal underwear.

The neighborhood I grew up in starts on the other side of the road, about two hundred yards away. It will have to be canvassed during the investigation. No doubt my parents will enjoy acting like they’re being accused of murder.

All I can see from here is snow. Valtteri’s headlights are on to illuminate the crime scene, so I leave mine on too. They cut a swath through the darkness, and I see Valtteri standing twenty yards ahead of me with Jussi, Antti and Aslak. I leave the comfort of the heated car and take the two fishing-tackle boxes I use for a crime kit from the trunk.

Valtteri wades toward me through the snow. It’s deep, frozen hard on the surface but powdery underneath, and trudging through it makes him lurch until he reaches the driveway. “Don’t go over there yet,” he says.

“Is it that bad?”

“Just take a second and brace yourself.”

Valtteri is a devout Laestadian and to my mind overobsessed with his strict, revivalist version of Lutheranism, but he’s a good man and a good officer. If having eight kids and going to church every Sunday and most evenings makes him happy, it’s okay by me. I turn on a flashlight and start toward the crime scene.

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