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Dashiell Hammett: The Glass Key

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Dashiell Hammett The Glass Key

The Glass Key: краткое содержание, описание и аннотация

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Of Hammett's sixth book, published in 1931, The New York Times wrote ''the developing relationships among the characters are as exciting as the unfolding story.'' FROM THE PUBLISHER Paul Madvig was a cheerfully corrupt ward-heeler who aspired to something better: the daughter of Senator Ralph Bancroft Henry, the heiress to a dynasty of political purebreds. Did he want her badly enough to commit murder? And if Madvig was innocent, which of his dozens of enemies was doing an awfully good job of framing him? Dashiell Hammett's tour de force of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness. A one-time detective and a master of deft understatement, Dashiell Hammett virtually invented the hard-boiled crime novel. This classic Hammet work of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness.

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The Senator interrupted him in a hoarse angry tone: "This is nonsense! I will not have my daughter subjected—"

Ned Beaumont laughed brutally. "Sure it's nonsense," he said. "And your bringing the stick you killed him with back home, and wearing his hat because you'd run out bare-headed after him, is nonsense too, but it's nonsense that'll nail you to the cross."

Senator Henry said in a low scornful voice: "And what of Paul's confession?"

Ned Beaumont grinned. "Plenty of it," he said. "I tell you what let's do. Janet, you phone him and ask him to come over right away. Then we'll tell him about your father starting after him with a gun and see what he says."

Janet stirred, but did not rise from the floor. Her face was blank.

Her father said: "That is ridiculous. We will do nothing of the sort."

Ned Beaumont said peremptorily: "Phone him, Janet."

She got up on her feet, still blank of face, and, paying no attention to the Senator's sharp "Janet!" went to the door.

The Senator changed his tone then and said, "Wait, dear," to her and, "I should like to speak to you alone again," to Ned Beaumont.

"All right," Ned Beaumont said, turning to the girl hesitating in the doorway.

Before he could speak to her she was saying stubbornly: "I want to hear it. I've a right to hear it."

He nodded, looked at her father again, and said: "She has."

"Janet, dear," the Senator said, "I'm trying to spare you. I—"

"I don't want to be spared," she said in a small flat voice. "I want to know."

The Senator turned his palms out in a defeated gesture. "Then I shall say nothing."

Ned Beaumont said: "Phone Paul, Janet."

Before she could move the Senator spoke: "No. This is more difficult than it should be made for me, but—" He took out a handkerchief and wiped his hands. "I am going to tell you exactly what happened and then I am going to ask a favor of you, one I think you cannot refuse. However—" He broke off to look at his daughter. "Come in, my dear, and close the door, if you must hear it."

She shut the door and sat on a chair near it, leaning forward, her body stiff, her face tense.

The Senator put his hands behind him, the handkerchief still in them, and, looking without enmity at Ned Beaumont, said: "I ran out after Taylor that night because I did not care to lose Paul's friendship through my son's hot-headedness. I caught up with them in China Street. Paul had taken the stick from him. They were, or at least Taylor was, quarreling hotly. I asked Paul to leave us, to leave me to deal with my son, and he did so, giving me the stick. Taylor spoke to me as no son should speak to a father and tried to thrust me out of his way so he could pursue Paul again. I don't know exactly how it happened—the blow—but it happened and he fell and struck his head on the curb. Paul came back then—he hadn't gone far—and we found that Taylor had died instantly. Paul insisted that we leave him there and not admit our part in his death. He said no matter how unavoidable it was a nasty scandal could be made of it in the coming campaign and—well—I let him persuade me. It was he who picked up Taylor's hat and gave it to me to wear home—I had run out bareheaded. He assured me that the police investigation would be stopped if it threatened to come too near us. Later—last week, in fact— when I had become alarmed by the rumors that he had killed Taylor, I went to him and asked him if we hadn't better make a clean breast of it. He laughed at my fears and assured me he was quite able to take care of himself." He brought his hands from behind him, wiped his face with the handkerchief, and said: "That is what happened."

His daughter cried out in a choking voice: "You let him lie there, like that, in the street!"

He winced, but did not say anything.

Ned Beaumont, after a moment's frowning silence, said: "A campaign-speech—some truth gaudied up." He grimaced. "You had a favor to ask."

The Senator looked down at the floor, then up at Ned Beaumont again. "But that is for sour ear alone."

Ned Beaumont said: "No."

"Forgive me, dear," the Senator said to his daughter, then to Ned Beaumont: "I have told you the truth, but I realize fully the position I have put myself in. The favor I ask is the return of my revolver and five minutes—a minute—alone in this room."

Ned Beaumont said: "No."

The Senator swayed with a hand to his breast, the handkerchief hanging down from his hand.

Ned Beaumont said: "You'll take what's coming to you."

2

Ned Beaumont went to the street-door with Farr, his grey-haired stenographer, two police-detectives, and the Senator.

"Not going along?" Farr asked.

"No, but I'll be seeing you."

Farr pumped his hand up and down with enthusiasm. "Make it sooner and oftener, Ned," he said. "You play tricks on me, but I don't hold that against you when I see what comes of them."

Ned Beaumont grinned at him, exchanged nods with the detectives, bowed to the stenographer, and shut the door. He walked upstairs to the white-walled room where the piano was. Janet Henry rose from the lyre-end sofa when he came in.

"They've gone," he said in a consciously matter-of-fact voice.

"Did—did they—?"

"They got a pretty complete statement out of him—more details than he told us."

"Will you tell me the truth about it?"

"Yes," he promised.

"What—" She broke off. "What will they do to him, Ned?"

"Probably not a great deal. His age and prominence and so on will help him. The chances are they'll convict him of manslaughter and then set the sentence aside or suspend it."

"Do you think it was an accident?"

Ned Beaumont shook his head. His eyes were cold. He said bluntly: "I think he got mad at the thought of his son interfering with his chances of being re-elected and hit him."

She did not protest. She was twining her fingers together. When she asked her next question it was with difficulty. "Was—was he going to—to shoot Paul?"

"He was. He could get away with the grand-old-man-avenging-the-death-the-law-couldn't-avenge line. He knew Paul wasn't going to stay dummied up if he was arrested. Paul was doing it, just as he was supporting your father for re-election, because he wanted you. He couldn't get you by pretending he'd killed your brother. He didn't care what anybody else thought, but he didn't know you thought he had and he would have cleared himself in a second if he had."

She nodded miserably. "I hated him," she said, "and I wronged him and I still hate him." She sobbed. "Why is that, Ned?"

He made an impatient gesture with one hand. "Don't ask me riddles."

"And you," she said, "tricked me and made a fool of me and brought this on me and I don't hate you."

"More riddles," he said.

"How long, Ned," she asked, "how long have you known—known about Father?"

"I don't know. It's been in the back of my head for a long time. That was about the only thing that'd fit in with Paul's foolishness. If he'd killed Taylor he'd've let me know before this. There was no reason why he should hide that from me. There was a reason why he'd hide your father's crimes from me. He knew I didn't like your father. I'd made that plain enough. He didn't think he could trust me not to knife your father. He knew I wouldn't knife him. So, when I'd told him I was going to clear up the killing regardless of what he said, he gave me that phony confession to stop me."

She asked: "Why didn't you like Father?"

"Because," he said hotly, "I don't like pimps."

Her face became red, her eyes abashed. She asked in a dry constricted voice: "And you don't like me because—?"

He did not say anything.

She bit her lip and cried: "Answer me!"

"You're all right," he said, "only you're not all right for Paul, not the way you've been playing him. Neither of you were anything but poison for him. I tried to tell him that. I tried to tell him you both considered him a lower form of animal life and fair game for any kind of treatment. I tried to tell him your father was a man all his life used to winning without much trouble and that in a hole he'd either lose his head or turn wolf. Well, he was in love with you, so—" He snapped his teeth together and walked over to the piano.

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