Lawrence Block - Eight Million Ways to Die

Two cabbies in a row refused to go to Harlem. There's a law that says they have to. If an orderly fare requests a destination anywhere in the five boroughs of New York City, the driver has to take him there. I didn't bother citing the relevant statute. It was easier to walk a block and catch a subway.

The station was a local stop, the platform deserted. The attendant sat in the bulletproof token booth, locked in. I wondered if she felt secure in there. New York taxis have thick Plexiglas partitions to protect the drivers, but the cabbies I'd hailed weren't willing to go uptown, partition or no.

Not long ago an attendant had had a heart attack in one of those token booths. The CPR team couldn't get into the locked booth to revive him and so the poor bastard had died in there. Still, I suppose they protect more people than they kill.

Of course they hadn't protected the two women at the Broad Channel stop on the A train. A couple of kids had a grudge against an attendant who'd reported them for turnstile jumping, so they'd filled a fire extinguisher with gasoline, pumped it into the booth, and lit a match. The whole booth exploded, incinerated both women. One more way to die.

That had been in the paper a year ago. Of course there was no law saying I had to read the papers.

I bought tokens. When my train came I rode it uptown. I worked Kelvin Small's and a few other places on Lenox Avenue. I ran into Royal Waldron at a rib joint, had the same conversation with him I'd been having with everybody else. I drank a cop of coffee on 125th Street, walked the rest of the way to St. Nicholas, had a glass of ginger ale at the bar of Club Cameroon.

The statue in Mary Lou's apartment was from Cameroun. An ancestor statue, encrusted with cowry shells.

I found no one at the bar I knew well enough to talk to. I looked at my watch. It was getting late. On Saturday night the bars in New York close an hour early, at three instead of four. I've never understood why. Perhaps so that the heavy hitters can sober up in time for church.

I motioned to the bartender, asked about after-hours joints. He just looked at me, his face impassive. I found myself laying my rap on him, telling him I was looking for information about Kim's boyfriend. I knew I wasn't going to get an answer from him, knew I wouldn't get the time of day from him, but I was getting the message across all the same. He'd hear me and so would the men on either side of me, and they'd all talk to people, and that was how it worked.

" 'Fraid I can't help you," he said. "Whatever you lookin' for, you lookin' awful far uptown for it."

I suppose the boy followed me out of the bar. I didn't notice, and I should have. You have to pay attention to that sort of thing.

I was walking along the street, my mind jumping all over the place, from Kim's mysterious boyfriend to the speaker who'd stabbed his lover. By the time I sensed movement alongside of me there was no time left to react. I was just starting to turn when his hand fastened on my shoulder and propelled me into the mouth of the alley.

He came right in after me. He was an inch or so shorter than me but his bushy Afro made up those two inches and more. He was eighteen or twenty or twenty-two, with a drooping moustache and a burn scar on one cheek. He was wearing a flight jacket with zippered pockets and a pair of tight black jeans, and he had a little gun in his hand and it was pointed right at me.

He said, "Motherfucker, fucking motherfucker. Gimme your money, you motherfucker. Gimme it, gimme all of it, gimme it or you dead, you motherfucker."

I thought, Why didn't I get to the bank? Why didn't I leave some of it at my hotel? I thought, Jesus, Mickey could forget getting his teeth straightened, St. Paul's could forget about their ten percent.

And I could forget about tomorrow.

"Motherfucking honky bastard, dirty motherfucker-"

Because he was going to kill me. I reached in my pocket for my wallet and I looked at his eyes and at his finger on the trigger and I knew it. He was working himself up, he was primed, and whatever money I had wasn't going to be enough for him. He'd be scoring big, better than two grand, but I'd be dead whatever money I had.

We were in an alley about five feet wide, just a gap between two brick tenements. Light from a streetlamp spilled into the alley, illuminating the passage for another ten or fifteen yards beyond where we stood. There was rain-soaked litter on the ground, scraps of paper, beer cans, broken bottles.

Fine place to die. Fine way to die, not even a very original one. Shot dead by a mugger, crime in the streets, a terse paragraph on a back page.

I drew the wallet out of my pocket. I said, "You can have it, everything I've got, you're welcome to it," knowing it wasn't enough, knowing he'd resolved to shoot me for five dollars or five thousand. I extended the wallet, hand shaking, and I dropped it.

"I'm sorry," I said, "very sorry, I'll get it," and bent to retrieve it, hoping he'd bend forward also, figuring he had to. I bent at the knees and I gathered my feet under me and I thought Now! and I straightened up hard and fast, slapping at the gun as I drove my head full force into his chin.

The gun went off, deafening in that enclosed space. I thought I must have been hit but I didn't feel anything. I grabbed and butted him again, then shoved hard and he stumbled back against the wall behind him, eyes glazed, the gun held loose in his hand. I kicked his wrist and the gun went flying.

He came off the wall, his eyes full of murder. I feinted with a left and hit him with my right in the pit of the stomach. He made a retching sound and doubled up, and I grabbed that son of a bitch, one hand gripping the nylon flight jacket, the other tangled up in his mop of hair, and I ran him right into the wall, three quick steps that ended with his face smacking into the bricks. Three, four times I drew him back by the hair and smashed his face into the wall. When I let go of him he dropped like a marionette with the strings cut, sprawling on the floor of the alley.

My heart was pounding as if I'd run at top speed up ten flights of stairs. I couldn't catch my breath. I leaned against the brick wall, panting for breath, waiting for the cops to come.

Nobody came. There had been a noisy scuffle, hell, there had been a gunshot, but nobody came and nobody was going to come. I looked down at the young man who would have killed me if he could. He lay with his mouth open, showing teeth broken off at the gumline. His nose was smashed flat against his face and blood flowed from it in a stream.

I checked, made sure I wasn't shot. Sometimes, I understand, you can take a bullet and not feel it at the time. Shock and adrenaline anesthetize the pain. But he'd missed me. I examined the wall behind where I was standing, found a fresh indentation in the brick where the bullet had dug out a chip before ricocheting. I figured out where I'd been standing and calculated that he hadn't missed me by much.

Now what?

I found my wallet, put it back in my pocket. I rooted around until I located the gun, a.32-caliber revolver with a spent cartridge in one of its chambers and live rounds in the other five. Had he killed anyone else with it? He'd seemed nervous, so maybe I'd been scheduled to be his first. Then again, maybe some people always get nervous before they pull the trigger, just as some actors always feel anxious before they step onstage.

I knelt down and frisked him. He had a switch knife in one pocket, another knife tucked into his sock. No wallet, no ID, but he had a thick roll of bills on his hip. I slipped off the rubber band and gave the roll a fast count. He had over three hundred dollars, the bastard. He hadn't been looking to make the rent money or score a bag of dope.

And what the hell was I going to do with him?