Stephen Cannell - Cold Hit

I spent a few minutes with Sandy Rodello and Scott Dutton. Drug Klingons, both in the Diamond Lane to an overdose. Sandy was in charge, Scott amped to overload. Along with the vampire face powder, he also had some kind of black, Gene-Simmons-eye-makeup-thing happening.

"You think we'll get to be on the news?" Sandy suddenly blurted after they had confirmed the facts Mike gave me.

"Greta Van Susteren at the very least," Zack quipped. "You might wanta think about hiring a media consultant." Then without warning, my partner pulled the Kleenex twists out of his nose, spit some bloody phlegm into the bushes, and then wandered away without telling me where he was going.

Truth was, I would just as soon work alone. I was getting weary of Zack's sarcastic lack of interest.

"A media consultant?" Sandy Rodello said, earnestly searching my face for a put-on. "No shit?"

"Let's push on," I said. "Do your parents know where you are?"

"Of course," Sandy said defiantly. "They're cool." "It's okay with them you're both down here doing drugs under that bridge at two-thirty in the morning?" "Who says we're doing drugs?" Scott challenged angrily.

"Twenty years of hookin' up tweeksters, pal. I got a nose for it."

"Well, your nose must be as broken as your partner's," Sandy said, and Scott giggled.

"You two need to go home," I said. "I'm sending somebody from our juvie drug enforcement team over to talk to your parents tomorrow."

"Big fucking deal," Scott glowered and looked at Sandy for approval.

"We're done. Get going." I waved one of the Blues over. "Show Ms. Rodello and Mr. Dutton to their chariot. And make sure my prime witnesses don't talk to the press. I see you guys doing interviews, and I'll be forced to swing by your houses tomorrow and start taking urine samples. Let's do each other a favor and just keep everything on the DL."

"That's so fucking lame," Sandy whined. But I could see I had her worried.

After we got them out of there, Zack reappeared and we half-slid, half-duckwalked down the forty-five-degree concrete slope of the culvert until we arrived at the river. Then we worked our way back forty yards past the two cops and one paramedic to the body.

The victim was lying on his back at the water's edge, his light cloth jacket pulled high under his armpits, but no longer covering his face as Thrasher indicated. The victim's eyes were wide open and rolled back into his head. He'd been shot in the right temple, but there was no exit wound. The bullet was still lodged inside his head.

On the previous murders the head shots had all been through and through. Since we didn't know where any of the killings had originally taken place, we'd never recovered a bullet before. Retrieving this slug might be the first break we'd had since Zack and I caught this case seven weeks ago. After we pulled on our latex gloves, I shined my light over the body, working down from the head, pausing to study his ten fingers. Each one was neatly cut off at the first knuckle.

"He's in the club," Zack said softly.

"Yep." I didn't want to move the body before CSI and the crime photographer got here, but I kneeled down and reached under the corpse, being careful not to shift his position. I felt his back pocket for a wallet, but already knew I wouldn't find one. Unless we turned up a witness who knew him, he was going to go into the books as Fingertip John Doe Number Four.

I snapped on my recorder and spoke. "Jan ten, oh-five. Fourteen A. M. Shane Scully and Zack Farrell.

Victim is in the L. A. River, one block east of Barham and appears to be a homeless man in his mid-to-late fifties, no current address or ID available. All ten fingers have been amputated at the distal phalanx in exactly the same fashion as the three previous corpses. Cause of death appears to be a gunshot wound to the right temporal region of the head, but there is no exit wound. Respondents who found the body said his jacket was covering his face, same as the other three John Does." I shut off the tape and motioned toward the dead man's chest. "Let's see if he's got the thing under there."

Zack knelt down across the body from me and we unbuttoned the victim's damp shirt and pulled it open. Carved on his chest was the same design we'd found on the other three victims. A crude figure eight opened at the top, inside an oval, with two parallel lines running horizontally and one vertically.

In homicide there is a simple formula. How plus Why equals Who. The modus operandi of an organized kill is part of the how. It tells us how the unsub did the murder. But MOs are dynamic, meaning they can be learned and are subject to change. They are basically methodology and evolve as a killer gets better at his crime and attempts to avoid detection or capture. But this symbol on the chest was not MO, not part of the how. It was what is known as a signature element and was part of the why. Signatures have psychological reasons. In this case, I thought the unsub was labeling his victims and the symbol was part of the ritual and rage of the crime. If we could decode it, we'd gain insight into the why of these murders. So far the cryptologists at Symbols and Hieroglyphics downtown had not been able to identify it. We quickly rebuttoned the shirt, covering the mutilation.

Zack and I had kept this signature away from the press. On high-profile media crimes, there was never any shortage of mentally deranged people who step up to take credit for murders they didn't commit, wasting hours of police time. Zack called them "Droolin' Just Foolin's." By holding back this symbol, we were able to easily screen them out.

Zack informed me that he had to go tap a kidney and went back up to the road in search of a tree to water.

While we waited for the ME and crime scene techs to arrive, I took a second careful visual inventory of the body. This victim had bad teeth. Dental matching was a good way to identify John Does except when it came to homeless people who obviously didn't spend much time at the dentist.

I knew from all the books I'd been reading that the homeless were low-risk targets and high-risk victims. A fancy way of saying they were vulnerable and easy to attack and kill. I shined my light over the body, trying to see past the carnage into the killer's psyche. John Douglas, one of the fathers of criminal profiling at the FBI Behavioral Science Unit at Quantico, once said that you can't understand the artist without appreciating his art. So I studied the mutilated corpse trying to step into the killer's mind-set.

Then I noticed something on the victim's eyelids. I knelt further down and shined my light onto his face. His eyes were half open so I slowly reached out and closed them. Four strange symbols were tattooed on each lid.

The coroner's wagon pulled in just as the sun was beginning to lighten the sky. A slight man made his way down the flagged trail toward me. As he neared, I recognized Ray Tsu, a mild-mannered, extremely quiet, Asian ME known widely in the department as Fey Ray. He was so hollow-chested and skinny, his upper body resembled a sport coat draped on a hanger. Straight black hair was parted in the middle and pushed behind both his ears.

"Who's the guest of honor, Shane?" Ray whispered in his distinct, undernourished way as he knelt beside me.

"No wallet. Unless you can find me something that puts the hat on, he's John Doe Number Four." We both looked at the clipped fingers. I pointed out the symbols tattooed on the victim's eyelids.

"How the hell do you tattoo an eyelid without puncturing the eye?" I asked, thumbing the lids back to their original position.

Ray shook his head. "Beats me." He opened the shirt and studied the chest mutilation. "Sure wish we knew what this was." His gentle voice was almost lost in the sharp wind.