Craig Johnson - Kindness Goes Unpunished

I threw myself to the right and landed against one of the retainer walls as the bay passed me, with William unhurt and holding on to the horse’s mane and riding low against his withers. Another volley from the automatic dotted an unconnected blaze after him, kicking rock shards and sparks as it went. I rolled up on one shoulder and fired four rounds into the darkness behind us. There were no answering shots.

Nothing.

I stood and listened and hoped that William and his horse had arrived at the bottom where Henry could corral them. I kept the. 45 pointed up the hill and hustled into the type of situation I despised.

I ran up the path to the spot where I thought the shooter must have been. There were shell casings scattered across the trail and a muddy slick where someone had slipped and fallen. There was a dark liquid on the rocks. I smeared it with my hand and held it to my nose: blood.

I looked up and down, still seeing nothing. I was at the end of a turn and I couldn’t see to the next segment of the trail through the foliage, but I knew it was there. Taking the direct route was a calculated risk, but the only hope I had was to cut the distance to William White Eyes before Diaz cut that same distance. I thundered over the hill and threw my arms up to block at least some of the branches from blinding me as I went, half-running, half-falling with all my momentum. I was top-heavy and could feel the weight of my upper body and arms pulling me forward so I flipped the safety back on the Colt before I toppled onto the path below.

I struggled to my side, lifted up on one arm, and watched as a dark figure turned the corner ahead of me and disappeared. I could hear the clatter of horse’s hooves on the trail below; I was still a distant third.

I heaved myself up and stumbled forward in another straight-line attempt at interception, feeling as if I’d run the gauntlet of tribal initiation. I finally gave up on protecting my face and pummeled my way forward like some refrigerator catapulting its way down the hillside after being thrown from above. I raised my head but couldn’t see anything.

The sounds of the chase were still below me. The cutback was not as lengthy this time, and I was able to arrive at the ditch alongside the main trail as Henry charged from the rock-walled path to the left; he was on one of the paints and was holding the reins of the bigger of the two horses for me.

“Where are they?!”

“They did not come this way.” He wheeled his horse toward the bridge farther down the hill. Mine balked and crow-hopped toward Henry as I holstered the. 45 and attempted to get a hand on the horn, but the Bear held the leather straps steady as I mounted.

In the best of situations, I am only a competent horseman and, after being beaten half to death by every tree in eastern Pennsylvania, I was lucky I even knew which way to face. Henry was already gone, and I felt the lurch of gathered horse muscles as the big mare shot from under me and surged toward the arch of the stone bridge. I grasped my hands around the leads and bounced forward, almost coming unseated at the first strike of her gallop. She was very fast, and she seemed to know where we were going. I assumed she would follow Henry, and the only thing I needed to do was remain neutral and allow her to take us where we needed to go.

Hi-yo, Creampuff.

The trail split in two directions on the other side of the bridge; the Bear had reined in his mount and was standing in the stirrups; he looked west and then east as my paint slid to a stop alongside him. I settled my rear into the seat and tucked my heels down for a better ride. “Well, hell…”

He actually smiled as he turned his paint to the left, and they blew down the incline to the east, easy in the saddle and melding together in a rhythm of man and horse. Creampuff started to follow him, but I wrapped the reins and veered her to the right. I broke west and thundered down the ramp to Forbidden Drive as the rain continued to pummel me. The big paint’s gallop was steady and, after I got centered, I could see further down the trail to the periodic illumination of the dusk-to-dawn lamps, which were momentarily faked to darkness by the flashes of lightning.

I dug in my heels and allowed the mare to have her head; in an instant I was around the far turn. I heard the terrible sound of the automatic again, like fibers being torn in cloth.

I could feel Creampuff reaching out and grabbing the rough surface of the path and throwing it behind us. I leaned with her and missed a sign by inches, almost spilling the two of us on the rain-slick trail. Just around the corner, I could see that something was down and that Toy Diaz was warily approaching it. It was a horse, kicking and screaming in the pathway, with William White Eyes trapped underneath.

The drug dealer could not catch a galloping horse, but the 9 mm had.

The fickle streetlights chose that moment to burst into full illumination, and there was a sharpness to the edges of everything, a glistening, as Diaz stood to the side of the fallen horse, careful to stay clear of its kicking legs. My paint’s mean streak and mine kicked in in a last-second attempt to save William’s life, and I felt the surge as Diaz lifted his arm.

It’s possible that he was so concentrated on the action that he didn’t hear me or that the echo of thunder in the ravine had deafened us all. Either way, by the time he heard us, it was too late. The big paint didn’t slow; she didn’t veer or misdirect her momentum. She simply ran right over Toy Diaz.

He must have pulled the trigger on impact, but the rounds flailed emptily into the hillside to the left. There was a momentary muffling of the horse’s hooves, and her balance shifted just a little as I reined in and veered from the injured horse lying on the gravel.

I thought I would come unseated when the paint reared and pivoted to the left. She stiffened her legs and backed away from the smell of blood and the screaming of the other horse. She wanted nothing to do with the scene in front of us and backed away into the trees along the creek bank.

She reared again, and this time I wasn’t as lucky. I fell against the saplings that lined the Wissahickon as she went over backward, slipping on the wet gravel and falling to the side. I clawed my way to the left as she slid right and rolled. We both made it to the flat area of the trail at the same time, whereupon she turned left and disappeared away from the vehicle approaching from the direction we’d been heading, its revolving yellow emergencies strobe-lighting the shiny surface of the pebbled path.

I pulled the. 45 from the small of my back and clicked off the safety.

Diaz had been thrown to the side of the trail; he still lay there, face down and unmoving. The shoebox-shaped automatic was there as well, where the horse and I had struck him, far out of reach even for a whole man.

I approached carefully with the Colt pointed at his head. He didn’t move, so I knelt beside him, and placed my fingers along his wrist. There was a pulse.

His clothes were soaked from fording the stream, and he wore a hooded black leather jacket that was waterlogged and must’ve weighed a ton. I put his hand back on the pavement and lowered myself enough to look at his face. He was, indeed, the small man I’d seen with Osgood at the shooting range. He might have been handsome then, but he had struck the pavement like a cue ball, and his head seemed lopsided under the hood of his coat. The leather was torn at the shoulder, and he was bleeding from a spot where one of my. 45s had clipped him, near a gauze bandage at his throat where Vic must’ve gotten him before.

He opened his eyes and blinked but said nothing as I watched him. My voice came out in a heavy rasp. “Don’t move.”