Dashiell Hammett - The Glass Key

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The Glass Key: краткое содержание, описание и аннотация

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Of Hammett's sixth book, published in 1931, The New York Times wrote ''the developing relationships among the characters are as exciting as the unfolding story.'' FROM THE PUBLISHER Paul Madvig was a cheerfully corrupt ward-heeler who aspired to something better: the daughter of Senator Ralph Bancroft Henry, the heiress to a dynasty of political purebreds. Did he want her badly enough to commit murder? And if Madvig was innocent, which of his dozens of enemies was doing an awfully good job of framing him? Dashiell Hammett's tour de force of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness. A one-time detective and a master of deft understatement, Dashiell Hammett virtually invented the hard-boiled crime novel. This classic Hammet work of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness.

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Ned Beaumont pulled himself out of his companion's arms and looked dully around the room. "Where's Shad?" he mumbled.

Opal answered him: "He's gone. All of them have gone."

"All right," he said, speaking difficultly. "I want to talk to you alone."

Eloise Mathews ran over to him. "You killed him!" she cried.

He giggled idiotically and tried to put his arms around her.

She screamed, struck him in the face with an open hand.

He fell straight back without bending. The red-faced man tried to catch him, but could not. He did not move at all after he struck the floor.

VII.The Henchmen

1

Senator Henry put his napkin on the table and stood up. Rising, he seemed taller than he was and younger. His somewhat small head, under its thin covering of grey hair, was remarkably symmetrical. Aging muscles sagged in his patrician face, accentuating its vertical lines, but slackness had not vet reached his lips, nor was it apparent that the years had in any way touched his eyes: they were a greenish grey, deepset, not large but brilliant, and their lids were firm. He spoke with studied grave courtesy: "You'll forgive me if I carry Paul off upstairs for a little while?"

His daughter replied: "Yes, if you'll leave me Mr. Beaumont and if you'll promise not to stay up there all evening."

Ned Beaumont smiled politely, inclining his head.

He and Janet Henry went into a white-walled room where coal burned sluggishly in a grate under a white mantelpiece and put somber red gleams on the mahogany furniture.

She turned on a lamp beside the piano and sat down there with her back to the keyboard, her head between Ned Beaumont and the lamp. Her blond hair caught lamplight and held it in a nimbus around her head. Her black gown was of some suиdelike material that reflected no light and she wore no jewelry.

Ned Beaumont leaned over to knock ash from his cigar down on the burning coal. A dark pearl in his shirt-bosom, twinkling in the fire's glow as he moved, was like a red eye winking. When he straightened, he asked: "You'll play something?"

"Yes, if you wish—though I don't play exceptionally well—but later. I'd like to talk to you now while I've an opportunity." Her hands were together in her lap. Her arms, held straight, forced her shoulders up and in towards her neck.

Ned Beaumont nodded politely, but did not say anything. He left the fireplace and sat not far from her on a sofa with lyre ends. Though he was attentive, there was no curiosity in his mien.

Turning on the piano-bench to face him directly, she asked: "How is Opal?" Her voice was low, intimate.

His voice was casual: "Perfectly all right as far as I know, though I haven't seen her since last week." He lifted his cigar half a foot towards his mouth, lowered it, and as if the question had just come to his mind asked: "Why?"

She opened her brown eyes wide. "Isn't she in bed with a nervous break-down?"

"Oh, that!" he said carelessly, smiling. "Didn't Paul tell you?"

"Yes, he told me she was in bed with a nervous break-down." She stared at him, perplexed. "He told me that."

Ned Beaumont's smile became gentle. "I suppose he's sensitive about it," he said slowly, looking at his cigar. Then he looked up at her and moved his shoulders a little. "There's nothing the matter with her that way. It's simply that she got the foolish idea that he had killed your brother and—still more foolishly—was going around talking about it. Well, Paul couldn't have his daughter running around accusing him of murder, so he had to keep her home till she gets the notion out of her head."

"You mean she's—" she hesitated: her eyes were bright "—she's-well—a prisoner?"

"You make it sound melodramatic," he protested carelessly. "She's only a child. Isn't making children stay in their rooms one of the usual ways of disciplining them?"

Janet Henry replied hastily: "Oh, yes! Only—" She looked at her hands in her lap, up at his face again. "But why did she think that?"

Ned Beaumont's voice was tepid as his smile. "Who doesn't?" he asked.

She put her hands on the edge of the piano-bench beside her and leaned forward. Her white face was earnestly set. "That's what I wanted to ask von, Mr. Beaumont. Do people think that?"

He nodded. His face was placid.

Her knuckles were white over the bench-edge. Her voice was parched asking: "Why?"

He rose from the sofa and crossed to the fireplace to drop the remainder of his cigar into the fire. When he returned to his seat he crossed his long legs and leaned back at ease. "The other side thinks it's good politics to make people think that," he said. There was nothing in his voice, his face, his manner to show that he had any personal interest in what he was talking about.

She frowned. "But, Mr. Beaumont, why should people think it unless there's some sort of evidence, or something that can be made to look like evidence?"

He looked curiously and amusedly at her. "There is, of course," he said. "I thought you knew that." He combed a side of his mustache with a thumb-nail. "Didn't you get any of the anonymous letters that've been going around?"

She stood up quickly. Excitement distorted her face. "Yes, today!" she exclaimed. "I wanted to show it to you, to—"

He laughed softly and raised a hand, palm out in an arresting gesture. "Don't bother. They all seem to be pretty much alike and I've seen plenty of them."

She sat down again, slowly, reluctantly.

He said: "Well, those letters, the stuff the Observer was printing till we pulled it out of the fight, the talk the others have been circulating"— he shrugged his thin shoulders—"they've taken what facts there are and made a pretty swell case against Paul."

She took her lower lip from between her teeth to ask: "Is—is he actually in danger?"

Ned Beaumont nodded and spoke with calm certainty: "If he loses the election, loses his hold on the city and state government, they'll electrocute him."

She shivered and asked in a voice that shook: "But he's safe if he wins?"

Ned Beaumont nodded again. "Sure."

She caught her breath. Her lips trembled so that her words came out jerkily: "Will he win?"

"I think so."

"And it won't make any difference then no matter how much evidence there is against him, he'll—" her voice broke "—he'll not be in danger?"

"He won't be tried," Ned Beaumont told her. Abruptly he sat up straight. He shut his eyes tight, opened them, and stared at her tense pale face. A glad light came into his eyes, gladness spread over his face. He laughed—not loud but in complete delight—and stood up exclaiming: "Judith herself!"

Janet Henry sat breathlessly still, looking at him with uncomprehending brown eyes in a blank white face.

He began to walk around the room in an irregular route, talking happily—not to her—though now and then he turned his head over his shoulder to smile at her. "That's the game, of course," he said. "She could put up with Paul—be polite to him—for the sake of the political backing her father needed, but that would have its limits. Or that's all that would be necessary, Paul being so much in love with her. But when she decided Paul had killed her brother and was going to escape punishment unless she— That's splendid! Paul's daughter and his sweetheart both trying to steer him to the electric chair. He certainly has a lot of luck with women." He had a slender pale-green-spotted cigar in one hand now. He halted in front of Janet Henry, clipped the end of the cigar, and said, not accusingly, but as if sharing a discovery with her: "You sent those anonymous letters around. Certainly you did. They were written on the typewriter in the room where your brother and Opal used to meet. He had a key and she had a key. She didn't write them because she was stirred up by them. You did. You took his key when it was turned over to you and your father with the rest of his stuff by the police, sneaked into the room, and wrote them. That's fine." He began to walk again. He said: "Well, we'll have to make the Senator get in a squad of good able-bodied nurses and lock you in your room with a nervous break-down. It's getting to be epidemic among our politicians' daughters, but we've got to make sure of the election even if every house in town has to have its patient." He turned his head over his shoulder to smile amiably at her.

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