Leslie Charteris - Prelude for War

She couldn't' have been lying, or trying to keep anything from him. If she had been he must have known.

He stared at the paper as if by sheer physical and mental force he could drag out the secret that was wrapped up in that wandering trail of graphite particles. To have got so far and then to be stopped there was maddening; his brain couldn't accept it. He had never in his life been stopped by a puzzle that filled him with such a sickening feeling of impotence. This was no code or cipher or riddle that wit and patience might eventually solve. There were no invisible inks to develop or clues to put together. The answer was already there in black and white, exactly as Kennet had jotted it down without any intention to conceal it, wrapped up in the skeletal hieroglyphics which to him had been only ordinary hurried writing. Every kink and twist in that long squiggle that might have been "Rinksty" or "Ruckstig" or a dozen other things had stood for a definite letter when Kennet had traced his pencil over them; but he had finished writing and he would not come back to read out what he had written, and all the thought in the world wouldn't make one single kink one atom more distinct.

The Saint glared at it until it blurred under his eyes. "Something happens at Neuilly tomorrow," he said savagely, "and this ought to tell us what it is. This is what Luker and the Sons of France are murdering scared of anybody getting hold of. Johnny must have thought you'd understand. If only you'd listened to him—"

"I know," she gulped. "I know I'm a silly little fool, b-but I'll go on trying to think of it. Is-isn't the photograph any help?"

"You see if it is."

He detached the print from the clip, and as he did so a scrap of celluloid perforated along the edges fluttered away. He picked it up and held it to the light. It was a Leica negative, obviously the original of the print he had been looking at.

He looked at the photograph again, over her shoulder. It was badly underexposed but now he could identify two of the faces. On the left, seated at a desk, with his right profile to the camera, was a man with white hair and a thin underslung jaw; and Simon knew that it was Colonel Marteau, commandant of the Sons of France. In an armchair, further back, almost facing the camera, was Luker's square granitic visage. The man on the right, who faced the desk as though being interviewed, was tall and gangling and shabbily dressed: his face looked coarse and half witted, but that might have been due to the lighting or a slight movement when the picture was taken.

Simon touched him with one finger.

"Do you know him?" he asked.

"No. I'm sure I don't. I've never seen him before."

"You told me that Kennet was excited about a photograph. This must be it. What did he say about it?"

Her forehead was desperately wrinkled.

"I don't know… I told you I never listened. I've got a sort — sort of idea he said it would prove something about how Mr Luker was a murderer, but — Oh, I don't know!"

"Is that all you can remember?"

"Yes. Everything," she said despairingly. "But doesn't it help you? I mean, it's quite a lot for me to remember, really, and you're so clever, you ought to be able to think of something—"

The Saint might have hit her on the nose. He might have taken her neck in his two hands and wrung it out like a sponge. It stands to the credit of his self-control that he did neither of those things.

Instead he did something so free from deliberate thought that it might have been almost instinctive, and yet which afterwards he was tempted to think must have been inspired. He couldn't conscientiously pride himself on thinking so accurately and so far ahead. But he knew that that photograph must be a vital part of the secret, if not the most vital part; and he knew that the negative mattered far more than the print. Of all things, that was what he must retain until he knew its secret. And retaining it might not be so easy. Even then, as he knew, all the police departments of England were hunting him, as well as the anonymous legions of the ungodly. Accidents could always happen, and at any moment one or the other might catch up with him; and then, whichever it was, the first thing that would follow would be that he would be searched. Luckily a Leica negative was not so hard to hide…

That was how he might have worked it out if he had thought so long. But he didn't. He simply got up and strolled over to the dressing table with the negative held between his fingers. There, standing with his back to the girl, he took out his fountain pen, removed the cap, unscrewed the nib end and carefully drew it out with the rubber ink sac attached. Then he rolled the negative gently with his finger and thumb, slid it down into the barrel of the pen and replaced everything. It was not so good as the strong room of a safe deposit, where he would have liked to put it, but it was the best thing he could improvise at the moment; and the restrained mechanical occupation of his hands helped to liberate his struggling thoughts…

"What are you doing?" the girl asked fretfully.

"Thinking." He turned round empty handed, the pen back in his pocket. She had seen nothing. "This seems like a good time and place for it." Again his eyes were narrowed on her like keen blades of sapphire probing for the first hint of deception. "And talking of places — what made you pick on this one to come to?"

"Oh, that was something else that I thought was pretty clever of me. I mean, if you hadn't been following me, which was sort of cheating, you'd never have thought of looking for me here, would you? And it all came to me in a flash, just like that, when I was at the cloakroom in Paddington. You see, I had to go somewhere, and I couldn't go to my flat because everybody knows where that is, and I knew you and Algy and the Sons of France and everybody else would be looking for me, so I had to find somewhere to hide, and then I suddenly remembered reading in a detective story once that the best place to hide was the most obvious place, because nobody ever thought of looking in it. So then I thought, well, I was only down here a few days ago, and lots of awkward things were happening down here then, and so nobody would expect me to come back here. So I just got on the first train and came back; and I got hold of a porter just before the train went out and gave him a telegram to send to Algy and told him if he wanted to talk to me any more about these papers he could put an advertisement in the Morning Post… What's the matter?"

The Saint was standing and gooping at her as if he had been hit on the back of the head. It was a few moments before he recovered his voice.

"You sent Fairweather a telegram before the train left?"

"Yes."

"From Paddington?"

"Yes. You see—"

"Never mind what I see. You poor little blithering featherhead, can't you see what you did?"

"Did I do anything wrong?"

The Saint swallowed.

"No, nothing," he said. "You only told him where to look for you. Haven't you realized that your telegram would be marked as handed in at Paddington? And do you think he's had a house here for all these years without knowing that Paddington is the station where you take off for Anford? And don't you think your telegram is going to remind him about it? And don't you think he's ever read any detective stories? And don't you think that that's just the half-witted break he'd credit you with at once from what he knows of you? He can afford the risk of being wrong; but where do you think is the first place he's going to look for you, just for luck? You — you female Uniatz, you've left him a trail a mile wide that leads straight to where you're sitting!"

At any other time her dismay might have been comical. She looked as if she were going to cry.