Lawrence Block - Eight Million Ways to Die

"I thought he used the towels to wrap the machete."

"Why would he do that? After he washed the machete he'd put it back in the case the way he brought it. Or, if he wanted to wrap it in towels, he'd use clean towels. He wouldn't carry away the towels he washed up with unless he wanted to keep them from being found. But towels can hold things- a hair, a bloodstain- and he knew he might be a suspect because he knew something linked him to Kim."

"We don't know for sure the towels were dirty, Matt. We don't know he took a shower."

"He chopped her up and put blood all over the walls. You think he got out of there without washing up?"

"I guess not."

"Would you take wet towels home for a souvenir? He had a reason."

"Okay." A pause. "A psycho might not want to leave evidence. You're saying he's someone who knew her, who had a reason to kill her. You can't be sure of that."

"Why did he have her come to the hotel?"

"Because that's where he was waiting. Him and his little machete."

"Why didn't he take his little machete to her place on Thirty-seventh Street?"

"Instead of having her make house calls?"

"Right. I spent the day talking to hookers. They aren't nuts about outcalls because of the travel time. They'll do them, but they usually invite the caller to come to their place instead, tell him how much more comfortable it is. She probably would have done that but he wasn't having any."

"Well, he already paid for the room. Wanted to get his money's worth."

"Why wouldn't he just as soon go to her place?"

He thought about it. "She had a doorman," he said. "Maybe he didn't want to walk past the doorman."

"Instead he had to walk through a whole hotel lobby and sign a registration card and speak to a desk clerk. Maybe he didn't want to pass that doorman because the doorman had seen him before. Otherwise a doorman's a lot less of a challenge than an entire hotel."

"That's pretty iffy, Matt."

"I can't help it. Somebody did a whole batch of things that don't make sense unless he knew the girl and had a personal reason for wanting her dead. He may be emotionally disturbed. Perfectly levelheaded people don't generally go batshit with a machete. But he's more than a psycho picking women at random."

"How do you figure it? A boyfriend?"

"Something like that."

"She splits with the pimp, tells the boyfriend she's free, and he panics?"

"I was thinking along those lines, yes."

"And goes crazy with a machete? How does that mesh with your profile of a guy who decides he'd rather stay home with his wife?"

"I don't know."

"Do you know for sure she had a boyfriend?"

"No," I admitted.

"These registration cards. Charles O. Jones and all his aliases, if he ever had any. You think they're gonna lead anywhere?"

"They could."

"That's not what I asked you, Matt."

"Then the answer's no. I don't think they're going to lead to anything."

"But you still think it's worth doing."

"I'd have gone through the cards myself at the Galaxy Downtowner," I reminded him. "On my own time, if the guy would have let me."

"I suppose we could run the cards."

"Thanks, Joe."

"I suppose we can run the other check, too. First-class commercial hotels in the area, their Jones registrations for the past six months or whatever. That what you wanted?"

"That's right."

"The autopsy showed semen in her throat and esophagus. You happen to notice that?"

"I saw it in the file last night."

"First he had her blow him, then he chopped her up with his boy scout hatchet. And you figure it was a boyfriend."

"The semen could have been from an earlier contact. She was a hooker, she had a lot of contacts."

"I suppose," he said. "You know, they can type semen now. It's not like a fingerprint, more like a blood type. Makes useful circumstantial evidence. But you're right, with her lifestyle it doesn't rule a guy out if the semen type's not a match."

"And it doesn't rule him in if it is."

"No, but it'd fucking well give him a headache. I wish she'd scratched him, got some skin under her nails. That always helps."

"You can't have everything."

"For sure. If she blew him, you'd think she could have wound up with a hair or two between her teeth. Whole trouble is she's too ladylike."

"That's the trouble, all right."

"And my trouble is I'm starting to believe there's a case here, with a killer at the end of a rainbow. I got a desk full of shit I haven't got time for and you've got me pulling my chain with this one."

"Think how good you'll look if it breaks."

"I get the glory, huh?"

"Somebody might as well."

I had three more hookers to call, Sunny and Ruby and Mary Lou. Their numbers were in my notebook. But I'd talked to enough whores for one day. I called Chance's service, left word for him to call me. It was Friday night. Maybe he was at the Garden, watching a couple of boys hit each other. Or did he just go when Kid Bascomb was fighting?

I took out Donna Campion's poem and read it. In my mind's eye all the poem's colors were overlaid with blood, bright arterial blood that faded from scarlet to rust. I reminded myself that Kim had been alive when the poem was written. Why, then, did I sense a note of doom in Donna's lines? Had she picked up on something? Or was I seeing things that weren't really there?

She'd left out the gold of Kim's hair. Unless the sun was supposed to cover that base. I saw those gold braids wrapped around her head and thought of Jan Keane's Medusa. Without giving it too much thought I picked up the phone and placed a call. I hadn't dialed the number in a long time but memory supplied it, pushing it at me as a magician forces a card on one.

It rang four times. I was going to hang up when I heard her voice, low pitched, out of breath.

I said, "Jan, it's Matt Scuddder."

"Matt! I was just thinking of you not an hour ago. Give me a minute, I just walked in the door, let me get my coat off… There. How've you been? It's so good to hear from you."

"I've been all right. And you?"

"Oh, things are going well. A day at a time."

The little catchphrases. "Still going to those meetings?"

"Uh-huh. I just came from one, as a matter of fact. How are you doing?"

"Not so bad."

"That's good."

What was it, Friday? Wednesday, Thursday, Friday. "I've got three days," I said.

"Matt, that's wonderful!"

What was so wonderful about it? "I suppose," I said.

"Have you been going to meetings?"

"Sort of. I'm not sure I'm ready for all that."

We talked a little. She said maybe we'd run into each other at a meeting one of these days. I allowed that it was possible. She'd been sober almost six months, she'd qualified a couple of times already. I said it would be interesting sometime to hear her story. She said, "Hear it? God, you're in it."

She was just getting back to sculpture. She'd put it all on hold when she got sober, and it was hard to make the clay do what she wanted it to do. But she was working at it, trying to keep it all in perspective, putting her sobriety first and letting the rest of her life fall into shape at its own pace.

And what about me? Well, I said, I had a case, I was looking into a matter for an acquaintance. I didn't go into detail and she didn't press. The conversation slowed, and there were a few pauses in it, and I said, "Well, I just thought I'd call and say hello."

"I'm glad you did, Matthew."

"Maybe we'll run into each other one of these days."

"I'd like that."

I hung up and remembered drinking in her loft on Lispenard Street, warming and mellowing as the booze worked its magic in our veins. What a fine sweet evening that had been.

At meetings you'll hear people say, "My worst day sober is better than my best day drunk." And everybody nods like a plastic dog on a Puerto Rican's dashboard. I thought about that night with Jan and looked around my little cell of a room and tried to figure out why this night was better than the other had been.