Dan Simmons - Hardcase

"No," said Kurtz. "I haven't received too many of those." He knew that Pruno had been a college professor at one time.

"Diversity and tolerance," said Pruno and drank the last of his wine. "Tolerance and diversity. No mention of the canon, of the classics, of knowledge or learning. Just tolerance and diversity and diversity and tolerance. It paves the way for global e-commerce and personal empowerment." His rheumy eyes focused on Kurtz in the dim light. "Yes, Joseph, Doo-Rag and his street associates would take orders from an ex-Crip if it meant money. Then they'd try to kill the motherfucker. Which ex-Crip are we talking about?"

"Malcolm Kibunte."

Pruno shrugged and then began shivering again. "Didn't know Malcolm Kibunte was ever a Crip."

"You know of any arrangements between this Malcolm or Doo-Rag and the Farinos?"

Pruno coughed again. "Doesn't seem likely, since the Farinos are as racist as all the rest of the wiseguy families. To be more succinct, Joseph—no."

"Know where I can find Kibunte?"

"I don't. But I'll ask around."

"Don't be too obvious about it, Pruno."

"Never, Joseph."

"One more question. Do you know anything about a white guy that this Malcolm hangs around with?"

"Cutter?" Pruno's voice was quaking from the cold or withdrawal.

"That's his name?"

"That is what people know him as, Joseph. I know nothing else. I wish to know nothing else. A very disturbed individual, Joseph. Please stay clear of him."

Kurtz nodded. "You need to get to a shelter and at least get a decent blanket, Pruno. Some food. Spend some time with people. Don't you get lonely out here?"

" Numquam se minus otiosum esse, quam cum otiosus, nee minus solum, quam cum solus esset ," said the junkie. "Are you familiar with Seneca, Joseph? I had him on your reading list."

"Haven't got that far yet, I guess," said Kurtz. "Seneca the Indian chief?"

"No, Joseph, although he was quite eloquent as well. Especially after we whites gave his people a 'gift' of blankets riddled with smallpox. No, Seneca the philosopher…" Pruno's eyes grew vague and lost.

"You want to translate for me?" said Kurtz. "Like old times?"

Pruno smiled. " That he was never less idle than when he was idle, and never less alone than when he was alone . Seneca attributed it to Scipio Africanus, Joseph."

Kurtz took his leather jacket off and set it on Pruno's lap.

"I can't accept this, Joseph."

"It was a freebie," said Kurtz. "Got it less than an hour ago. I've got a closet full of those things at home."

"Bullshit, Joseph. Absolute bullshit."

Kurtz tapped the old man on his bony shoulder and slid down the embankment. He wanted to get back to his warehouse before it was truly light.

The old, seven-story brick building had been built as an icehouse, then served as a warehouse through most of the twentieth century, then made money as a U-Store-It warehouse for a couple of decades with its grand old spaces broken up into a warren of cages and windowless cells. Most recently, it had been bought by a consortium of lawyers who were going to make a killing by converting it to expensive condo-lofts opening onto city views on the outside with interior mezzanines looking down into a fancy center atrium. The architect's prospectus had used Los Angeles's Bradbury Building, that favorite location interior for TV shows and films, as a template: clean brick, fancy ironwork, interior iron stairways and cage elevators, dozens of offices with frosted glass doors. Developers had begun the conversion: fencing off the entire structure, leaving the central section open as the atrium, adding rough mezzanines on the upper floors, adding an expensive skylight, knocking down some walls, cutting out some windows. But the loft market had slowed down, the gentrification had crept in the opposite direction, the lawyers' money had dried up, and now the warehouse sat alone except for the dozen other abandoned brick warehouses around it. The lawyers, ever optimistic, had left some of the construction materials at the fenced-off site in anticipation of getting back to work on it as soon as the consortium came into new funds.

Doc, the gun salesman/nightwatchman in Lackawanna, had mentioned the place to Kurtz. Doc had actually guarded the site for a while a year before, when hopes for the return of money and work were higher. Kurtz liked what he heard about it: electrical power had been restored for the upper two floors and the elevator, although the bottom floors were still a lightless, windowless maze of narrow corridors and metal cages walled off from the atrium. A private security service dropped by the place two or three times a week, but only to make sure that the fence was intact and the padlocks and chains secure.

Kurtz had cut through the fence at the least convenient part of the perimeter—back where the property ran along the rail lines—and had used the combination Doc had provided for the five-number padlock on the rear door. The window on that door had been conveniently broken before Kurtz first arrived, so it was no problem leaning out to click the padlock shut and scramble the combination.

Kurtz had approved of the place immediately. It wasn't heated—which would be a problem when the Buffalo winter arrived in earnest—but there was running water on the seventh floor for some of the construction sinks there. One of the three huge service elevators still worked, although Kurtz never took it. The sound it made reminded him of the monster's roar in the old Godzilla movies. There was a wide staircase off the front hallway that let light through thick glass blocks, a windowless interior stairway in the back, and two sets of rusting fire escapes. A few windows had been carved out on the top two floors, but no glass had been put in.

The bottom three floors were a lightless, littered mess except for the echoing atrium, which was a skylighted, littered mess. The atrium offered an avenue of retreat if one were bold enough to trust the scaffolding that ran up the interior all the way to the skylight. The consortium had just got to the sandblasting-interior-brick stage when the money ran out.

This morning, Kurtz shivered a bit in the cold rain as he walked down the rusted tracks, slipped through the cut in the fence and rearranged the wire so that the hole was invisible, let himself in the back way, checked telltales he had left in the lobby hallway, and then jogged up the five flights of the front stairway.

He had made a nest for himself on the sixth floor. The room was small and windowless—all of the storage rooms had been set up between the outer hall and the atrium wall—but Kurtz had run an extension cord through the crumbling ceiling and rigged a trouble light. He'd set up a cot with a decent sleeping bag—borrowed from Arlene—and had his leaving-Attica gym bag, a flashlight, and a few books on the floor. He kept both weapons oiled and ready and wrapped in oil rags in the gym bag, along with a cheap sweatsuit he'd picked up for pajamas. This particular cubby actually had a bathroom—or at least a toilet added sometime in the 1920s when the place was still an icehouse with offices—and Kurtz sometimes hauled water down from the seventh floor. The plumbing worked, but there was no bam or shower.

It was a pain in the ass climbing the five flights of stairs day and night, but what Kurtz liked about the place was the acoustics—the hallways amplified sound so that footsteps could be heard two flights above, the elevator—which he had tried—could wake the dead, and the atrium was like a giant echo chamber. It would be very hard for someone new to the space to sneak up on anyone familiar with it.

Also, Kurtz had discovered, between the century and a half of use and the recent renovations, there were a multitude of nooks, crannies, niches, ladders, walled-off rooms, and other hiding places. He had spent time exploring these with a good flashlight. And—best of all—there was an old tunnel which ran from the basement several hundred yards east to another old warehouse.