Raymond Chandler - The Big Sleep

I said: "You'll get the two hundred — for that information. I have to get the money myself first."

He stood up and nodded and pulled his worn little Irish tweed coat tight around his chest "That's okey. After dark is better anyway. It's a leery job — buckin' guys like Eddie Mars. But a guy has to eat. The book's been pretty dull lately. I think the big boys have told Puss Walgreen to move on. Suppose you come over there to the office, Fulwider Building, Western and Santa Monica, four-twenty-eight at the back. You bring the money, I'll take you to Agnes."

"Can't you tell me yourself? I've seen Agnes."

"I promised her," he said simply. He buttoned his overcoat, cocked his hat jauntily, nodded again and strolled to the door. He went out. His steps died along the hall.

I went down to the bank and deposited my five-hundred-dollar check and drew out two hundred in currency. I went upstairs again and sat in my chair thinking about Harry Jones and his story. It seemed a little too pat. It bad the austere simplicity of fiction rather than the tangled woof of fact. Captain Gregory ought to have been able to find Mona Mars, if she was that close to his beat. Supposing, that is, he had tried.

I thought about it most of the day. Nobody came into the office. Nobody called me on the phone. It kept on raining.

At seven the rain had stopped for a breathing spell, but the gutters were still flooded. On Santa Monica the water was level with the sidewalk and a thin film of it washed over the top of the curbing. A traffic cop in shining black rubber from boots to cap sloshed through the flood on his way from the shelter of a sodden awning. My rubber heels slithered on the sidewalk as I turned into the narrow lobby of the Fulwider Building. A single drop light burned far back, beyond an open, once gilt elevator. There was a tarnished and well-missed spittoon on a gnawed rubber mat. A case of false teeth hung on the mustard-colored wall like a fuse box in a screen porch. I shook the rain off my hat and looked at the building directory beside the case of teeth. Numbers with names and numbers without names. Plenty of vacancies or plenty of tenants who wished to remain anonymous. Painless dentists, shyster detective agencies, small sick businesses that had crawled there to die, mail order schools that would teach you how to become a railroad clerk or a radio technician or a screen writer — if the postal inspectors didn't catch up with them first. A nasty building. A building in which the smell of stale cigar butts would be the cleanest odor.

An old man dozed in the elevator, on a ramshackle stool, with a burstout cushion under him. His mouth was open, his veined temples glistened in the weak light. He wore a blue uniform coat that fitted him the way a stall fits a horse. Under that gray trousers with frayed cuffs, white cotton socks and black kid shoes, one of which was slit across a bunion. On the stool he slept miserably, waiting for a customer. I went past him softly, the clandestine air of the building prompting me, found the fire door and pulled it open. The fire stairs hadn't been swept in a month. Bums had slept on them, eaten on them, left crusts and fragments of greasy newspaper, matches, a gutted imitation-leather pocketbook. In a shadowy angle against the scribbled wall a pouched ring of pale rubber had fallen and had not been disturbed. A very nice building.

I came out at the fourth floor sniffing for air. The hallway had the same dirty spittoon and frayed mat, the same mustard walls, the same memories of low tide. I went down the line and turned a corner. The name: "L. D. Walgreen — Insurance," showed on a dark pebbled glass door, on a second dark door, on a third behind which there was a light. One of the dark doors said: "Entrance."

A glass transom was open above the lighted door. Through it the sharp birdlike voice of Harry Jones spoke, saying:

"Canino?. . . Yeah, I've seen you around somewhere. Sure."

I froze. The other voice spoke. It had a heavy purr, like a small dynamo behind a brick wall. It said: "I thought you would." There was a vaguely sinister note in that voice.

A chair scraped on linoleum, steps sounded, the transom above me squeaked shut. A shadow melted from behind the pebbled glass.

I went back to the first of the three doors marked with the name Walgreen. I tried it cautiously. It was locked. It moved in a loose frame, an old door fitted many years past, made of half-seasoned wood and shrunken now. I reached my wallet out and slipped the thick hard window of celluloid from over my driver's license. A burglar's tool the law had forgotten to proscribe. I put my gloves on, leaned softly and lovingly against the door and pushed the knob hard away from the frame. I pushed the celluloid plate into the wide crack and felt for the slope of the spring lock. There was a dry click, like a small icicle breaking. I hung there motionless, like a lazy fish in the water. Nothing happened inside. I turned the knob and pushed the door back into darkness. I shut it behind me as carefully as I had opened it.

The lighted oblong of an uncurtained window faced me, cut by the angle of a desk. On the desk a hooded typewriter took form, then the metal knob of a communicating door. This was unlocked. I passed into the second of the three offices. Rain rattled suddenly against the closed window. Under its noise I crossed the room. A tight fan of light spread from an inch opening of the door into the lighted office. Everything very convenient. I walked like a cat on a mantel and reached the hinged side of the door, put an eye to the crack and saw nothing but light against the angle of the wood.

The purring voice was now saying quite pleasantly: "Sure, a guy could sit on his fanny and crab what another guy done if he knows what it's all about. So you go to see this peeper. Well, that was your mistake. Eddie don't like it. The peeper told Eddie some guy in a gray Plymouth was tailing him. Eddie naturally wants to know who and why, see."

Harry Jones laughed lightly. "What makes it his business?"

"That don't get you no place."

"You know why I went to the peeper. I already told you. Account of Joe Brody's girl. She has to blow and she's shatting on her uppers. She figures the peeper can get her some dough. I don't have any."

The purring voice said gently: "Dough for what? Peepers don't give that stuff out to punks."

"He could raise it. He knows rich people." Harry Jones laughed, a brave little laugh.

"Don't fuss with me, little man." The purring voice had an edge, like sand in the bearing.

"Okey, okey. You know the dope on Brody's bump-off. That screwy kid done it all right, but the night it happened this Marlowe was right there in the room."

"That's known, little man. He told it to the law."

"Yeah — here's what isn't. Brody was trying to peddie a nudist photo of the young Sternwood girl. Marlowe got wise to him. While they were arguing about it the young Sternwood girl dropped around herself — with a gat. She took a shot at Brody. She lets one fly and breaks a window. Only the peeper didn't tell the coppers about that. And Agnes didn't neither. She figures it's railroad fare for her not to."

"This ain't got anything to do with Eddie?"

"Show me how."

"Where's this Agnes at?"

"Nothing doing."

"You tell me, little man. Here, or in the back room where the boys pitch dimes against the wall."

"She's my girl now, Casino. I don't put my girl in the middle for anybody."

A silence followed. I listened to the rain lashing the windows. The smell of cigarette smoke came through the crack of the door. I wanted to cough. I bit hard on a handkerchief.

The purring voice said, still gentle: "From what I hear this blonde broad was just a shill for Geiger. I'll talk it over with Eddie. How much you tap the peeper for?"