Ed McBain - Doll

He parked the car, and came out onto the sidewalk, leaving the doll on the front seat. He studied the name plates in the entrance hallway — yes, this was it. He pushed a bell button at random, turned the knob on the locked inside door when the answering buzz sounded. Swiftly he began climbing the steps to the third floor. On the second-floor landing, he drew his service revolver, a .38 Smith & Wesson Police Model 10. The gun had a two-inch barrel that made it virtually impossible to snag on clothing when drawn. It weighed only two ounces and was six and seven-eighths of an inch long, with a blue finish and a checked walnut Magna stock with the familiar S&W monogram. It was capable of firing six shots without reloading.

He reached the third floor and started down the hallway. The mailbox had told him the apartment number was 34. He found it at the end of the hall, and put his ear to the door, listening. He could hear the muted voices of a man and a woman inside the apartment. Kick it in, he thought. You’ve got enough for an arrest. Kick in the door, and go in shooting if necessary — he’s your man. He backed away from the door. He braced himself against the corridor wall opposite the door, lifted his right leg high, pulling back the knee, and then stepped forward and simultaneously unleashed a piston kick, aiming for the lock high on the door.

The wood splintered, the lock ripped from the jamb, the door shot inward. He followed the opening door into the room, the gun leveled in his right hand. He saw only a big beautiful dark-haired woman sitting on a couch facing the door, her legs crossed, a look of startled surprise on her face. But he had heard a man from outside. Where—?

He turned suddenly. He had abruptly realized that the apartment fanned out on both sides of the entrance door, and that the man could easily be to his right or his left, beyond his field of vision. He turned naturally to the right because he was right-handed, because the gun was in his right hand, and made the mistake that could have cost him his life.

The man was on his left.

Carella heard the sound of his approach too late, reversed his direction, caught a single glimpse of straight blond hair like Sonny Tufts, and then felt something hard and heavy smashing into his face.

There was no furniture in the small room, save for a wooden chair to the right of the door. There were two windows on the wall facing the door, and these were covered with drawn green shades. The room was perhaps twelve feet wide by fifteen long, with a radiator in the center of one of the fifteen-foot walls.

Carella blinked his eyes and stared into the semidarkness.

There were nighttime noises outside the windows, and he could see the intermittent flash of neon around the edges of the drawn shades. He wondered what time it was. He started to raise his left hand for a look at his watch, and discovered that it was handcuffed to the radiator. The handcuffs were his own. Whoever had closed the cuff onto his wrist had done so quickly and viciously; the metal was biting sharply into his flesh. The other cuff was clasped shut around the radiator leg. His watch was gone, and he seemed to have been stripped as well of his service revolver, his billet, his cartridges, his wallet and loose change, and even his shoes and socks. The side of his face hurt like hell. He lifted his right hand in exploration and found that his cheek and temple were crusted with dried blood. He looked down again at the radiator leg around which the second cuff was looped. Then he moved to the right of the radiator and looked behind it to see how it was fastened to the wall. If the fittings were loose—

He heard a key being inserted into the door lock. It suddenly occurred to him that he was still alive, and the knowledge filled him with a sense of impending dread rather than elation. Why was he still alive? And was someone opening the door right this minute in order to remedy that oversight?

The key turned.

The overhead light snapped on.

A big brunette girl came into the room. She was the same girl who had been sitting on the couch when he’d bravely kicked in the front door. She was carrying a tray in her hands, and he caught the aroma of coffee the moment she entered the room, that and the overriding scent of the heavy perfume the girl was wearing.

‘Hello,’ she said.

‘Hello,’ he answered.

‘Have a nice sleep?’

‘Lovely.’

She was very big, much bigger than she had seemed seated on the couch. She had the bones and body of a showgirl, five feet eight or nine inches tall, with firm full breasts threatening a low cut peasant blouse, solid thighs sheathed in a tight black skirt that ended just above her knees. Her legs were long and very white, shaped like a dancer’s with full calves and slender ankles. She was wearing black slippers, and she closed the door behind her and came into the room silently, the slippers whispering across the floor.

She moved slowly, almost as though she were sleepwalking. There was a current of sensuality about her, emphasized by her dreamlike motion. She seemed to possess an acute awareness of her lush body, and this in turn seemed coupled with the knowledge that whatever she might be — housewife or whore, slattern or saint — men would try to do things to that body, and succeed, repeatedly and without mercy. She was a victim, and she moved with the cautious tread of someone who had been beaten before and now expects attack from any quarter. Her caution, her awareness, the ripeness of her body, the certain knowledge that it was available, the curious look of inevitability the girl wore, all invited further abuses, encouraged fantasies, drew dark imaginings from hidden comers of the mind. Rinsed raven-black hair framed the girl’s white face. It was a face hard with knowledge. Smoky Cleopatra makeup shaded her eyes and lashes, hiding the deeper-toned flesh there. Her nose had been fixed once, a long time ago, but it was beginning to fall out of shape so that it looked now as if someone had broken it, and this too added to the victim’s look she wore. Her mouth was brightly painted, a whore’s mouth, a doll’s mouth. It had said every word ever invented. It had done everything a mouth was ever forced to do.

‘I brought you some coffee,’ she said.

Her voice was almost a whisper. He watched her as she came closer. He had the feeling that she could kill a man as readily as kiss him, and he wondered again why he was still alive.

He noticed for the first time that there was a gun on the tray, alongside the coffee pot. The girl lifted the gun now, and pointed it at his belly, still holding the tray with one hand. ‘Back,’ she said.

‘Why?’

‘Don’t fuck around with me,’ she said. ‘Do what I tell you to do when I tell you to do it.’

Carella moved back as far as his cuffed wrist would allow him. The girl crouched, the tight skirt riding up over her thighs, and pushed the tray toward the radiator. Her face was dead serious. The gun was a super .38-caliber Llama automatic. The girl held it steady in her right hand. The thumb safety on the left side of the gun had been thrown. The automatic was ready for firing.

The girl rose and backed away toward the chair near the entrance door, the gun still trained on him. She sat, lowered the gun, and said, ‘Go ahead.’

Carella poured coffee from the pot into the single mug on the tray. He took a swallow. The coffee was hot and strong.

‘How is it?’ the girl asked.

‘Fine.’

‘I made it myself.’

‘Thank you.’

‘I’ll bring you a wet towel later,’ she said. ‘So you can wipe off that blood. It looks terrible.’

‘It doesn’t feel so hot, either,’ Carella said.

‘Well, who invited you?’ the girl asked. She seemed about to smile, and then changed her mind.