Dashiell Hammett - The Maltese Falcon

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Sam Spade, a private eye with his own solitary code of ethics, stars in Hammett's cooly glittering gem of detective fiction, a novel that has haunted 2 generations of readers. FROM THE PUBLISHER A treasure worth killing for. Sam Spade, a slightly shopworn private eye with his own solitary code of ethics. A perfumed grifter named Joel Cairo, a fat man named Gutman, and Brigid O'Shaughnessy, a beautiful and treacherous woman whose loyalties shift at the drop of a dime. These are the ingredients of Dashiell Hammett's coolly glittering gem of detective fiction, a novel that has haunted three generations of readers. FROM THE CRITICS New York Times Book ReviewIf the locution 'hard-boiled' had not already been coined it would be necessary to coin it now to describe the characters of Dashiell Hammett's latest detective story. . . there is plenty of excitement. — Books of the Century; New York Times review, February 1930

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Spade smiled slightly without separating his lips. "No, you don't have to tell me," he agreed.

"And you know I'd never have placed myself in this position if I hadn't trusted you completely." Her thumb and forefinger twisted a black button on his blue coat.

Spade said, "That again!" with mock resignation.

"But you know it's so," she insisted.

"No, I don't know it." He patted the hand that was twisting the button. "My asking for reasons why I should trust you brought us here. Don't let's confuse things. You don't have to trust me, anyhow, as long as you can persuade me to trust you."

She studied his face. Her nostrils quivered.

Spade laughed. He patted her hand again and said: "Don't worry about that now. He'll be here in a moment. Get your business with him over, and then we'll see how we'll stand."

"And you'll let me go about it—with him—in my own way?"

"S mire."

She turned her hand under his so that her fingers pressed his. She said softly: "You're a God-send."

Spade said: "Don't overdo it."

She looked reproachfully at him, though smiling, and returned to the padded rocker.

Joel Cairo was excited. His dark eyes seemed all irises and his highpitched thin-voiced words were tumbling out before Spade had the door half-open.

"That boy is out there watching the house, Mr. Spade, that boy you showed me, or to whom you showed me, in front of the theatre. What am I to understand from that, Mr. Spade? I came here in good faith, with no thought of tricks or traps."

"You were asked in good faith." Spade frowned thoughtfully. "But I ought to've guessed he might show up. He saw you come in?"

"Naturally. I could have gone on, but that seemed useless, since you had already let him see us together"

Brigid O'Shaughnessy came into the passageway behind Spade and asked anxiously: "What boy? What is it?"

Cairo removed his black hat from his head, bowed stiffly, and said in a prim voice: "If you do not know, ask Mr. Spade. I know nothing about it except through him."

"A kid who's been trying to tail me around town all evening," Spade said carelessly over his shoulder, not turning to face the girl. "Come on in, Cairo, There's no use standing here talking for all the neighbors."

Brigid O'Shaughnessy grasped Spade's arm above the elbow and demanded: "Did he follow you to my apartment?"

"No. I shook him before that. Then I suppose he came back here to try to pick me up again."

Cairo, holding his black hat to his belly with both hands, had come into the passageway. Spade shut the corridor-door behind him and they went into the living-room. There Cairo bowed stiffly over his hat once more and said: "I ani delighted to see you again, Miss O'Shaughnessy."

"I was sure you would be, Joe," she replied, giving him her hand.

He made a formal bow over her hand and released it quickly.

She sat in the padded rocker she had occupied before. Cairo sat in the armchair by the table. Spade, when he had hung Cairo's hat and coat in the closet, sat on an end of the sofa in front of the windows and began to roll a cigarette.

Brigid O'Shaughnessy said to Cairo: "Sam told me about your offer for the falcon. How soon can you have the money ready?"

Cairo's eyebrows twitched. He smiled. "It is ready." He continued to smile at the girl for a little while after he had spoken, and then looked at Spade.

Spade was lighting his cigarette. His face was tranquil.

"In cash?" the girl asked.

"Oh, yes," Cairo replied.

She frowned, put her tongue between her lips, withdrew it, and asked: "You are ready to give us five thousand dollars, now, if we give you the falcon?"

Cairo held up a wriggling hand. "Excuse me," he said. "I expressed myself badly. I did not mean to say that I have the money in my pockets, but that I am prepared to get it on a very few minutes' notice at any time during banking hours."

"Oh!" She looked at Spade.

Spade blew cigarette-smoke down the front of his vest and said: "That's probably right. He had only a few hundred in his pockets when I frisked him this afternoon."

When her eyes opened round and wide he grinned.

The Levantine bent forward in his chair. He failed to keep eagerness from showing in his eves and voice. "I can be quite prepared to give you the money at, say, half-past ten in the morning. Eh?"

Brigid O'Shaughnessy smiled at him and said: "But I haven't got the falcon."

Cairo's face was darkened by a flush of annoyance. He put an ugly hand on either arm of his chair, holding his small-boned body erect and stiff between them. His dark eyes were angry. He did not say anything.

The girl made a mock-placatory face at him. "I'll have it in a week at the most, though," she said.

"Where is it?" Cairo used politeness of mien to express skepticism.

"Where Floyd hid it."

"Floyd? Thursby?"

She nodded.

"And you know where that is?" he asked. "I think I do."

"Then why must we wait a week?"

"Perhaps not a whole week. Whom are you buying it for, Joe?"

Cairo raised his eyebrows. "I told Mr. Spade. For its owner."

Surprise illuminated the girl's face. "So you went back to him?"

"Naturally I did."

She laughed softly in her throat and said: "I should have liked to have seen that."

Cairo shrugged. "That was the logical development." He rubbed the back of one hand with the palm of the other. His upper lids came down to shade his eyes. "Why, if I in turn may ask a question, are you willing to sell to me?"

"I'm afraid," she said simply, "after what happened to Floyd. That's why I haven't it now. I'm afraid to touch it except to turn it over to somebody else right away."

Spade, propped on an elbow on the sofa, looked at and listened to them impartially. In the comfortable slackness of his body, in the easy stillness of his features, there was no indication of either curiosity or impatience.

"Exactly what," Cairo asked in a low voice, "happened to Floyd?"

The tip of Brigid O'Shaughnessy's right forefinger traced a swift C in the air.

Cairo said, "I see," but there was something doubting in his smile. "Is he here?"

"I don't know." She spoke impatiently. "What difference does it make?"

The doubt in Cairo's smile deepened. "It might make a world of difference," he said, and rearranged his hands in his lap so that, intentionally or not, a blunt forefinger pointed at Spade.

The girl glanced at the pointing finger and made an impatient motion with her head. "Or me," she said, "or you."

"Exactly, and shall we add more certainly the boy outside?"

"Yes," she agreed and laughed. "Yes, unless he's the one you had in Constantinople."

Sudden blood mottled Cairo's face. In a shrill enraged voice he cried: "The one you couldn't make?"

Brigid O'Shaughnessy jumped up from her chair. Her lower lip was between her teeth. Her eyes were dark and wide in a tense white face. She took two quick steps towards Cairo. He started to rise. Her right hand went out and cracked sharply against his cheek, leaving the imprint of fingers there.

Cairo grunted and slapped her cheek, staggering her sidewise, bringing from her mouth a brief muffled scream.

Spade, wooden of face, was up from the sofa and close to them by then. He caught Cairo by the throat and shook him. Cairo gurgled and put a hand inside his coat. Spade grasped the Levantine's wrist, wrenched it away from the coat, forced it straight out to the side, and twisted it until the clumsy flaccid fingers opened to let the black pistol fall down on the rug.

Brigid O'Shaughnessy quickly picked up the pistol.

Cairo, speaking with difficulty because of the fingers on his throat, said: "This is the second time you've put your hands on me." His eyes, though the throttling pressure on his throat made them bulge, were cold and menacing.

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