Alafair Burke - Never Tell

“Ramona is-well, she’s very upset right now. She’s in her room. I think her mother’s trying to talk to her.”

“Did something happen? I got a message from her and it sounded urgent.”

“She wanted to speak to you, huh? Well, I guess I should let her know you’re returning her call, then. Just a moment, Casey.”

He heard murmuring in the background, and then Ramona was on the line. “Casey, oh my God, Casey. Please come over. Please. I need you here.”

I need you. How many times had he fantasized about Ramona saying those words? But in his imagination, her voice had been soft and vulnerable. Now she barely sounded human, the syllables coughed from her throat between rasped sobs.

“It’s Julia. It’s Julia. She’s gone, Casey. Julia’s dead. She killed herself.”

Ellie was sitting on the front steps of the Criminal Court Building when she spotted Rogan pulling a U-turn to meet her at the curb. He greeted her with a frustrated shake of his head before tearing up Centre Street.

“So where have we been summoned to now?” she asked as she snapped her seat belt in place.

He remained silent for another six blocks before he finally spoke.

“Don’t try to pretend that what we did today was good work, Ellie.” He rarely used her first name. “We were in and out of there faster than a straight-to-cable movie, and we spent the whole time looking to prove the conclusion we came to within a minute of entering that house. We’re no different than those lazy uniforms and smart-ass EMTs. We assumed the spoiled little rich girl slit her own wrists, and we made sure not to notice anything that might pull us in another direction.”

“You seemed fine when we left.”

“And that’s on me. I deferred to you, but I should have realized you’re the last person who should’ve made the call on this.”

“What’s that supposed to mean? I made the same call as everyone else there-except that girl’s mother, who’s not exactly objective.”

“We both know it’s not our job to make calls that fast. You mean to tell me nothing else is going on here?”

Ellie looked out the window, as if that could buy her some space.

There were days when she was grateful that she and Rogan could navigate their way through an interrogation with only exchanged glances. She had even learned to accept the fact that Rogan could tell she was PMS-ing before she could. But if there was some way to lobotomize the part of his brain that knew about her father, she’d saw open his head personally.

Ellie had never talked about her father to anyone at the NYPD, not even Rogan. But she couldn’t help that other people knew her background. After police in Wichita had finally arrested William Summer and named him as the College Hill Strangler, she had decided to go public. She thought the pressure would convince the WPD to reverse its decision and finally award her father’s pension to her mother. Turned out to be a shit idea, but she had to try.

Now, because her face had been on Dateline and in People magazine, everyone knew that-despite what she appeared to be now-she had once been the little girl who could never accept the fact that her cop-daddy blew his brains out. She wondered if that was all people saw sometimes.

As Rogan pulled next to a fire hydrant in front of the Whitmire townhouse, she knew that even her partner suspected that, maybe-just maybe-a cold night at the side of a rural road in Wichita was the real reason why Ellie had been so quick to chalk up Julia Whitmire’s death to suicide.

But Ellie knew her true motivations. She was being rational. She was acting on evidence, not emotion; on reality, not old memories. Julia had killed herself, and her parents needed to come to terms with that fact.

She noticed the engine was still idling. “So are you going to tell me why we’re here? Who’d the Whitmires call?”

“Everyone, from what I can tell. I did, in fact, get an earful from the Lou. So I asked myself whether we might have missed something.”

“I know, you told me that on the phone. So what is it? What did we miss?”

He turned off the engine, only to turn it right back on. “You know what kills me? This is exactly the kind of thing that you would notice. Think, Hatcher. Think about what we saw today.”

“Are we playing twenty questions? Is it bigger than a bread box? Animal, mineral, vegetable? Oh, wait, I know: it’s a screwed-up kid in a bathtub. Will you hurry up and tell me before we knock on that door again? Because we better have a damn good reason if we’re going to disturb that woman just as she probably finished downing her third Valium to try to get some sleep after watching her daughter’s body hauled away.”

Rogan turned off the engine again, and this time took the keys out of the ignition. “You were the one who spent the most time in her room,” he said. “The girl was a junior in high school-a member of her generation in every way, with every gadget in the world at her fingertips.”

“Yep, every luxury money could buy, and what did it do for her?”

He shook his head once again. “You still don’t see it? Ellie, you really got to get yourself right on this one.” He didn’t wait for her to get out of the car before making his way to the front door.

K atherine Whitmire started talking as soon as she opened the door. “It’s about time. The EMTs. The medical examiner. The two of you. Your lieutenant. I lost count of the number of times I heard the word suicide today and the number of people who used it. All of you were lining up to tell me and my husband that our daughter did this to herself. And every single time, I believed it even less. I tried. I begged. ”

A man came up behind her and placed a protective arm around her shoulder. “I’m Julia’s father, Bill Whitmire. Please, come in.”

As she took the seat offered in the parlor room adjacent to the foyer, Ellie found herself distracted by the man’s appearance. He was more than twice her age, but still handsome with longish salt-and-pepper hair, a strong jaw, and the kind of wear and tear considered distinguished on a man.

But Ellie kept seeing the man he’d once been-the man photographed so many times with famous musicians from her childhood, at spots like Studio 54, with then-starlets like Ali MacGraw and Carrie Fisher. He still carried himself with a rock-and-roll edge that looked out of place in this sterile townhouse. Ellie suspected the man spent little time here and had nothing to do with a decorating plan whose only reflection of his personality was relegated to photographs in the elevator.

“I’m sorry about that outburst at the door,” Katherine said, “but we’re just… we’re… our daughter-she’s gone. And I’ve had to spend the entire day on the phone arguing and fighting and twisting arms. But you’re back now, right? You’ll be listening to what I’ve been trying to say? You’ll be treating Julia’s death as a murder?”

This was exactly what Ellie had been afraid of. They were getting these people’s hopes up for no apparent reason. She was going to let Rogan handle this one on his own.

“We can’t imagine what you’ve been through today,” he offered. “We want to be absolutely sure that we didn’t miss anything before-”

“Before you shut the folder on my daughter and move on to your next statistic.” Bill Whitmire wiped away a drop of saliva that stuck to his lip as he’d hissed the words. “You write case names on a whiteboard, don’t you, Detective? Like on television? Have you crossed her name off the board yet?”

“Mr. Whitmire-”

“You say you want to be sure you didn’t miss anything, but we all know the first twenty-four hours of an investigation are absolutely critical.” Apparently the record producer spent a lot of time watching crime TV. “You should be talking to our neighbors and her friends, checking sexual offenders released nearby, doing whatever it is you people do to find whatever monster came into our home and did this.”