Leslie Charteris - The Saint Goes On

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The Saint Goes On: краткое содержание, описание и аннотация

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In these three classic stories, the Saint investigates crimes that have left the police confounded. In The High Fence, he hunts down a villain who somehow manages to kill people just before they can reveal his identity; The Elusive Ellshaw sees him on the track of a man meant to have died a year before; and a letter calling for help sends him to a sleepy seaside pub disturbed by mysterious underground rumblings in The Case of the Frightened Innkeeper. One thing is sure: despite death threats, gunfire and kidnapping, the Saint will go on until his curiosity is satisfied.

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Viewing Mrs. Florence Ellshaw for the first time, when he opened the door to her, Simon could not deny that Sam Outrell had an excuse for his veiled vulgarity. She was certainly very bovine in build, with stringy mouse-coloured hair and a remarkable torso — the Saint didn't dislike her, but he did not feel that Life would have been incomplete if she had never discovered his address.

"It's about me 'usband, sir," said Mrs. Ellshaw, putting the matter in what must have looked to her like a nut shell.

"What is about your husband?" asked the Saint politely.

"I seen 'im," declared Mrs. Ellshaw emphatically. "I seen 'im last night, plain as I can see you, I did, Mm wot left me a year ago wivout a word, after all I done for 'im, me that never gave 'im a cross word even when 'e came 'ome late an' left all 'is money at the local, as large as life 'e was, an' me workin' me fingers to the bone to feed 'is children, six of 'em wot wouldn't 'ave a rag to their backs if it weren't for me brother Bert as 'as a job in a garridge, with three of his own to look after and his wife an invalid she often cries all night, it's pitiful-Simon perceived that to let Mrs. Ellshaw tell her story in her own way would have required a lifetime's devotion.

"What do you want me to do?" he interrupted.

"Well, sir, I seen 'im last night, after 'im leaving me wivout a word, 'e might 'ave bin dead for all I was to know, after all I done for 'im, as I says to 'im only the day before 'e went, I says 'Ellshaw,' I says. 'I'm the best wife you're ever likely to 'ave, an' I defy you to say anythink else,' I says, an' me workin' me fingers to the bone, with varicose veins as 'urts me somethink terrible sometimes, I 'as to go an' sit down for an hour, this was in Duchess Place."

"What was in Duchess Place?" asked the Saint weakly.

"Why, where I sore 'im," said Mrs. Ellshaw, " 'im wot left me wivout a word—"

"After all you done for him—"

"An' me doing for gentlemen around 'ere all these months to feed 'is children, wiv me pore legs achin', an' 'e turns an' runs away when 'e sees me as if I 'adn't bin the best wife a man ever 'ad, an' never a cross word between us all these years."

The Saint had found it hard to believe that Mrs. Ellshaw had reached an intentional full stop, and concluded that she had merely paused for breath. He took a mean advantage of her momentary incapacity.

"Didn't you run after him?" he put in.

"That I did, sir, wiv me pore legs near to bursting after me being on them all day, an' 'e runs into an 'ouse an' slams the door, an' I gets there after 'im an' rings the bell an' nobody answers, though I waits there 'arf an hour if I waited a minnit, ringin' the bell, an' me sufferin' with palpitations wot always come over me if I run, the doctor tole me I mustn't run about, an' nobody answers till I says to meself, 'All right, Ellshaw,' I says, 'I'll be smarter'n you are,' I says, an' I goes back to the 'ouse this morning, not 'arf an hour ago it wasn't, an' rings the bell again like it might be a tradesman delivering somethink, an' 'e opens the door, an' when 'e seen me 'e gets all angry, if I 'adn't bin the best wife ever a man 'ad."

"And never a cross word between you all these years—"

" 'Yer daft cow,' 'e says, 'can't yer see yer spoilin' everythink?' 'Never you mind wot I'm spoiling,' I says, 'even if it is some scarlet 'ussy yer livin' with in that 'ouse, you gigolo,' I says, 'leaving me wivout a word after all I done for you,' I says; and 'e says to me, ' 'Ere's some money, if that's wot yer after, an' you can 'ave some more any time you want it, so now will you be quiet an' get out of 'ere or else you'll lose me me job, that's wot you'll do, if anybody sees you 'ere,' 'e says, an' 'e shoves some money into me 'and an' slams the door again, so I come straight round 'ere to see you, sir."

"What for?" asked the Saint feebly.

He felt that he was only inviting a fresh cataract of unpunctuated confidences, but he could think of no other question that seemed so entirely apt.

Mrs. Ellshaw, however, did not launch out into another long-distance paragraph. She thrust one of her beefy paws into the fleshy canyon that ran down from her breastbone into the kindly concealment of her clothing, and dragged out what looked at first like a crumpled roll of white paper.

"That's wot for," she said, thrusting the catch towards him.

Simon took it and flattened it out. It was three new five-pound notes clumsily crushed together; and for the first time in that interview he was genuinely interested.

"Is that what he gave you?"

"That's wot he gave me, exactly as 'e put it in me 'and, an' there's somethink dirty about it, you mark my words."

"What sort of job was your husband in before he — er — left you?" Simon inquired.

" 'E never 'ad no regular job," said Mrs. Ellshaw candidly. "Sometimes 'e made a book — you know, sir, that street betting wot's supposed to be illegal. Sometimes 'e used to go to race meetings, but I don't know wot 'e did there, but I know 'e never 'ad fifteen pounds in 'is life that 'e came by honestly, that I know, and I wouldn't let 'im be dishonest, it ain't worth it, with so many coppers about, and 'im a married man wiv six children—"

"What's the address where you saw him?"

"It's in Duchess Place, sir, wot's more like a mews, and the 'ouse is number six, sir, that's wot it is, it's next door to two young gennelmen as I do for, such nice gennelmen they are too, always askin' about me legs—"

The Saint stood up. He was interested, but he had no intention of resuming a study of Mrs. Ellshaw's varicose veins.

"I don't know whether I can do anything for you, but I'll see what I can find out — you might like to let me change these fivers for you," he added. "Pound notes will be easier for you to manage, and these may help me."

He put the three banknotes away in a drawer, and saw the last of Mrs. Ellshaw with some relief. Her troubles were not so utterly commonplace as he had expected them to turn out when she started talking, and some of the brightest episodes in his career had had the most unpromising beginnings, but there was nothing in the recital he had just listened to which struck him as giving it any special urgency. Even when the whole story was an open book to him, the Saint could not feel that he was to blame for failing to foresee the consequences of Mrs. Ellshaw's visit.

He was occupied at that time with quite a different proposition — the Saint was nearly always occupied with something or other, for his ideas of good living were put together on a shamelessly plutocratic scale, and all his expenses were paid out of the proceeds of his raids on those whom he knew as the Ungodly. In this case it was a man of no permanent importance who claimed to be the owner of a mining concession in Brazil. There were always one or two men of that kind on the Saint's visiting list — they were the providential pot-boilers of his profession, and he would have considered it a crime to let them pass by, but only a very limited number of them have been found worthy of commemoration in these chronicles. He walked home from the conclusion of this casual episode at two o'clock in the morning, and might have died before dawn if Sam Outrell had been less conscientious.

"The men have been to fix your extension telephone," was the message passed on to him by the night porter; and the Saint, who had not ordered an extension telephone at all, was silently thoughtful in the elevator that whisked him up to his floor.

He walked down the corridor, as soundless as a prowling cat on the thick carpet, past the entrance of his own suite to another door at the very end of the passage. There was a key on his chain to unlock it; and he stepped out on to the fire-escape and lighted a cigarette under the stars.

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