Dashiell Hammett - The Maltese Falcon

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Sam Spade, a private eye with his own solitary code of ethics, stars in Hammett's cooly glittering gem of detective fiction, a novel that has haunted 2 generations of readers. FROM THE PUBLISHER A treasure worth killing for. Sam Spade, a slightly shopworn private eye with his own solitary code of ethics. A perfumed grifter named Joel Cairo, a fat man named Gutman, and Brigid O'Shaughnessy, a beautiful and treacherous woman whose loyalties shift at the drop of a dime. These are the ingredients of Dashiell Hammett's coolly glittering gem of detective fiction, a novel that has haunted three generations of readers. FROM THE CRITICS New York Times Book ReviewIf the locution 'hard-boiled' had not already been coined it would be necessary to coin it now to describe the characters of Dashiell Hammett's latest detective story. . . there is plenty of excitement. — Books of the Century; New York Times review, February 1930

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Spade worked his lips together as if tasting something he liked. "Thanks, darling," he said. "See if you can get Tom Polhaus." He opened the inner door and went into his private office, pulling the door to behind him.

Brigid O'Shaughnessy, dressed as on her first visit to the office, rose from a chair beside his desk and came quickly towards him. "Somebody has been in my apartment," she exclaimed. "It is all upside-down, every which way."

He seemed moderately surprised. "Anything taken?"

"I don't think so. I don't know. I was afraid to stay. I changed as fast as I could and came down here. Oh, you must've let that boy follow you there!"

Spade shook his head. "No, angel." He took an early copy of an afternoon paper from his pocket, opened it, and showed her a quarter-column headed SCREAM ROUTS BURGLAR. A young woman named Carolin Beale, who lived alone in a Sutter Street apartment, had been awakened at four that morning by the sound of somebody moving in her bedroom. She had screamed. The mover had run away. Two other women who lived alone in the same building had discovered, later in the morning, signs of the burglar's having visited their apartments. Nothing had been taken from any of the three.

"That's where I shook him," Spade explained. "I went into that building and ducked out the back door. That's why all three were women who lived alone. He tried the apartments that had women's names in the vestibule-register, hunting for you under an alias."

"But he was watching your place when we were there," she objected.

Spade shrugged. "There's no reason to think he's working alone. Or maybe he went to Sutter Street after he had begun to think you were going to stay all night in my place. There are a lot of maybes, but I didn't lead him to the Coronet."

She was not satisfied. "But he found it, or somebody did."

"Sure." He frowned at her feet. "I wonder if it could have been Cairo. He wasn't at his hotel all night, didn't get in till a few minutes ago. He told me he had been standing up under a police-grilling all night. I wonder." He turned, opened the door, and asked Effie Perine: "Cot Tom yet?"

"He's not in. I'll try again in a few minutes."

"Thanks." Spade shut the door and faced Brigid O'Shaughuessy.

She looked at him with cloudy eyes. "You went to see Joe this morning?" she asked.

"Yes."

She hesitated. "Why?"

"Why?" He smiled down at her. "Because, my own true love, I've got to keep in some sort of touch with all the loose ends of this dizzy affair if I'm ever going to niake heads or tails of it." He put an arm around her shoulders and led her over to his swivel-chair. He kissed the tip of her nose lightly and set her down in the chair. He sat on the desk in front of her. FIe said: "Now we've got to find a new' home for you, haven't we?"

She nodded with emphasis. "I won't go back there."

He patted the desk beside Imms thighs and made a thoughtful face. "I think I've got it," he said presently. "Wait a minute." He w'ent into the outer office, shutting the door.

Effie Perine reached for the telephone, saying: "I'll try again."

"Afterwards. Does your woman's intuition still tell you that she's a madonna or soniething?"

She looked sharply up at him. "I still believe that no matter what kind of trouble she's gotten into she's all right, if that's w'hat you mean."

"That's what I mean," he said. "Are you strong enough for her to give her a lift?"

"How?"

"Could you put her up for a few days?"

"You mean at home?"

"Yes. Her joint's been broken into. That's the second burglary she's had this week. It'd be better for her if she wasn't alone. It would help a lot if you could take her in."

Effie Perine leaned forward, asking earnestly: "Is she really in danger, Sam?"

"I think she is."

She scratched her lip with a fingernail. "That would scare Ma into a green hemorrhage. I'll have to tell her she's a surprise-witness or something that you're keeping under cover till the last minute."

"You're a darling," Spade said. "Better take her out there now. I'll get her key from her and bring whatever she needs over from her apartment. Let's see. You oughtn't to be seen leaving here together. You go home now. Take a taxi, but make sure you aren't followed. You probably won't be, but make sure. I'll send her out in another in a little while, making sure she isn't followed."

XI.The Fat Man

The telephone-bell was ringing when Spade returned to his office after sending Brigid O'Shaughnessy off to Effie Perine's house. He went to the telephone.

"Hello Yes, this is Spade. . . . Yes, I got it. I've been waiting to hear from you. . . . Who? . . . Mr. Gutman? Oh, yes, sure! . . . Now—the sooner the better. . . . Twelve C. . . . Right. Say fifteen minutes. Right."

Spade sat on the corner of his desk beside the telephone and rolled a cigarette. His mouth was a hard complacent v. His eyes, watching his fingers make the cigarette, smoldered over lower lids drawn up straight.

The door opened and Iva Archer came in.

Spade said, "Hello, honey," in a voice as lightly amiable as his face had suddenly become.

"Oh, Sam, forgive me! forgive me!" she cried in a choked voice. She stood just inside the door, wadding a black-bordered handkerchief in her small gloved hands, peering into his face with frightened red and swollen eyes.

He did not get up from his seat on the desk-corner. He said: "Sure. That's all right. Forget it."

"But, Sam," she wailed, "I sent those policemen there. I was mad, crazy with jealousy, and I phoned them that if they'd go there they'd learn something about Miles's murder."

"What made you think that?"

"Oh, I didn't! But I was mad, Sam, and I wanted to hurt you."

"It made things damned awkward." He put his arm around her and drew her nearer. "But it's all right now, only don't get any more crazy notions like that."

"I won't," she promised, "ever. But you weren't nice to me last night. You were cold and distant and wanted to get rid of me, when I had come down there and waited so long to warn you, and you—"

"Warn me about what?"

"About Phil. He's found out about—about you being in hove with me, and Miles had told him about my wanting a divorce, though of course he never knew what for, and now Phil thinks we—you killed his brother because he wouldn't give me the divorce so we could get married. He told me he believed that, and yesterday he went and told the police."

"That's nice," Spade said softly. "And you came to warn me, and because I was busy you got up on your ear and helped this damned Phil Archer stir things up."

"I'm sorry," she whimpered, "I know you won't forgive me. I—I'm sorry, sorry, sorry."

"You ought to be," he agreed, "on your own account as well as mine. Has Dundy been to see you since Phil did his talking? Or anybody from the bureau?"

"No." Alarm opened her eyes and mouth.

"They will," he said, "and it'd be just as well to not let them find you here. Did you tell them who you were when you phoned?"

"Oh, no! I simply told them that if they'd go to your apartment right away they'd learn something about the murder and hung up."

"Where'd you phone from?"

"The drug-store up above your place. Oh, Sam, dearest, I—"

He patted her, shoulder and said pleasantly: "It was a dumb trick, all right, but it's done now. You'd better run along home and think up things to tell the police. You'll be hearing from them. Maybe it'd be best to say 'no' right across the board." He frowned at something distant. "Or maybe you'd better see Sid Wise first." He removed his arm from around her, took a card out of his pocket, scribbled three lines on its back, and gave it to her. "You can tell Sid everything." He frowned. "Or almost everything. Where were you the night Miles was shot?"

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