Dashiell Hammett - The Glass Key

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The Glass Key: краткое содержание, описание и аннотация

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Of Hammett's sixth book, published in 1931, The New York Times wrote ''the developing relationships among the characters are as exciting as the unfolding story.'' FROM THE PUBLISHER Paul Madvig was a cheerfully corrupt ward-heeler who aspired to something better: the daughter of Senator Ralph Bancroft Henry, the heiress to a dynasty of political purebreds. Did he want her badly enough to commit murder? And if Madvig was innocent, which of his dozens of enemies was doing an awfully good job of framing him? Dashiell Hammett's tour de force of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness. A one-time detective and a master of deft understatement, Dashiell Hammett virtually invented the hard-boiled crime novel. This classic Hammet work of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness.

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Ned Beaumont stepped back from him, put his left hand in his trousers-pocket, and addressed Bernie Despain: "Come on out with me. I want to talk to you." His face was sullenly determined.

Footsteps ran overhead, somewhere back in the building a door opened, and down the hallway excited voices were audible, but nobody came into sight.

Despain stared for a long moment at Ned Beaumont as if horribly fascinated. Then, without a word, he stepped over the man on the floor and went out of the building ahead of Ned Beaumont. Ned Beaumont put the revolver in his jacket-pocket before he went down the street-steps, but he kept his hand on it.

"Up to that taxi," he told Despain, indicating the car out of which Jack was getting. When they reached the taxicab he told the chauffeur to drive them anywhere, "just around till I tell you where to go."

They were in motion when Despain found his voice. He said: "This is a hold-up. I'll give you anything you want because I don't want to be killed, but it's just a hold-up."

Ned Beaumont laughed disagreeably and shook his head. "Don't forget I've risen in the world to be something or other in the District Attorney's office."

"But there's no charge against me. I'm not wanted. You said—"

"I was spoofing you, Bernie, for reasons. You're wanted."

"For what?"

"Killing Taylor Henry."

"That? Hell, I'll go back and face that. What've you got against me? I had some of his markers, sure. And I left the night he was killed, sure. And I gave him hell because he wouldn't make them good, sure. What kind of case is that for a first-class lawyer to beat? Jesus, if I left the markers behind in my safe at some time before nine-thirty—to go by Lee's story—don't that show I wasn't trying to collect that night?"

"No, and that isn't all the stuff we've got on you."

"That's all there could be," Despain said earnestly.

Ned Beaumont sneered. "Wrong, Bernie. Remember I had a hat on when I came to see you this morning?"

"Maybe. I think you did."

"Remember I took a cap out of my overcoat-pocket and put it on when I left?"

Bewilderment, fear, began to come into the swarthy man's small eyes. "By Jesus! Well? What are you getting at?"

"I'm getting at the evidence. Do you remember the hat didn't fit me very well?"

Bernie Despain's voice was hoarse: "I don't know, Ned. For Christ's sake, what do you mean?"

"I mean it didn't fit me because it wasn't my hat. Do you remember that the hat Taylor was wearing when he was murdered wasn't found?"

"I don't know. I don't know anything about him."

"Well, I'm trying to tell you the hat I had this morning was Taylor's hat and it's now planted down between the cushion-seat and the back of that brown easy-chair in the apartment you had at the Buckman. Do you think that, with the rest, would be enough to set you on the hot seat?"

Despain would have screamed in terror if Ned Beaumont had not clapped a hand over his mouth and growled, "Shut up," in his ear.

Sweat ran down the swarthy face. Despain fell over on Ned Beaumont, seizing the lapels of his coat with both hands, babbling: "Listen, don't you do that to me, Ned. You can have every cent I owe you, every cent with interest, if you won't do that. I never meant to rob you, Ned, honest to God. It was just that I was caught short and thought I'd treat it like a loan. Honest to God, Ned. I ain't got much now, but I'm fixed to get the money for Lee's rocks that I'm selling today and I'll give you your dough, every nickel of it, out of that. How much was it, Ned? I'll give you all of it right away, this morning."

Ned Beaumont pushed the swarthy man over to his own side of the taxicab and said : "It was thirty-two hundred and fifty dollars."

"Thirty-two hundred and fifty dollars. You'll get it, every cent of it, this morning, right away." Despain looked at his watch. "Yes, sir, right this minute as soon as we can get there. Old Stein will be at his place before this. Only say you'll let me go, Ned, for old times' sake."

Ned Beaumont rubbed his hands together thoughtfully. "I can't exactly let you go. Not right now, I mean. I've got to remember the District Attorney connection and that you're wanted for questioning. So all we can dicker about is the hat. Here's the proposition: give me my money and I'll see that I'm alone when I turn up the hat and nobody else will ever know about it. Otherwise I'll see that half the New York police are with me and— There you are. Take it or leave it."

"Oh, God!" Bernie Despain groaned. "Tell him to drive us to old Stein's place. It's on . -

III.The Cyclone Shot

1

Ned Beaumont leaving the train that had brought him back from New York was a clear-eyed erect tall man. Only the flatness of his chest hinted at any constitutional weakness. In color and line his face was hale. His stride was long and elastic. He went nimbly up the concrete stairs that connected train-shed with street-level, crossed the waiting-room, waved a hand at an acquaintance behind the information counter, and passed out of the station through one of the street-doors.

While waiting on the sidewalk for the porter with his bags to come he bought a newspaper. He opened it when he was in a taxicab riding towards Randall Avenue with his luggage. He read a half-column on the front page:

SECOND BROTHER KILLED

FRANCIS F. WEST MURDERED

CLOSE TO SPOT WHERE

BROTHER MET DEATH

For the second time within two weeks tragedy came to the West family of 1342 N. Achland Avenue last night when Francis F. West, 31, was shot to death in the street less than a block from the corner where he had seen his brother Norman run down and killed by an alleged bootleg car last month.

Francis West, who was employed as waiter at the Rockaway Cafй, was returning from work at a little after midnight, when, according to those who witnessed the tragedy, he was overtaken by a black touring car that came down Achland Avenue at high speed. The car swung in to the curb as it reached West, and more than a score of shots are said to have been fired from it. West fell with eight bullets in his body, dying before anybody could reach him. The death car, which is said not to have stopped, immediately picked up speed again and vanished around the corner of Bow-man Street. The police are hampered in their attempt to find the car by conflicting descriptions given by witnesses, none of whom claims to have seen any of the men in the automobile.

Boyd West, the surviving brother, who also witnessed Norman's death last month, could ascribe no reason for Francis's murder. He said he knew of no enemies his brother had made, Miss Marie Shepperd, 1917 Baker Avenue, to whom Francis West was to have been married next week, was likewise unable to name anyone who might have desired her fiancй's death.

Timothy Ivans, alleged driver of the ear that accidentally ran down and killed Norman West last month, refused to talk to reporters in his cell at the City Prison, where he is held without bail, awaiting trial for manslaughter.

Ned Beaumont folded the newspaper with careful slowness and put it in one of his overcoat-pockets. His lips were drawn a little together and his eyes were bright with thinking. Otherwise his face was composed. He leaned back in a corner of the taxicab and played with an unlighted cigar.

In his rooms he went, without pausing to remove hat or coat, to the telephone and called four numbers, asking each time whether Paul Madvig was there and whether it was known where he could be found. After the fourth call he gave up trying to find Madvig.

He put the telephone down, picked his cigar up from where he had laid it on the table, lighted the cigar, laid it on the edge of the table again, picked up the telephone, and called the City Hall's number. He asked for the District Attorney's office. While he waited he dragged a chair, by means of a foot hooked under one of its rounds, over to the telephone, sat down, and put the cigar in his mouth.

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