Graham Hurley - Western Approaches

Suttle wanted to know what happened later, back in Exmouth.

‘This is last night, right?’

‘Right.’

‘OK. So we tuck the boat away in the club compound and kiss it goodnight and then we go to the pub. This is a proper pub that’s stayed scruffy and real and for once in his life Kinsey uses it the way you should. Maybe Andy’s had a word. Maybe Andy’s told him to lighten up, enjoy himself, tie a couple on. That’s probably the way it was because Andy’s the only one Kinsey ever listens to. The freemasonry of the minted, right? Both these guys have got money, real money, and so Andy deserves a hearing. The rest of us? We’re just bad-arse drinkers, also-rans, trophy fodder for the man’s fucking ego.’

At the pub, he said, they were joined by Milo Symons’ partner.

‘Now this girl is a piece. Her name is Natasha — Tasha if she knows you. She’s late thirties, maybe older, good nick, works out, blonde, describes herself as a resting actress. Way back in the day she probably did it for real on some crap telly series, but we’ve been around her for the best part of a year now and I can’t remember catching a single fucking gig, not one. But fair play to the woman, she’s still got it, she’s still good-looking, and she’s funny and sexy in the way that those two words often go together, you know what I mean? She rows with us sometimes when one of the other guys can’t make it, and while she’ll never win any prizes for technique she makes us laugh. She’s also taken Kinsey’s fancy big time, which is funny in itself because the guy’s a midget and she’s way taller than he is. Not that little me can talk.’

‘So how long were you in the pub?’

‘An hour, tops. Kinsey’s ordered champagne. In the end we do three bottles, no problem, and then Kinsey orders us all back to his apartment round the corner for a nightcap or two, and at that point it’s Tasha’s idea to sort out a curry because that woman eats for England. So she takes orders and gets in her little car and then the rest of us halloo round the corner to Kinsey’s place.’

Suttle tried to imagine this little knot of revellers making its way through the windy darkness. Kinsey, it turns out, has more champagne in his fridge but no Guinness. Pendrick thinks that’s a shame and so Milo gets on the mobile to Tash and tells her to pick up some resupplies.

‘Tash has gone for the takeaway by herself?’

‘Yep. Now I’m with Pendrick on the Guinness. Excellent fucking call. So we’re all lying around Kinsey’s pad, helping him with the Krug, and then Wonder Woman turns up with a whole load of takeaway plus an armful of tinnies. Me and Pendrick split the tinnies between us and we’re drinking toasts to how fucking invincible we are and all the time the temperature’s dropping because the sliding door to one of the balconies is open and then it occurs to us that Kinsey’s out there chucking up over the rail. You can hear the splat-splat on the promenade below. Nice.’

Suttle made a note, remembering the CSI telling him about the puddle of vomit on the other side of the apartment block round the corner from the body. Then he looked up again, asking what had happened to Kinsey. It was Pendrick, it seemed, who’d sorted Kinsey out, taken him to his bedroom and tucked him in. Meantime the rest of the crew were getting stuck into the curry, which turned out to be a big disappointment.

‘Splodge, you know?’ Lenahan pulled a face. ‘No theme. No story. Nothing to remember it by. It’s one of those nights you pick at the best bits but our hearts aren’t really in it. A lounge that big isn’t the cosiest place in the world and the truth is we’ve all had enough. Nine hard miles? Our collective fucking bodyweight in Guinness and champagne? Definitely time for bye byes. So Tash dumps the curry in the waste bin and does the washing-up. She’s got the little sports car for her and Symons but we need a cab so she makes the call. The guy’s there within five minutes. He has to do a bit of a circuit to drop the three of us off. Andy lives in Exeter so he’ll be the last man standing but you know what yer man does? He gets a price from the driver and then takes a whack from each of us before we even get in the bloody car. That’s how you get rich, I guess. That’s the kind of stroke Kinsey would pull.’

Suttle wanted to know more about Kinsey. Was he still in bed at this point? Or had he got up again?

‘Still in bed. Yer man’s spark out. This guy and alcohol are strangers. He doesn’t know what’s happening to him. But that’s not the point. The place has got three en suite bathrooms and we’re still all thinking why hasn’t the eejit used one of those if he wants to be ill, but it’s Pendrick who puts his finger on it. Guy’s a dog, he says. The man has to leave his smell everywhere.’

It was a neat phrase. Suttle scribbled it down. Later Lenahan would have to volunteer a formal statement, but in the meantime — as precious background — this stuff was gold dust.

‘So you left. .’ Suttle suggested.

‘Sure we did.’

‘Time?’

‘Gone midnight. Ask the cabbie.’

‘And you pulled the door shut behind you?’

‘Yeah. We do that grown-up stuff really well.’

‘No one else around? No one you saw? Inside the building? Out by the marina?’

‘Didn’t see a soul.’

‘And no calls when you were up in the apartment?’

‘Nothing. Just us.’

‘But a couple of hours later the guy’s dead.’

‘So it seems.’

‘Don’t you find that odd? Being a doctor?’

The word doctor brought the ghost of a frown to Lenahan’s face.

‘How do you know I’m a doctor?’

‘Molly Doyle told me.’

‘Ah, the Viking.’ The smile was back. ‘And did she tell you what kind of doctor?’

‘She said you worked abroad a lot. Médicins Sans Frontières.’ Suttle nodded at the photos on the wall. ‘I take it she’s right.’

‘She is. Fine woman.’ He studied his hands a moment, then his head came up again. ‘You really want to know about death, my friend? Then let me tell you. It’s getting towards sunset. It’s hotter than you can believe. Even the lizards are getting fucking stressed. But yer family are desperate and so they bring little you into the clinic. They’ve probably walked ten miles to get you to where it matters, and a journey like that hasn’t done you any good at all. So there you are on the knackered old trolley we use as a bed and after your last ten breaths your breathing stops and then you’re gone.’ He nodded, his voice soft, his eyes never leaving Suttle’s face. ‘You’re a couple of years old, maybe younger. Your mother screams and leaves the room. All the relatives outside, dozens of the fuckers, start to wail. Your father squats on the cracked old plastic chair which is the only one we’ve got and puts his face in his hands. A nurse cleans you up, removes the IV, swabs all the fucking blood and mucus away and then drapes something half clean over your face. Then your dad ties your big toes to keep your little legs together and wraps your feet and puts your hands together and binds your thumbs like this.’ He mimed the action, showing Suttle. ‘Then your dad lifts you onto a piece of coloured cloth and wraps you for a final time and takes you away. Me? I’m watching all this. It’s something I’ve got used to. It happens maybe five times a week. It’s like a little piece of theatre. The gennie’s fucked again and the lights are flickering on and off and you stand there in the dark and you listen to make sure they’ve all gone. You have absolutely nothing to say. You padlock the drugs cupboard and then step outside. With luck, you’re alone. You have a cigarette, you look up at the stars, and you wonder if the rest of the guys back in the compound have left any beers in the fridge. But on no account do you allow yourself to think. No way. Never. Why not? Because that’s the truth about death. It’s ugly. It’s unsparing. And it’s fucking everywhere. So from where I sit, Kinsey probably had it easy.’