Stuart Pawson - Chill Factor

“I came to look at them, once,” I replied.

“What? You were thinking of moving?”

“Mmm.”

“You kept that quiet.”

“I don’t tell you everything.”

A cat darted halfway across the road, then stopped and stared into my headlights. I hit the brakes and the front of the car dipped and pulled to the right as a wheel locked. The moggie regained the power of movement and leapt to safety.

After a silence Dave said: “You and Annabelle?”

“Yeah. We could have afforded one reasonably comfortably if we’d pooled our resources.”

Annabelle was my last long-term relationship. We were together for about five years, which was a personal best for me, but she decided the grass was greener when seen through the windscreen of a Mercedes. I live in the house I inherited from my parents, and she owned an old vicarage. When things were good between us we’d done the tour of a few places, including Mountain Meadows. On paper it had looked ideal, but a quick visit one summer’s evening destroyed the dream. The smoke from all the barbecues and the incessant drinky-poos with the neighbours would have ruined our lungs and livers. Then she left me, so it was just as well that we hadn’t moved.

Except, maybe, if we had… Ah well, we’d never know.

“So what do you think,” Dave asked, changing the subject.

“We’ll soon find out,” I replied. “This is it.”

I turned off the lane and slowed down for the speed humps, hardly recognising the place. The darkness was almost absolute, broken only by an occasional lighted window, and all the twigs with garden centre labels on them that had dotted the open plan gardens were now luxuriant shrubs and trees. As my headlights swung around, probing the shadows, we saw that the conservatory salesman had done a roaring trade, and since my last visit the registration letters on the cars parked outside every house had progressed two places along the alphabet. Two houses, next to each other, had speedboats. Tony Silkstone had told us that his house, The Garth, was the last one on the right. “The one with the converted gas lamps along the drive,” he’d added. Somebody’s million-watt security light flicked on behind us, turning night into day.

The panda sent by Inspector Adey was parked outside The Garth. We’d radioed instructions for them to guard and contain the property until we arrived. I freewheeled to a standstill behind it, yanked the brake on and killed the lights as the two occupants opened their doors and stretched upright. “Got the key?” I asked the driver.

“Right here, Boss,” he replied.

“Thanks. Hang around, we might need you.”

The converted gas lamps were not switched on and a Suzuki Vitara stood on the drive, nose against the garage door. The house was in total darkness, although all the curtains were pulled back. Dave put the key in the Yale latch, turned it and pushed the door open. When Silkstone dashed out he hadn’t locked the door deliberately; he’d just pulled it shut, or it had slammed behind him. Mr Yale had done the rest. So far, so good.

As we stepped inside a wind chime broke into song above our heads. “I could do without that,” I hissed.

The feeble illumination from a digital clock was enough to tell us that we were in a kitchen, and it was a good deal larger than the last one we’d stood in. Edges of implements and utensils in chrome and stainless steel reflected its glow. Unblinking green and red pilot lights watched us, like animals in the jungle, wondering who the intruders were, and a refrigerator added a background hum.

I found a light switch and clicked it on. The shapes became Neff appliances and the jungle animals lost their menace. Dave handed me a rolled-up coverall and I started to pull it over my feet. I wasn’t sure if it was necessary, but I was playing safe. Sometimes I cut corners, occasionally I’m reckless, but never where forensics are concerned. Hunches are no good in this game. A hunch never swayed a jury or earned the sympathy of a judge. Motive, opportunity, witnesses, forensic. They’re what convict criminals, with the emphasis on the forensic. You can fudge the other three, but not the forensic. That’s what I’d always believed, and, so far, it had done well for me. That was the received wisdom, as taught at Staff College.

We had a lot to learn.

“Close the door,” I said, and Dave pushed it shut with an elbow. We pulled latex gloves on to our hands and eased our feet into over-socks. We didn’t bother to pull the hoods over our heads. My mouth was dry and I could feel my heart banging against my ribs. The thrill of the chase had long since degenerated into the drudgery of killing, the sordidness of death. It always does. Apart from the occasional gangland shooting there’s no such thing as a good murder. This wasn’t a straightforward, cut-and-dried jealous husband killing any more; it was something squalid. A clock was ticking somewhere in the room, measuring each second with well-oiled precision.

“OK?”

“OK.”

“C’mon, then.”

The interior door opened on to a hallway. I wasn’t there to admire the furnishings and look at the pictures — that would come later — but I couldn’t help doing it. I switched the light on and absorbed the scene.

The Axminster carpet was covered in swirly patterns and felt as heavy as leaf mould under the feet. Facing us was an oil painting of a vaguely European city scene on a rainy day, churned out on a production line in Taiwan, hanging over an antique captain’s desk that I’d have accepted as a week’s salary anytime. The wallpaper was red, cream and gold stripes and a grandfather clock modelled on Westminster stood in a corner. Here, I thought, lived a man who knew what he liked. I found another switch and illuminated the staircase.

It’s the boss’s prerogative to lead the way. I climbed the stairs slowly, keeping well over to the left in case we needed to do a footprint check on them, and Dave followed. “Silkstone said first door on the right,” he reminded me.

The door was open, and we could already see what we’d expected by the glow from the landing lights. I reached around the doorframe and found the bedroom switch, just to do the job properly.

She was lying face down on the bed and appeared to be naked below the waist. I stepped forward into the room and stooped beside her, looking into my second dead face that night. There was a pair of tights knotted round her neck, and the bulging eyes and pig’s liver of a tongue lolling from her mouth confirmed that she’d died by throttling. I’d have preferred the knife in the heart, anytime. I scanned her body feeling like the worst sort of voyeur and noticed that she was, in fact, wearing a short skirt that had been pulled up around her waist. My eyes went into the routine, as they had done too many times in the past, and the questions popped up one by one like the indicators on an old-fashioned cash register: Signs of a struggle? Anything under the fingernails? Bruising or bleeding? Is this where the attack took place?

Dave was standing just outside the room, to one side, and I rejoined him. “Seen enough?” I asked, and he nodded. We stepped carefully down the stairs and retraced our path back out to my car. I rang Gilbert and told him the news. He’d contact the coroner and the pathologist and off we’d go again. We decided to get the SOCOs on the job immediately and leave everything else until after the morning meeting. Which was, I noticed, looking at the car clock, just six hours away.

“You didn’t really want to live here, did you?” Dave asked as we sat waiting.

“It was just a thought,” I replied.

“You wouldn’t have been happy.”

“I’m not happy now.”

“Unhappy with money in the bank is better than unhappy skint,” he replied.