Роберт Паркер - Perchance to Dream

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Now Robert B. Parker, author of the Spenser detective novels and foremost interpreter of the Chandler tradition, embarks once again into Chandler territory with an all-new sequel to the 1939 classic The Big Sleep. Set in the sun-drenched streets and on the lush hillsides of Los Angeles, Perchance to Dream takes private eye Philip Marlowe deeper than ever into labyrinths of crime, duplicity, and murder.
After the death of General Guy Sternwood, his daughter Vivian sends her psychotic sister, Carmen, to a sanatorium. Carmen’s sudden disappearance from the hospital leads Vivian to turn in desperation to Eddie Mars, a shady underworld club owner. Concerned for what is happening to the family, the Sternwoods’ butler asks Marlowe to find Carmen and fend off Eddie Mars once again.
Through it all, Marlowe presses for the truth, a tough, shop-soiled Galahad. In Perchance to Dream, Parker adds a major new work to the Philip Marlowe canon — a novel of high suspense, action, and pure entertainment.

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“Lash Canino couldn’t do it, Eddie.”

Mars pointed at me with the forefinger of his right hand and then swiveled his wrist and pointed toward the door.

“You’re on your way, soldier,” he said. “But while you’re leaving think about something. I got no reason to care about what happens to you, and no reason to lie to you; but I’m telling you” — Mars’ face broke into a grin — “because I’m sweet, that if people are telling you to stay out of the Carmen Sternwood deal, and to stay away from that sanitarium where they stashed her, then do it. You’ll regret it if you don’t.”

The grin had disappeared by the time he finished.

I moved toward the door.

“See you around,” I said. “If somebody hasn’t scared me to death in the meantime.”

I closed the door and left, and drove back to Hollywood knowing every bit as much as I’d known when I drove down.

Which was nothing at all.

8

The canyon where Resthaven nestled ran back along the hill for a ways, and the road on which Resthaven fronted followed the canyon and looped up and behind the sanitarium before it trailed back out onto Coldwater again. I parked my car on Coldwater Canyon under an olive tree. The morning was bright and still. It would be a hot day, but it wasn’t hot yet and everything still looked unwilted. There was dust on the leaves of the olive tree, and the small black fruit that had fallen from the tree crunched underfoot when I got out of the car. The traffic on Coldwater Canyon Drive was heading both ways over the hill to work. I walked around behind Resthaven and up the side loop that put me on the canyon, looking down at the sanitarium. In Beverly Hills Oriental servants were squeezing orange juice and people in silk robes were eating soft-boiled eggs in little egg cups and glancing through the morning paper. But here, behind the screen of scrub growth along the rim of the canyon, I couldn’t see the L. A. basin. I could have been in Fargo or Bellows Falls except for the heat and the dryness. I looked down at Resthaven Sanitarium.

It was a large sweep of green lawn which ended at the foot of the canyon wall on which I stood. The wall formed a natural barrier. The other end of the lawn abutted the central house and an eight-foot-high brick wall ran from either end of the house to the foot of the canyon. There were shrubs along the walls, and flowering jacaranda which made it look ornamental, but it would take an agile patient to get over it. There was a pool with red stone terracing around it, and near the canyon wall, a croquet lawn where several men and women played a morning round. The players were dressed variously. Some in what seemed to be a hospital uniform of black linen pajamas and sandals, but two of the men were in suits and ties, and one woman was in evening dress.

The beachboy I’d seen earlier was lounging on a chaise near the pool, watching the patients and working on his tan. The Mexican was nowhere in sight, nor was Dr. Bonsentir. I squatted on my haunches at the rim of the canyon, hidden by some scrub oak, and observed. The croquet proceeded languidly, and as the sun got higher and burned away the last wisp of night coolness, the beachboy shifted his chaise into the shade of a big beach umbrella. He was reading the paper and periodically glancing at his charges. After a while he lay back in the chaise and, with the paper draped over his face, lay perfectly still. There wouldn’t be a better time. I went over the rim of the canyon.

It was nearly vertical but scattered with scrub pine and oak and juniper and I was able to slide down from handhold to handhold and drop into the croquet lawn without collecting more dirt than would grow an acre of spinach. If the players thought there was anything odd about someone sliding down the canyon into their game they didn’t do anything to suggest it. In fact they paid me no attention as they went about tapping the wooden balls with their mallets and with subdued pleasure sending their opponent’s ball away from the wicket. The beachboy never stirred.

There was something odd about this croquet game. It took me a minute to realize what it was as I shook the stones and assorted gravel out of my shirt. No one spoke. The game proceeded in complete silence except for the click of the ball and the occasional pleased chuckle. The woman in the evening gown played in long gloves and high slingstrap silver slippers. One of the men had on a pale tan suit with a thin cream pinstripe in it. He wore a cream-colored linen vest and light tan shoes. His bright green silk tie was tied in a wide Windsor knot. They were all doped to the eyeballs and were playing their game to a tune I couldn’t hear.

Walking softly on the grass, I went past the sleeping attendant and in through a back door into the same long low ranch-style main building that I’d been in before. It was cool inside, and dim. I was in a game room. There were two billiards tables and a Ping-Pong table. Along one wall there were card tables set up and across the back wall was a low counter with stools where maybe milk and cookies was served, or maybe opium and a flagon of ether.

To the left a long corridor ran down the back side of the long house. I went down that way. The left-hand wall was punctuated with doors and each door led into a patient’s room. The first one was empty. In the second room was a wispy old lady wearing a flowered nightdress with a lace collar. Her gray hair framed her face in soft permanent waves. There was the hint of a beautiful youth about her. It whispered in the way she held her head and the repose of her small body in the chair. She had a large picture book open on her lap and she was looking at it intently through gold-rimmed wire glasses. I stepped quietly into the room. On the half-open door was a small plate that said MRS. NORMAN SWAYZE.

“Good morning, Mrs. Swayze,” I said.

She looked up from her book and smiled at me.

“Hi,” she said.

“I’m Dr. Marlowe,” I said. “How are you feeling this morning?”

I closed the door quietly behind me as I spoke.

“Oh, I’m perfectly fine, doctor,” she said. “This morning I was looking out the window trying to see my house, but I don’t think I can see it. Can you?”

“Where do you live, Mrs. Swayze?”

She pointed toward the window.

“Over there,” she said brightly, “somewhere.”

I nodded and glanced out the window.

“No,” I said. “I don’t see your house either.”

“I look,” she said. “I look all the time, but I never seem able to find it.”

As I got closer I could see that her book was a high-class, well-printed four-color collection of some of the filthiest pornographic photographs I had ever seen. It was the kind of expensive smut that Arthur Gwynne Geiger had peddled out of his shop on Hollywood Boulevard near Las Palmas. But that was a while ago now, before I killed Lash Canino.

The old lady had lost interest in me and was studying her book again, licking her thumb periodically to turn a page. Hunched over the big book in her small lap, she looked like a gentle sparrow. On the bureau against the wall, and piled on the nightstand beside her bed, were other books just like the one she had, well bound, well produced, and filthier than a Tijuana latrine.

She looked up and saw me looking at the books.

“Would you like to read one of my books?” she said. “I love books like this. Do you?”

I shook my head. “No, ma’am,” I said. “Not exactly.”

“Well, I do,” she said firmly. “And the doctor gets them for me anytime I want them.”

“Dr. Bonsentir?” I said.

“Yes... well, not himself always, sometimes one of the young men gets them for me.”

“Mrs. Swayze,” I said, “do you know Carmen Sternwood?”

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