Craig Johnson - Kindness Goes Unpunished

I dodged between two parked cars and turned the corner at Arch as well. People were screaming farther down the block, and a crowd had gathered. “Police! Has anybody seen…” About twelve people pointed south. I turned and ran.

He was cutting the corner and taking a left at the next street and was slowing down. For the life of me, I couldn’t figure out why he was walking; it was possible that he thought he was clear. I fought the urge to throw up and put my last scrap of energy into the final block.

There was a mob on the sidewalk near the Reading Terminal Market; something must have been going on at the Pennsylvania Convention Center. I looked up through the misting rain and read the moving sign: NATIONAL RIFLE ASSOCIATION NATIONAL CONVENTION.

As Vic would say, fuck me. Maybe I could buy a gun from Charlton Heston.

I tried to see the guy in the gray sweatshirt through the throng; he had seemed pretty tall, so I thought I might have a chance. I started walking toward the large overpass, convinced that he’d gone that way, saw a guy with a hood, but it was the wrong color. I wiped the rain from my face and felt a twinge at my neck; I was bleeding. It wasn’t too bad, but I wasn’t going to blend in if things got close.

I caught some movement across the street and a little down the block: gray hood. I couldn’t see the shotgun; he must’ve slipped it under the slicker. If it was actually one of the old Ithaca Mag-10s, he’d never have pitched it; it would be too difficult to get another.

I tried to keep up. He was hurrying now, but not so much that I couldn’t stay with him. He wasn’t going to blend either. He stopped at the next corner, and I panicked for a moment when I thought he was going to hail a taxi; instead, he pulled out a cell phone.

As Vic would say, fuck me again. I had forgotten about Cady’s mobile. I reached into my jacket pocket and dialed 911. He jumped the puddle at the curb, careful to hang onto the gun under his coat, crossed the street, and continued down the block as sirens began whistling through the night around us. A dispatcher answered the line. “Nine-one-one.”

“This is Sheriff Walt Longmire of Absaroka County, Wyoming. I’ve got a 10-32 at the southwest corner of Filbert and 11th. I am tailing a homicide suspect who just killed Assistant District Attorney Vince Osgood at the Academy of Fine Arts, and I need assistance.”

There was a pause, but not much of one. “Sheriff, that was Filbert and 11th?”

“Roger that. A black male, tall, with a gray, hooded sweatshirt and a long, black rain slicker, headed east at a quick walking pace. The subject is armed with a tactical shotgun.”

“Roger that. Can you stay on the line?”

I laughed a short laugh with very little humor in it. “I’d really rather not have this cell phone in my hands when I catch up with him.” I started closing the phone as I crossed the street; the man was only about ninety feet ahead and slightly to the left. It was the guy from the crack house, Shanker DuVall.

“Sheriff…?”

I closed the phone and stuffed it back in my suit jacket, and silently cursed as he took a left at the next block and disappeared north up 10th. I picked up the pace and saw him slip across a parking lot behind the Greyhound Bus Terminal. I cut across the street at a diagonal, again hoping to gain a little distance.

There were rows of buses, most of them running, and I walked alongside one. DuVall was in front of another row on the opposite side of the lot; he was talking on the cell phone again.

There was a DMZ of about twenty yards that I wouldn’t be able to cross without him seeing me. I stopped and started to pull the phone from my pocket when I heard a thumping noise and looked up to see an angry bus driver yelling at me. Even through the windshield and the noise of the diesel, I could hear him plainly. “Hey buddy! You can’t be out here!” I motioned for him to keep quiet, but he honked the air horn, and the noise was tremendous. “Buddy, you’re not allowed out here!”

There wasn’t much choice, so I crossed the lot in the direction that I had last seen DuVall, but he was gone. I glanced between the parked buses and tried not to think about the last time I’d seen most of Vince Osgood.

When I got to the area where the shooter had been standing, I peered around the parked bus and saw nothing but a concrete wall and some weeds. I stooped down, checking to see if I could see any feet, but it was so dark there wasn’t any way to tell. I slid along the corrugated side of the big vehicle and wished I had my sidearm.

There was a pole at the end of the row nearest me, but it shed only scattered blocks of light through the bus windows. I wiped the rain off my face again, stepped around a large puddle, turned sideways, and started sliding between the concrete wall and the back of the bus; I figured it was the only direction DuVall could have gone. There was just enough room for me to squeeze after him. Evidently, he hadn’t had any trouble, but then he hadn’t had any trouble squeezing between two buildings and shooting Osgood either. It was possible that he’d left and that I was alone, playing Greyhound limbo for my own amusement. I tried not to think about the alternative.

I stopped for a second and listened, thinking I heard talking. I listened again, but there was nothing. The driver revved the engine of the bus I was pressed against a few times to get the big motor cleared out; I closed my eyes and held my breath until the cloud of exhaust and soot dissipated. The noise was all-encompassing, and I could see the access doors to the engine rattling as I turned my head and looked down the barrel of an Ithaca Mag-10 Roadblocker shotgun.

I could see only part of his face in the dark and within the shadows of the hood, but I could see his lips moving as his finger tightened around the trigger mechanism.

“What?” Here I was, trapped between a bus and a hard spot, and I couldn’t hear the last words I would ever listen to. He paused and then spoke again. His voice was much louder, but I still couldn’t make out the words. “What?”

“I said, I was gonna let you live!”

I yelled back. “Thank you.”

“But…” And he pulled the trigger.

The Ithaca Mag-10 Roadblocker was introduced a few decades back as a tactical 10-gauge designed to stop cars; hence the name Roadblocker. It was expensive, heavy, and carried only three rounds, the idea being that three two-ounce helpings of lead served at just over the sound barrier were enough. However, it had problems that could only be corrected with a longer forcing tube; without the modification, it had a propensity to jam.

And it did.

His eyes widened, and I saw him continue to pull the trigger as I slapped the barrel up; just because it hadn’t gone off didn’t mean that it still wouldn’t.

And it did.

The sound of the buses was bad enough, but the blast from the business end of the 10-gauge shotgun made me hear a high-pitched squeal that felt like a band saw cutting through my brain. I held the barrel above me as the back glass and parts of the bus’s aluminum skin skittered down on my face. He tugged at the heated metal of the shotgun, but I yanked, and the weapon came loose, skimmed over me, and clattered onto the ground.

I turned my head, but he was gone. I sidestepped and looked down; he had fallen, and his arm was lodged between the dual wheels of the Greyhound-center shot to the head. I looked up, and Gowder stood about ten yards away in a two-handed stance with his. 40 still pointed at the now-dead man.

He looked up at me and said something, but all I could hear was the ringing and all I could do was look back, breathe as deeply as my ribs would allow, and try to stop shaking.

It was a source of great interest to the Philadelphia Police Department and the District Attorney’s Office of Southeastern Pennsylvania that Shankar DuVall was leaking onto a stainless-steel table at the city morgue. Gowder said that he got a ride to my call, started walking, and when he saw someone trying to shoot somebody behind the bus, he had taken appropriate, if deadly, action. I was glad that he had, and I reflected that opinion in my formal statement and recorded interview for the investigators.